Reviews
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Reviews You can't come for DaBaby.
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Noah C -
Reviews Yeat's oddball cloud rap isn't engaging enough to justify the 1-hour runtime, but is undeniably exhilarating in small doses on 'Afterlyfe."
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Caleb Hardy -
Reviews Trippie Redd is a future star, but this probably won't be the right project to get him there, quite yet.
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Alphonse Pierre -
Reviews At the peak of his commercial powers, Chicago's Polo G sets out to prove that his upward trajectory is still in motion on "Hall Of Fame."
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Robert Blair -
Reviews “Damage Control” showed the cracks in the key players.
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Karlton Jahmal -
Reviews Vince Staples' final album on Def Jam not only reinforces the core themes throughout his career, but also shares them more vulnerably than ever.
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Gabriel Bras Nevares -
Reviews Twelvyy represents his native New York hard on his debut.
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Oliver W. Colbert -
Reviews "Jungle" tour co-stars Drake and Future find a way to make their differences gel on the relatively brief "What A Time To Be Alive."
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Patrick Lyons -
Reviews Ghostface Killah's latest album offers a few standout moments, but mostly fails to deliver a cohesive body of work.
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TeeJay Small -
Reviews With a bit more clarity and ambition, "Blue Lips" is a gratifying listen that encompasses a level of depth that we haven’t heard from ScHoolboy Q before.
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Aron A. -
Reviews It's about time.
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Rose Lilah -
Reviews 21 Savage and Metro Boomin turn in an impeccably-curated project whose style clearly trumps its substance.
By
Patrick Lyons