Reviews
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Reviews The modern renaissance man is an archetype that many artists hope to emulate.
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Taiyo Coates -
Reviews This is a step forward for Destroy Lonely's artistry, but it's not the leap in quality and approach that most fans expect at this point.
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Gabriel Bras Nevares -
Reviews With appearances from Kendrick Lamar, Future, and Travis Scott, "MUSIC" reaffirms Playboi Carti as both a pioneer and provocateur in hip-hop.
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Aron A. -
Reviews Young Thug’s “UY Scuti” is messy and uneven yet vulnerable, offering flashes of his pre-incarceration brilliance without reclaiming the superstar stature that once placed him at rap’s upper echelon.
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Aron A. -
Reviews “Lonely At The Top” finds Joey Bada$$ balancing Brooklyn roots, growth, risk, and the consistency defining his decade-long career.
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Aron A. -
Reviews "Kiari" finds Offset asserting his personal and artistic identity through standout street bangers and poignant introspection, even as familiar tropes and uneven moments hold the project back.
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Aron A. -
Reviews Iggy Azalea's "The New Classic" is a flat LP that fails to utilize what that makes Iggy unique.
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Lloyd Jaffe -
Reviews While "HARDSTONE PSYCHO" loses a bit of steam in its last third, it still triumphs as Don Toliver's most exhilarating album to date.
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Gabriel Bras Nevares -
Reviews PartyNextDoor elevates his strain of R&B through intimate and vulnerable songwriting on "P4."
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Aron A. -
Reviews Janelle Monae switches gear on their fourth studio album, "The Age of Pleasure," bringing fans a smooth and sexy soundscape.
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Mike Fugere -
Reviews Icewear Vezzo showcases his versatility and maturity on his latest release, though it may not outshine his previous work.
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TeeJay Small -
Reviews Baby Rose's songwriting shines on her new collaborative project with Canadian jazz trio, BadBadNotGood.
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Paul Barnes
