KickAss (Pull Up Pls) – Song by Che & Nettspend

BY Gabriel Bras Nevares
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KickAss Pull Up Pls Che Nettspend KickAss Pull Up Pls Che Nettspend
"KickAss (Pull Up Pls)" sees Che and Nettspend prove why they are two of the most explosive, albeit polarizing, rappers today.

Che and Nettspend are two big names in the rage-adjacent hip-hop space these days, and they have finally linked up on the explosive and blown-out new single, "KickAss (Pull Up Pls)." The kicks here are blistering, and buzzy synths bubble beneath heavy bass and some wild vocal deliveries from both artists. Che takes on a particularly dark and deep growl in his verse, which has been one of the most engaging parts of his artistry in comparison to his peers. On the other hand, Nettspend employs a more nasal approach, and the contrast is compelling. Most importantly, they leave plenty of room for cheeky lines, adding more dimensions to this already hard-hitting cut.

Release Date: September 4, 2026

Genre: Hip-Hop

Album: N/A

Quotable Lyrics from KickAss (Pull Up Pls)

My h*e, she bad and she tatted, like when she act like a diva,
We just gon' chop 'em in pieces, cut that boy up like a pizza,
We takin' these Addy's, I'm geekin', I'm off a drug every week,
I got these thotties on they knees, I really don't want no more needles

About The Author
Gabriel Bras Nevares is a staff writer for HotNewHipHop. He joined HNHH while completing his B.A. in Journalism & Mass Communication at The George Washington University in the summer of 2022. Born and raised in San Juan, Puerto Rico, Gabriel treasures the crossover between his native reggaetón and hip-hop news coverage, such as his review for Bad Bunny’s hometown concert in 2024. But more specifically, he digs for the deeper side of hip-hop conversations, whether that’s the “death” of the genre in 2023, the lyrical and parasocial intricacies of the Kendrick Lamar and Drake battle, or the many moving parts of the Young Thug and YSL RICO case. Beyond engaging and breaking news coverage, Gabriel makes the most out of his concert obsessions, reviewing and recapping festivals like Rolling Loud Miami and Camp Flog Gnaw. He’s also developed a strong editorial voice through album reviews, think-pieces, and interviews with some of the genre’s brightest upstarts and most enduring obscured gems like Homeboy Sandman, Bktherula, Bas, and Devin Malik.

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