Review: Slaughterhouse's "House Rules"

In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a...

  • Review: Slaughterhouse's "House Rules"
    15,373 Views
    21 Likes1 Dislikes
    In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t. Crooked, Royce, Budden and Ortiz could be raking in commercials deals right now, dropping radio hits with Bruno Mars and releasing studio albums once a...
  • Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon"
    42,532 Views
    28 Likes10 Dislikes
    Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul. He’s connected with his young adult audience by embodying this idea of the discontent, rebellious youth with some sticky hooks for good measure — can one ever truly get “Day...
  • Review: Migos' "No Label 2"
    23,657 Views
    19 Likes4 Dislikes
    Migos’ style is something like a basketball point guard. The person at the position doesn’t need to master every aspect of the game and probably won’t — rebounding just isn’t his thing. But the person’s shortcomings are hidden by how exceedingly good he is or has to be in a few other skills, whether it’s ball handling or calling plays. Migos will probably...
  • Review: ScHoolboy Q's "Oxymoron"
    43,793 Views
    91 Likes8 Dislikes
    An important facet of memorable groups throughout hip-hop history is chemistry: the dynamics every member brings to the table is an essential part of a group's success. Black Hippy's rise to the top has been so prevalent and quick because each of their four main members - Ab-Soul, ScHoolboy Q, Jay Rock and Kendrick Lamar - each bring something radically different to what the crew represents....
  • Review: Chris Brown’s "X-Files" EP
    29,995 Views
    36 Likes1 Dislikes
    Chris Brown's new X-Files EP features six brand new tracks that didn't make the final cut for his highly anticipated yet perpetually delayed album X. Although the singer has attempted to distance himself from the media lens and his missteps outside of entertaining, for many listeners, the line between his personal life and his music will remain forever blurred. The EP dropped...
  • Review: YG's "My Krazy Life"
    39,247 Views
    59 Likes10 Dislikes
    YG first popped up on the radar with the 2009 song "Toot It And Boot It" featuring Ty Dolla $ign. While he was locked up serving a six-month sentence for a parole violation stemming from a home invasion, the Compton native saw the song steadily climb the Billboard charts. Once YG was released, he had several label options, eventually signing with Def Jam. As fans awaited his debut album, he...
  • Review: Kanye West's "Yeezus"
    77,472 Views
    53 Likes51 Dislikes
    Throughout the years Kanye West has transcended hip hop and has made music of his own kind. A hybrid of many sounds and ideas, Yeezus is an ambition expansion of West’s sound palette. Introducing news soundscapes and textures, the album has a completely new sound for the artist, and is a complete disregard for the rules of hip hop and music and because of it, it works. Ye is no stranger to...
  • Review: Tech N9ne's "Strangeulation"
    13,250 Views
    19 Likes2 Dislikes
    In his “Essays on the Intellectual Powers of a Man,” Thomas Reid made the claim that a chain is only as strong as its weakest link. When the philosopher said this in the 1700s, the concept of a compilation album (or an “album” for that matter) was hundreds of years away and yet the words could not apply more appropriately. When reviewing Young Money’s recent Rise of...
  • Review: Curren$y's "The Drive In Theatre"
    17,980 Views
    23 Likes1 Dislikes
    Only a handful of artists release as much content as Curren$y does. Some can match the quantity, but none can top the quality. Spitta Andretti is known for releasing album-quality mixtapes at a constant rate, giving fans all they can digest. 2013’s New Jet City was one of the hottest mixtapes of the year, and his latest offering The Drive In Theatre doesn’t disappoint either. The...
  • Review: Hopsin's "Knock Madness"
    19,900 Views
    25 Likes4 Dislikes
    To say Hopsin's third album is long overdue is like saying FEMA's response to Hurricane Katrina was slightly delayed. It's been three years since he dropped his critically acclaimed sophomore album Raw. Since then, he's toured the country extensively and landed a spot on XXL's 2013 Freshman list. But unlike his fellow alumni French Montana, Macklemore, Kid Ink and Machine Gun Kelly, Hop didn't...
  • Review: Kevin Gates' "By Any Means"
    12,678 Views
    14 Likes11 Dislikes
    March has been a damn good month for Baton Rouge hip-hop, and for fans of the genre as a whole. The release of Kevin Gates' highly anticipated mixtape By Any Means comes just weeks after southern icon and fellow Louisiana native Boosie was released from prison. It seems fitting that what could serve as a breakthrough project for Gates drops right around the time that Boosie, who helped...
  • Review: Kid Ink's "My Own Lane"
    24,741 Views
    46 Likes12 Dislikes
    Kid Ink may have suddenly rose to popularity with the 2012 catchy hit “Time of Your Life” but the California rapper has been at it longer than that. Releasing his first mixtape in 2010, Kid Ink, real name Brian Collins, gained a slew of fans with his laid-back style and blend of singing and rapping. Ink wasted no time in offering up tons of new music within the span of a few years;...
  • Review: Asher Roth's "RetroHash"
    13,212 Views
    32 Likes1 Dislikes
    It's fair to presume that some hip-hop fans have slept on Asher Roth over the years. Some still associate him only with his 2009 platinum-selling hit "I Love College". If you find yourself in this category, it's time to recognize one of the best lyrical, smooth-flowing rappers in the game. His extensive fan base, constant big-name collaborations, and overall consistency with which he has made...
  • Review: J. Cole's "Revenge of the Dreamers" Compilation
    29,275 Views
    25 Likes2 Dislikes
    With this month’s release of his compilation album Revenge of the Dreamers, it’s clear that 29 is J. Cole’s lucky number. The recording artist and producer turned 29 this year, on the 29th of January, and on that same day tweeted publicly to announce the launch of his label Dreamville, partnering with Interscope Records. His recent release of this compilation project celebrates...
  • Review: Lil Herb's "Welcome To Fazoland"
    17,281 Views
    29 Likes3 Dislikes
    With Chief Keef, King L, Lil Reese and Lil Durk signing to major labels in 2013, Chicago's drill scene saw all of its major stars graduating to more commercial successes, leaving vacancies in the underground mixtape scene that the genre was born from. Enter Lil Bibby and Lil Herb, two MCs ages 19 and 18, respectively, who seemed to be the "Heir Apparents" to the scene, especially after using that...
  • Review: The Underachievers' "The Lords Of Flatbush"
    8,880 Views
    19 Likes1 Dislikes
    Following the earlier release of their debut project Indigoism this year The Underachievers are back with a solid new mixtape, The Lords of Flatbush reasserting their undeniable spot in the Beast Coast movement. This new mixtape stands in slight opposition to the previous work of The Underachievers, however, that’s something we were told to expect. Previously, the Brooklyn duo Issa Gold and AK...
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