Reviews
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Reviews “Lonely At The Top” finds Joey Bada$$ balancing Brooklyn roots, growth, risk, and the consistency defining his decade-long career.
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Aron A. -
Reviews "Let God Sort Em Out" is a powerful Clipse comeback blending coke rap, spiritual growth, and grief, showcasing matured lyricism and Pharrell’s visionary production.
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Aron A. -
Reviews Out of Benito Antonio Martínez Ocasio's many tours and hometown shows, this performance at El Choli was one of his most well-structured, impressive, and heartfelt to date.
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Gabriel Bras Nevares -
Reviews Ten years on, "Graduation" stands as Kanye's first major stylistic shift, as well as his most ill-advised.
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Patrick Lyons -
Reviews Even though Tyler, The Creator is running it back rather than pushing it forward, "DON'T TAP THE GLASS" is nonetheless immediate and joyous.
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Gabriel Bras Nevares -
Reviews It says it right there on the box, and this uncompromising Future release doesn't need to change who "MIXTAPE PLUTO" is.
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Gabriel Bras Nevares -
Reviews "I'm back motherf*cker!"
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Caroline Fisher -
Reviews Drake and PartyNextDoor's best collaborations have thrived in small doses, where their chemistry is complementary rather than forced. Stretching that formula across an entire album dilutes what makes their collaborative efforts work in the first place.
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Aron A. -
Reviews Lil Wayne is trying to keep up when both the industry and the genre are moving on without him—and the result is a confusing album caught between eras, audiences, and expectations.
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Aron A. -
Reviews A glossy label showcase that feels more like a Travis Scott mixtape, where branding outpaces cohesion and vibes eclipse vision.
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Aron A. -
Reviews "I Decided" continues the trend of Big Sean topping himself with each new album, but failing to get the classic he's aiming for.
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Patrick Lyons -
Reviews "I Rest My Case" is a solid and refreshing new offering from NBA YoungBoy, but it’s simply too derivative to stand on its own as a great album.
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Joshua Robinson
