Reviews
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Reviews "Really Her" is some of BIA’s most exciting material yet.
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Wyatt Westlake -
Reviews "Let God Sort Em Out" is a powerful Clipse comeback blending coke rap, spiritual growth, and grief, showcasing matured lyricism and Pharrell’s visionary production.
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Aron A. -
Reviews "Cherry Bomb"—the fourth studio album from Odd Future head honcho Tyler, the Creator—is frequently loud, occasionally soothing, and a bit frustrating.
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Perry Simpson -
Reviews The Game bounces back from retirement with a heavy hitter.
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Joshua Robinson -
Reviews For all the extracurricular controversies associated with Kanye West and Ty Dolla $ign, this album's greatest flaw is its hollow execution.
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Gabriel Bras Nevares -
Reviews While "HARDSTONE PSYCHO" loses a bit of steam in its last third, it still triumphs as Don Toliver's most exhilarating album to date.
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Gabriel Bras Nevares -
Reviews In 1979, the Sugarhill Gang's song "Rapper's Delight" became an instant hit that has influenced hip hop artists for decades.
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Marvin J -
Reviews There's no producer that understands Snoop Dogg better than Dr. Dre. Together, they rediscover a synergy where Dre’s direction revitalizes Snoop’s performance, while Snoop pushes his own boundaries as an MC.
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Aron A. -
Reviews After a triumphant summer of "Not Like Us," Kendrick Lamar ushers in a new chapter for the West Coast on "GNX."
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Aron A. -
Reviews Earl Sweatshirt's personal growth over the past few years may have just made "Live Laugh Love" his most definitive album experience.
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Gabriel Bras Nevares -
Reviews "I Decided" continues the trend of Big Sean topping himself with each new album, but failing to get the classic he's aiming for.
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Patrick Lyons -
Reviews Following a tumultuous few years, "Megan" feels like a triumphant leap for Megan Thee Stallion, even with a few missteps.
By
Aron A.
