• Review: Jeezy's "Seen It All: The Autobiography"
    20,489 Views
    47 Likes7 Dislikes
    Every meaningful artist takes a step back at some point in their career to dwell on their achievements and tribulations in an attempt to make sense of everything that’s happened. JAY Z accomplished this feat on wax with The Black Album. Kanye did the same on My Beautiful Dark Twisted Fantasy, as did Nas on Life Is Good. By sheer force of will, Jeezy has risen...
  • Review: DJ Mustard "10 Summers"
    17,780 Views
    20 Likes7 Dislikes
    Dijon McFarlane, aka DJ Mustard, is a Los Angeles born and raised producer of seemingly all of the most important tracks you’ve heard over the past year. While that statement is obvious hyperbole, his influence on the rap stratosphere is not, and cannot be overstated. When you have producers jack what you’ve made hot, for another artist (cough, Iggy Azalea), with no shame, it means...
  • Review: Mac Miller's "Faces"
    37,089 Views
    73 Likes4 Dislikes
    Have you ever seen the viral video of Susan Boyle performing for the first time on Britain’s Got Talent? A superficially unattractive older woman walks out onto the stage to perform a song before hundreds of people and four judges. Before she even gets an opportunity to sing, the crowd is halfway out their seats with laughter. Then she opened her mouth and silenced all haters. Mac...
  • Review: Sir Michael Rocks "BANCO"
    11,394 Views
    15 Likes2 Dislikes
    As a member of the Cool Kids, Sir Michael Rocks helped pioneer the current “cool kid” rap and fashion swag, since borrowed by a number of your favorite artists. They were the next big thing, even featured in a nationally aired Rhapsody commercial, with future star Sara Bareilles. Unfortunately for the duo, the steam from their almost certain runaway train to stardom ran out halfway...
  • Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon"
    43,432 Views
    28 Likes10 Dislikes
    Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul. He’s connected with his young adult audience by embodying this idea of the discontent, rebellious youth with some sticky hooks for good measure — can one ever truly get “Day...
  • Review: Trey Songz's "Trigga"
    20,287 Views
    28 Likes16 Dislikes
    The average man thinks about sex between one and 388 times per day; Trey Songz isn’t your average man. In his nine years of making music, the twenty-nine-year-old has made it abundantly clear that sex is pretty much all he thinks about. One might even say he invented it. In a way, Songz's one-dimensionality is a gift and curse. On one hand, when you’re recording the same song for...
  • Review: August Alsina's "Testimony"
    30,639 Views
    38 Likes7 Dislikes
    2014 has been quite the year for debut albums thus far. Already, we’ve seen debut studio LPs from Cali artists Kid Ink, ScHoolboy Q, and YG. Now, about a year after he first splashed into mainstream Hip-hop/R&B, New Orleans singer August Alsina delivers his Def Jam debut album, Testimony. In 2013, Alsina released the radio-buzzing single “I Luv This Shit” featuring labelmate...
  • Review: Wiz Khalifa's "28 Grams"
    41,006 Views
    35 Likes41 Dislikes
    Like any Wiz project, there will be a wide variety of opinions on 28 Grams, ranging from exuberant praise to vitriolic disdain. This variance in opinion is common for Young Khalifa, as Wiz has been riding the same strange roller coaster as Weezy the last few years, delivering excellent mixtape projects like Taylor Allderdice and Cabin Fever 2 while disappointing most with his retail...
  • Review: 50 Cent's "Animal Ambition"
    37,388 Views
    67 Likes25 Dislikes
    On Animal Ambition, 50 Cent returns to the old street-ready sound that made him a household name back in 2003. Unfortunately, a lot has changed in hip-hop since 50’s debut. With the rise of Kanye West (or more particularly 808s & Heartbreak), the genre has become more emotive—more artistically diverse and interesting. Drake, Kendrick Lamar, Kid CuDi and even Future to an extent...
  • Review: Ty Dolla $ign's "$ign Language"
    13,734 Views
    24 Likes11 Dislikes
    First things first, there's a few things you'll need to effectively set the mood for this one. $ign Language isn't a middle of the afternoon at your office listen, as we quickly learned. Fast forward to a little later at your crib, where you've presumably acquired the 40's of malt, a pile of your favorite strain, and two to three bad bitches that will really make this mixtape ring true. Now...
  • Review: Common "Nobody's Smiling"
    13,570 Views
    8 Likes6 Dislikes
    A mostly levelheaded veteran who’s open about his distant relationship with Chicago, Common is the only 30-plus rapper who could’ve made a Nobody’s Smiling. And this goes beyond the conscious label or being a representative of “real hip-hop.” Common’s best works have been guided by a sense of empathy whether it’s through his famous personification of...
  • Review: Childish Gambino's "Because The Internet"
    43,980 Views
    69 Likes7 Dislikes
    Originality is a rarity in modern hip-hop, and when an experimental album comes along, it tends to polarize listeners initially. Take Kanye West's new album Yeezus, for example. Its minimalism, raw emotion and amalgamation of genres was difficult for many diehard fans to stomach at first (not to mention the left-field visuals). Childish Gambino's Because the Internet has similarly polarized...
  • Review: Slaughterhouse's "House Rules"
    15,926 Views
    21 Likes1 Dislikes
    In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t. Crooked, Royce, Budden and Ortiz could be raking in commercials deals right now, dropping radio hits with Bruno Mars and releasing studio albums once a...
  • Review: Migos' "No Label 2"
    24,321 Views
    19 Likes4 Dislikes
    Migos’ style is something like a basketball point guard. The person at the position doesn’t need to master every aspect of the game and probably won’t — rebounding just isn’t his thing. But the person’s shortcomings are hidden by how exceedingly good he is or has to be in a few other skills, whether it’s ball handling or calling plays. Migos will probably...
  • Review: Logic's "Welcome to Forever"
    17,161 Views
    31 Likes2 Dislikes
    Throughout Welcome to Forever Robert Bryson Hall II reflects upon the last year of his career. The opening title track recalls when Logic met Nas for the first time in the line, “Shook his hand then he started quoting my lines? God damn this is real life!” A certain hunger and drive are present in the Maryland native's voice. The intensity and the leisurely style that he rhymes with have...
  • Review: Asher Roth's "RetroHash"
    13,640 Views
    32 Likes1 Dislikes
    It's fair to presume that some hip-hop fans have slept on Asher Roth over the years. Some still associate him only with his 2009 platinum-selling hit "I Love College". If you find yourself in this category, it's time to recognize one of the best lyrical, smooth-flowing rappers in the game. His extensive fan base, constant big-name collaborations, and overall consistency with which he has made...
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