album review
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Reviews Gunna’s "The Last Wun" captures his shift from survival to self-preservation as he prepares for a new chapter in his career.
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Aron A. -
Reviews "WHAT HAPPENED TO THE STREETS?" is a fitting installment in 21 Savage’s catalog, both a reckoning with the world he came from and the one he is carving out for himself.
By
Aron A. -
Reviews Baby Keem’s sophomore album peels back layers of personal trauma and family history, while finding cohesion and pop potential across a stylistically varied but emotionally focused project.
By
Aron A. -
Reviews A glossy label showcase that feels more like a Travis Scott mixtape, where branding outpaces cohesion and vibes eclipse vision.
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Aron A. -
Reviews "Kiari" finds Offset asserting his personal and artistic identity through standout street bangers and poignant introspection, even as familiar tropes and uneven moments hold the project back.
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Aron A. -
Reviews Cardi B’s "Am I The Drama?" falters musically with bloat, but her bold persona and public drama keep it compelling.
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Aron A. -
Reviews Earl Sweatshirt's personal growth over the past few years may have just made "Live Laugh Love" his most definitive album experience.
By
Gabriel Bras Nevares -
Reviews “Lonely At The Top” finds Joey Bada$$ balancing Brooklyn roots, growth, risk, and the consistency defining his decade-long career.
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Aron A. -
Music Kanye West's "Bully" fell flat for "Pitchfork," and the album's distributor, gamma., has some words for their poor review.
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Zachary Horvath -
Reviews Drake and PartyNextDoor's best collaborations have thrived in small doses, where their chemistry is complementary rather than forced. Stretching that formula across an entire album dilutes what makes their collaborative efforts work in the first place.
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Aron A. -
Reviews It says it right there on the box, and this uncompromising Future release doesn't need to change who "MIXTAPE PLUTO" is.
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Gabriel Bras Nevares -
Original Content In light of Drake's newly exposed DMs to Anthony Fantano, we revisit the YouTube music critic's past reviews of Drizzy's catalog.
By
Joshua Robinson