Review: B.o.B's "Underground Luxury"

Bobby Ray is often cited as one of today’s underrated rappers. In the past, his hip hop game has come under fire for infusing pop and rock into his music. He’s also been dubbed a...

  • Review: B.o.B's "Underground Luxury"
    19,951 Views
    20 Likes2 Dislikes
    Bobby Ray is often cited as one of today’s underrated rappers. In the past, his hip hop game has come under fire for infusing pop and rock into his music. He’s also been dubbed a “sell-out” many a time, for creating radio winners. On Underground Luxury, he fights the critics bringing more of a hip hop feel. B.o.B manages to deliver a good set of tracks here, as the album...
  • Review: Gucci Mane's "Brick Factory Vol. 1"
    13,516 Views
    36 Likes2 Dislikes
    Even while behind bars, Gucci Mane has proved that he can produce quality music no matter where he is. His newest mixtape, also available on iTunes, Brick Factory Vol.1, is assumed as one of several compilations to follow, and the series is off to an impressive start. Featuring work with both old and new collaborators, some of whom fall under his label 1017 Brick Squad Records, Gucci...
  • Review: ScHoolboy Q's "Oxymoron"
    43,438 Views
    91 Likes8 Dislikes
    An important facet of memorable groups throughout hip-hop history is chemistry: the dynamics every member brings to the table is an essential part of a group's success. Black Hippy's rise to the top has been so prevalent and quick because each of their four main members - Ab-Soul, ScHoolboy Q, Jay Rock and Kendrick Lamar - each bring something radically different to what the crew represents....
  • Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon"
    42,119 Views
    28 Likes10 Dislikes
    Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul. He’s connected with his young adult audience by embodying this idea of the discontent, rebellious youth with some sticky hooks for good measure — can one ever truly get “Day...
  • Review: Young Money's "Young Money: Rise Of An Empire"
    37,070 Views
    15 Likes24 Dislikes
    Since the release of We Are Young Money in 2009, Nicki Minaj has risen from femme fatale on the rise after dropping the excellent Beam Me Up Scotty to ubiquitous representative of aggressive femininity. Drake, once Lil Wayne’s fresh-faced protégé, is now the biggest crossover success in hip-hop — not just Young Money. Lil Wayne’s career has been on a slump in...
  • Review: Iamsu!'s "Sincerely Yours"
    11,589 Views
    14 Likes4 Dislikes
    It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike. The Richmond rapper’s...
  • Review: Asher Roth's "RetroHash"
    12,961 Views
    32 Likes1 Dislikes
    It's fair to presume that some hip-hop fans have slept on Asher Roth over the years. Some still associate him only with his 2009 platinum-selling hit "I Love College". If you find yourself in this category, it's time to recognize one of the best lyrical, smooth-flowing rappers in the game. His extensive fan base, constant big-name collaborations, and overall consistency with which he has made...
  • Review: Kevin Gates' "By Any Means"
    12,406 Views
    14 Likes11 Dislikes
    March has been a damn good month for Baton Rouge hip-hop, and for fans of the genre as a whole. The release of Kevin Gates' highly anticipated mixtape By Any Means comes just weeks after southern icon and fellow Louisiana native Boosie was released from prison. It seems fitting that what could serve as a breakthrough project for Gates drops right around the time that Boosie, who helped...
  • Review: Future's "Honest"
    32,514 Views
    44 Likes23 Dislikes
    Future is lightyears ahead of his time. Since touching down in 2012 with his Epic Records debut album Pluto, the Freeband Gang founder has continued hustling as an artist. The sloppy, melodic flow Future introduced on Pluto has been used by virtually every trapper who’s poppin’ today, and U.O.E.N.O. it. Throughout the past twelve months, Future has kept the spotlight on him by hosting...
  • Review: Jay-Z's "Magna Carta Holy Grail"
    47,841 Views
    14 Likes2 Dislikes
    Two years ago, Jay-Z and Kanye West joined forces and crowned themselves the kings of rap. After an extensive worldwide Watch The Throne tour, the two went back to their separate careers to work on solo projects. Although they both welcomed a brand new baby in the last year and a half, they couldn’t be in more different places musically. While Kanye has declared himself god and delved into even...
  • Review: Lil Herb's "Welcome To Fazoland"
    17,047 Views
    29 Likes3 Dislikes
    With Chief Keef, King L, Lil Reese and Lil Durk signing to major labels in 2013, Chicago's drill scene saw all of its major stars graduating to more commercial successes, leaving vacancies in the underground mixtape scene that the genre was born from. Enter Lil Bibby and Lil Herb, two MCs ages 19 and 18, respectively, who seemed to be the "Heir Apparents" to the scene, especially after using that...
  • Review: J. Cole's "Revenge of the Dreamers" Compilation
    29,039 Views
    25 Likes2 Dislikes
    With this month’s release of his compilation album Revenge of the Dreamers, it’s clear that 29 is J. Cole’s lucky number. The recording artist and producer turned 29 this year, on the 29th of January, and on that same day tweeted publicly to announce the launch of his label Dreamville, partnering with Interscope Records. His recent release of this compilation project celebrates...
  • Review: Curren$y's "The Drive In Theatre"
    17,690 Views
    22 Likes1 Dislikes
    Only a handful of artists release as much content as Curren$y does. Some can match the quantity, but none can top the quality. Spitta Andretti is known for releasing album-quality mixtapes at a constant rate, giving fans all they can digest. 2013’s New Jet City was one of the hottest mixtapes of the year, and his latest offering The Drive In Theatre doesn’t disappoint either. The...
  • Review: Freddie Gibbs & Madlib's "Piñata"
    16,168 Views
    41 Likes2 Dislikes
    On paper, stone cold gangster Freddie Gibbs and alt-hop producer Madlib have little in common. But after releasing several highly enjoyable EPs beginning in 2011, it quickly became apparent that the duo were capable of vibing off one another. Four songs from those EPs show up on Piñata, and the rest of its seventeen songs fall in line with their smoked-out, sample-heavy sound, creating an...
  • Review: Soulja Boy's "Life After Fame"
    26,323 Views
    17 Likes9 Dislikes
    July 30th approached quickly for Soulja Boy. Originally announced as an album, Life After Fame arrived at its release date with little to no hype. Instead of pushing the album back, the “Crank That” rapper delivered a nineteen-track mixtape with zero features. Recent singles “We Ready” and “Ridin’ Round” are nowhere to be found on the tracklist. Everything about the project,...
  • Review: Kanye West's "Yeezus"
    77,142 Views
    52 Likes51 Dislikes
    Throughout the years Kanye West has transcended hip hop and has made music of his own kind. A hybrid of many sounds and ideas, Yeezus is an ambition expansion of West’s sound palette. Introducing news soundscapes and textures, the album has a completely new sound for the artist, and is a complete disregard for the rules of hip hop and music and because of it, it works. Ye is no stranger to...
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