Reviews
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Reviews "What It Means To Be King," the first posthumous release from King Von, expands the vision he laid down on his debut album while hinting at what could have been his artistic evolution.
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Aron A. -
Reviews Despite feeling more like a compilation than a joint project, EST Gee and 42 Dugg strike gold whenever they're in sync with one another.
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Aron A. -
Reviews Beyoncé's sprawling seventh studio album is an invigorating, fearless, and top-heavy addition to her catalog.
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Joshua Robinson -
Reviews DJ Khaled's key to success is based on a formula, and it's one he seems unwilling to change.
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Aron A. -
Reviews Similar to his Griselda constituents, Benny the Butcher's saga has been a testament to his endurance not only as an artist but as a man.
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Mackenzie Cummings-Grady -
Reviews Yeat's oddball cloud rap isn't engaging enough to justify the 1-hour runtime, but is undeniably exhilarating in small doses on 'Afterlyfe."
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Caleb Hardy -
Reviews Juicy J returns with more of the same on "Blue Dream & Lean 2."
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Alex Galbraith -
Reviews The preamble to Carti’s Rolling Loud set had the potential to be great, but went horribly awry before you could even say “Flatbed Freestyle.”
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Luke Hinz -
Reviews On "Chixtape 5," Tory Lanez uses 2000s nostalgia to craft a captivating soundtrack to the next decade.
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Alexander Cole -
Reviews Lil Peep's first posthumous album is beautiful and hard to endure at times given the tragic conclusion.
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Luke Hinz -
Reviews YG's fourth album is a concise effort that pays homage to a fallen friend-- but does it also position him along the West Coast elite?
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Maxwell Cavaseno -
Reviews Though there are a few more cringeworthy lyrics and a bit less cohesion than usual for Drake, "VIEWS" is still an album that only he could make.
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Patrick Lyons