Reviews
-
Reviews 30 years into his career, and Usher’s comeback is only the beginning.
By
Demi Phillips -
TV "Barbershop" is the season's goofiest episode while underlying the importance of the black barbershop experience.
By
Dhruva Balram -
Reviews Turn down for what? The "All Gold Everything" rapper proves he isn't done shining.
By
Matt Aceto -
Reviews RiFF RAFF bucks conventions, gets weird on "NEON iCON."
By
Patrick Lyons -
Reviews "Stay Dangerous" doesn't quite approach the near-perfection of YG's first two albums, but his looseness and maturation make for an essential listen.
By
Patrick Lyons -
Reviews Vince Staples' final album on Def Jam not only reinforces the core themes throughout his career, but also shares them more vulnerably than ever.
By
Gabriel Bras Nevares -
Reviews The combined forces of Killer Mike and 50 Cent transcended borders and language barriers during their recent performance in Quebec City.
By
Aron A. -
Reviews ALBUM REVIEW: Pop Smoke's "Meet The Woo 2" plays to his strengths, blending elements of UK Drill, London electronic, and New York hip-hop.
By
Aron A. -
Reviews Syd plays "Fin" off as a shallow stopgap release between Internet albums, but her confidence is also responsible for a strong set of songs.
By
Patrick Lyons -
Reviews Ab-Soul showcases a split worldview on his new cut, "Do What Thou Wilt." Soulo takes his self-titled advice, and lets his strengths shine instead of experimenting for variety’s sake.
By
Anders Marshall -
Reviews Young Money's latest collaboration album, "Rise Of An Empire", features labelmates who've skirted success over the years. Unfortunately, the new album doesn't hint they will ever achieve it.
By
Brian Josephs -
Reviews "S4TW2" is better than Weezy's recent output, but, what does that mean?
By
Alex Galbraith