Stalley's debut album "Ohio" has been a long time coming. The Maybach Music MC delivers 12 hip-hop cuts of hometown pride, enthusiastic Chevy-riding and getting stoned.
Fifteen years of Shady Records represents an unusual time for rap music, transitioning out of the shiny suit era and into a bubble featuring new names. Aside from D12 and Obie Trice releases, the label’s existence was mostly tied to Eminem signing a certain Queens MC.
Review: Earl Sweatshirt's "I Don't Like Shit, I Don't Go Outside" Mar 29, 2015 at 03:42pm 21,046 Views
Earl Sweatshirt’s I Don’t Like Shit, I Don’t Get Outside is a short and moody album. It also happens to be a very focused, quality listen, and possibly the best output we’ve received from the California native. Through bummed-out stoned raps and shoegazing beats, Earl proves to be one of the most talented, albeit depressed, rappers in the game.
B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both.
Lucki Eck$ is one of the more interesting figures in today's rap scene. He may not have a "Trap Queen" under his belt, but with a unique sound, a few solid mixtapes, and no shortage of music videos, the 19-year-old rapper has built an image that his devoted fanbase can't get enough of.
Part of Future’s appeal lies in a musically indefinable existence. While both Pluto (and the 3D version) and Honest became somewhat of a set template for artists like Travi$ Scott, Future himself is a blend of the past, some not so distant.
We all know the story with Wiz and his albums, it's a tale as old as time. He goes super, extra hard on his mixtapes to shut up the critics who talked bad about his albums, only to make some of the same mistakes on the next album.
After a near-decade of hustling, Curren$y has finally landed his prominent role in the rap scene. It wasn’t easy work, but anyone who has watched the New Orleans-native go from Lil Wayne’s sidekick to stoner rap’s most consistent contributor will tell you that much.
To say that the dawn of drill feels like yesterday would be generous at best. It's been roughly three years since Chicago's rap explosion took the world by storm, and now it feels like you're sifting through the rubble. So many promising talents have struggled to live up to the hype, gotten lost in the blogosphere, or become unrecognizable.
There’s something admirable about truly stepping out on your own, as your own person. You’re leaving behind that helping hand, that “co-sign,” and pursing your dreams, able to stand without the crutch.
First things first, there's a few things you'll need to effectively set the mood for this one. $ign Language isn't a middle of the afternoon at your office listen, as we quickly learned. Fast forward to a little later at your crib, where you've presumably acquired the 40's of malt, a pile of your favorite strain, and two to three bad bitches that will really make this mixtape ring true.
Ab-Soul is a complex artist. The Carson, California native and Top Dawg Entertainment signee has overcome a number of major tribulations throughout the course of his life. And while all artists experience ups-and-downs that become points of growth for them as people while shaping the music they create, Ab-Soul's ups-and-downs are unique to most.
In many ways, the early 2000s belonged to Ludacris. Within that time, the rapper was able to cross multiple platforms, making palatable music for varying tastes tinged with his trademark Dirty South sound. He would drop cheeky hit after cheeky hit, with a self serious flow delivered through a cheshire grin - and we all loved him for it.
Have you ever seen the viral video of Susan Boyle performing for the first time on Britain’s Got Talent? A superficially unattractive older woman walks out onto the stage to perform a song before hundreds of people and four judges. Before she even gets an opportunity to sing, the crowd is halfway out their seats with laughter. Then she opened her mouth and silenced all haters.
After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
Joell Ortiz changed this album’s title from Yaowa, basically because this is him at his most comfortable. In Hip Hop, getting too comfortable can sometimes lead to a decline in effort due to loss of hunger. Anyone familiar with Joell Ortiz would probably find it hard to imagine him not putting effort into a project, comfortable or not.
As a member of the Cool Kids, Sir Michael Rocks helped pioneer the current “cool kid” rap and fashion swag, since borrowed by a number of your favorite artists. They were the next big thing, even featured in a nationally aired Rhapsody commercial, with future star Sara Bareilles.
Most of the album's best qualities are present in the intro and and title track: catchy hooks, hard-hitting lyrics, confidant flows, obscure topics and absolutely amazing production.
Gaining recognition after Nas famously co-signed and encouraged him, along with Scarface's timely advice, Jon Connor has had a lot to prove these days to live up to expectations. The up and coming artist from Flint, Michigan, just dropped his latest mixtape, 'The People’s Rapper LP' on April 13th under All Varsity Music, (produced by DJ Don Cannon) proving he can certainly deliver.
July 30th approached quickly for Soulja Boy. Originally announced as an album, Life After Fame arrived at its release date with little to no hype. Instead of pushing the album back, the “Crank That” rapper delivered a nineteen-track mixtape with zero features. Recent singles “We Ready” and “Ridin’ Round” are nowhere to be found on the tracklist.
Cassie seems to have finally grown into her own, after suffering a few career stumbles early on. After guidance and direction from Bad Boy records, and no doubt her boyfriend, Diddy, her progress as an artist can be heard on her new mixtape, Rockabyebaby.
Freddie Gibbs is a veteran in the rap game but it’s taken him a decade to put out his first studio album. Cutting his teeth on the mixtape circuit, Gibbs released a steady stream of solid projects rife with stories of the drug game. After signing with Interscope Records, Gibbs was shuffled to the back of the bus before being dropped altogether.
Originality is a rarity in modern hip-hop, and when an experimental album comes along, it tends to polarize listeners initially. Take Kanye West's new album Yeezus, for example. Its minimalism, raw emotion and amalgamation of genres was difficult for many diehard fans to stomach at first (not to mention the left-field visuals).
Get Home Safely, Dom Kennedy’s second studio album and follow up to last year's Yellow Album, demonstrates Dom Kennedy’s unique ability to weave highly accessible stories into his lyrics without compromising intelligibility. Actually, it’s not a trait unique to him. Artists like Slick Rick, Snoop and Nas are known for this same technique.
After a number of impressive leaks, Dizzy Wright, drops his highly anticipated mixtape, The Golden Age. This is the Sin City representative's fifth street album in total, the tape is the follow-up to the free version of SmokeOut Conversations, which was released in June 2012, and comes on the heels of last December's Booth-hosted The First Agreement EP.
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