Toronto Sounds: A Look At The Relationship Between Drake & The Weeknd

We reflect on Drake and The Weeknd's connection, and how they've impacted each other's careers.

BYMatt Aceto
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Since 2011, Drake and The Weeknd have dominated the thriving hip-hop/R&B scene in Toronto, though their 
relationship hasn't always been squeaky clean. Now, with The Weeknd's new album out today, and Drake's following soon after, the spotlight has never been brighter. Will Drizzy and The Weeknd continue to feed off each other? Or will the 
two finally go their separate routes.

Drake’s Grammy award-winning Take Care album couldn't be done alone. Big-name artists like Andre 3000Lil WayneRick Ross, and Nicki Minaj were featured on the project, but The Weeknd really made the biggest impact in shaping the sound. His 
presence was felt throughout the album, as most of the songs had a dark and gloomy mood, traits that are reflected 
in his music. In fact, the singer born as Abel Tesfaye had writing credits on a handful of songs on the album, 
including “Shot For Me” and “The Ride”. The starry “Crew Love” was a major breakthrough for The Weeknd, who had 
been previously been exposed to little mainstream play. The two had collaborated once before on The Weeknd’s track 
“The Zone”, but on a much smaller scale. It wasn't until Take Care where The Weeknd truly left his mark.

In a sense, it seems that Drake helped put The Weeknd on. After all, to many of us, The Weeknd was an unknown before Drake co-signed his debut project House Of Balloons for the world to see on his blog. According to Tesfaye in an interview 
with Complex magazine, aforementioned tracks “Crew Love”, “Shot For Me”, and “The Ride” were actually supposed to be on his  mixtape House of Balloons until Drake got a hold of them. Hungry at the time, he seized the opportunity and 
let Drizzy use those songs without hesitation. "He really wanted to incorporate my sound, which was inspired by his 
sound." The Weeknd said in the interview. "It’s not like, “Oh, I had the ‘new sound.’” It was just 
easier for him to relate to me, because it was his sound with an edge. It was that Toronto sound." Now recognized 
as one of the top R&B singers in the game, The Weeknd can easily fly on his own. It wasn't until recently when the 
two Toronto natives finally linked up again.

On August 19th, The Weeknd released "Live For" featuring Drake. This was a big deal because it was their 
first collaboration since their rumored beef earlier this year. In the interview with Complex, The Weeknd said that 
there was never any tension between them, however there are still many unanswered questions. Last December, Drake 
tweeted "You won't get away with just a thank you...you owe me a favor." The tweet was implicitly a shot at 
Tesfaye, who had signed with Universal Republic instead of Drake's OVO label a few months earlier. To add fuel to 
the fire, Drizzy had some controversial lyrics on "5AM In Toronto". He rapped, "I show love, never get the same out 
of niggas/ Guess it’s funny how money can make change out of niggas". It can only be assumed that those lyrics were 
also aimed at The Weeknd, but if there was never any beef to begin with, then who can be sure? Both artists have denied problems or beef.

For now, all is well between the fellow Canadians. Hopefully their relationship remains strong, and we'll get many more collaborations to come. Kiss Land arrives today, September 10th, and Nothing Was The Same is 
scheduled for a September 24th release. Both albums will bring their own unique flavor, but expect that OVOXO sound to 
be incorporated into each project. 


ovoxo

Toronto Sounds: A Look At The Relationship Between Drake & The Weeknd
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About The Author
<b>Contributor</b> Matt is a young writer/entrepreneur, with dreams of becoming the industry's premier hip-hop journalist. His passion for rap music intensified after hearing Lil Wayne's classic 2009 mixtape, No Ceilings. A pensive thinker, Matt is not only attentive to the music, but concerned with hip-hop culture as a whole. His favorite sub-genres of hip-hop include Atlanta "trap" and Chicago "drill".