Review: Trey Songz's "Trigga"

The average man thinks about sex between one and 388 times per day; Trey Songz isn’t your average man. In his nine years of making music, the twenty-nine-year-old has made it abundantly clear...

  • Review: Trey Songz's "Trigga"
    20,006 Views
    28 Likes16 Dislikes
    The average man thinks about sex between one and 388 times per day; Trey Songz isn’t your average man. In his nine years of making music, the twenty-nine-year-old has made it abundantly clear that sex is pretty much all he thinks about. One might even say he invented it. In a way, Songz's one-dimensionality is a gift and curse. On one hand, when you’re recording the same song for...
  • Review: 50 Cent's "Animal Ambition"
    37,108 Views
    67 Likes25 Dislikes
    On Animal Ambition, 50 Cent returns to the old street-ready sound that made him a household name back in 2003. Unfortunately, a lot has changed in hip-hop since 50’s debut. With the rise of Kanye West (or more particularly 808s & Heartbreak), the genre has become more emotive—more artistically diverse and interesting. Drake, Kendrick Lamar, Kid CuDi and even Future to an extent...
  • Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon"
    43,133 Views
    28 Likes10 Dislikes
    Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul. He’s connected with his young adult audience by embodying this idea of the discontent, rebellious youth with some sticky hooks for good measure — can one ever truly get “Day...
  • Review: August Alsina's "Testimony"
    30,362 Views
    38 Likes7 Dislikes
    2014 has been quite the year for debut albums thus far. Already, we’ve seen debut studio LPs from Cali artists Kid Ink, ScHoolboy Q, and YG. Now, about a year after he first splashed into mainstream Hip-hop/R&B, New Orleans singer August Alsina delivers his Def Jam debut album, Testimony. In 2013, Alsina released the radio-buzzing single “I Luv This Shit” featuring labelmate...
  • Review: Common "Nobody's Smiling"
    13,342 Views
    8 Likes6 Dislikes
    A mostly levelheaded veteran who’s open about his distant relationship with Chicago, Common is the only 30-plus rapper who could’ve made a Nobody’s Smiling. And this goes beyond the conscious label or being a representative of “real hip-hop.” Common’s best works have been guided by a sense of empathy whether it’s through his famous personification of...
  • Review: Migos' "No Label 2"
    24,128 Views
    19 Likes4 Dislikes
    Migos’ style is something like a basketball point guard. The person at the position doesn’t need to master every aspect of the game and probably won’t — rebounding just isn’t his thing. But the person’s shortcomings are hidden by how exceedingly good he is or has to be in a few other skills, whether it’s ball handling or calling plays. Migos will probably...
  • Review: Chris Brown’s "X-Files" EP
    30,422 Views
    36 Likes1 Dislikes
    Chris Brown's new X-Files EP features six brand new tracks that didn't make the final cut for his highly anticipated yet perpetually delayed album X. Although the singer has attempted to distance himself from the media lens and his missteps outside of entertaining, for many listeners, the line between his personal life and his music will remain forever blurred. The EP dropped...
  • Review: ScHoolboy Q's "Oxymoron"
    44,226 Views
    91 Likes8 Dislikes
    An important facet of memorable groups throughout hip-hop history is chemistry: the dynamics every member brings to the table is an essential part of a group's success. Black Hippy's rise to the top has been so prevalent and quick because each of their four main members - Ab-Soul, ScHoolboy Q, Jay Rock and Kendrick Lamar - each bring something radically different to what the crew represents....
  • Review: Tech N9ne's "Strangeulation"
    13,649 Views
    19 Likes2 Dislikes
    In his “Essays on the Intellectual Powers of a Man,” Thomas Reid made the claim that a chain is only as strong as its weakest link. When the philosopher said this in the 1700s, the concept of a compilation album (or an “album” for that matter) was hundreds of years away and yet the words could not apply more appropriately. When reviewing Young Money’s recent Rise of...
  • Review: Slaughterhouse's "House Rules"
    15,726 Views
    21 Likes1 Dislikes
    In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t. Crooked, Royce, Budden and Ortiz could be raking in commercials deals right now, dropping radio hits with Bruno Mars and releasing studio albums once a...
  • Review: Kevin Gates' "By Any Means"
    13,019 Views
    14 Likes11 Dislikes
    March has been a damn good month for Baton Rouge hip-hop, and for fans of the genre as a whole. The release of Kevin Gates' highly anticipated mixtape By Any Means comes just weeks after southern icon and fellow Louisiana native Boosie was released from prison. It seems fitting that what could serve as a breakthrough project for Gates drops right around the time that Boosie, who helped...
  • Review: Iggy Azalea's "The New Classic"
    21,949 Views
    15 Likes10 Dislikes
    Defining a “classic” is no easy task. The first factor is obviously the quality of the music. Here we ask the basic questions: Are there any unnecessary tracks? Does the production impress without outshining the lyrics? The usual surface stuff that’s easy to assess on two full listens. After the surface level is cleared, an album has to separate itself from the pack. Most of the...
  • Review: Asher Roth's "RetroHash"
    13,514 Views
    32 Likes1 Dislikes
    It's fair to presume that some hip-hop fans have slept on Asher Roth over the years. Some still associate him only with his 2009 platinum-selling hit "I Love College". If you find yourself in this category, it's time to recognize one of the best lyrical, smooth-flowing rappers in the game. His extensive fan base, constant big-name collaborations, and overall consistency with which he has made...
  • Review: RiFF RAFF's "NEON iCON"
    23,346 Views
    31 Likes23 Dislikes
    Today marks the culmination of the strangest rap career genesis this country’s ever seen, one that has included an MTV reality show, a hip-hop trio name Three Loco, OG Ron C, a Harmony Korine film, a slew of investigative articles and perhaps most importantly, about as much hate as the internet can muster. The career in question is that of RiFF RAFF, AKA Jody Highroller, Jody Three Moons,...
  • Review: B.o.B.'s "No Genre 2"
    10,700 Views
    17 Likes5 Dislikes
    B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both.  Three years, two albums and two...
  • Review: Rick Ross' "Mastermind" Album
    52,412 Views
    61 Likes18 Dislikes
    In the last two years between his last album and now, Rick Ross has been through a lot, including surviving a targeted hit on his life. Critics bashed God Forgives, I Don’t and many wondered if Ross had peaked too soon and lost his touch. After numerous setbacks and delays, the bawse is back with his sixth album to prove that he’s a man with nine lives and a rapper with hits for...
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