TM88 Reveals Three 6 Mafia Took Most Of The Publishing From "No Bystanders"

TM88, who produced Travis Scott's "No Bystanders," says Three 6 Mafia took the majority of the publishing from the song.

BYAron A.
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The conversation surrounding publishing and royalties have been at an all-time this past week. Kanye West has been in a crusade to buy back his masters, fighting the corporate machine in his battle for artistic ownership. That being said, there are certain artists who are still gaining a pretty penny off of work they've done years ago. Hence why artists should be owning their masters.

Unfortunately, the use of a sample or interpolation can often come at a hefty price. In the case of Travis Scott's "No Bystanders," Three 6 Mafia made sure they got theirs. TM88, the song's producer, went on Twitter where he revealed that Three 6 Mafia have most of the publishing on "No Bystanders."

"Just found out three six took most of the publishing from no bystanders smh I’m still a fan but damn bruh get yo ass on somewhere lmao... Still not cool at all tho," he said. Many pointed out that TM shouldn't be surprised since it was sampled in the song but the producer reiterated that only came in post-production. And while many thought TM88 was complaining about that, he made it clear that it was simply the business and that he has the utmost respect for Three 6 Mafia and DJ Paul.

This doesn't come as a surprise, perse but it is indicative of the settlement Travis Scott and Three 6 Mafia agreed on earlier this year. If you'll recall, Travis Scott was sued for $20M by Three 6 Mafia after the Memphis-based group claimed the hook of Astroworld cut was "virtually identical and strikingly similar" to the hook on "Tear Da Club Up." It's unclear what the exact details of the settlement are but TM88's comments reveal much more than we knew before. 

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About The Author
Aron A. is a features editor for HotNewHipHop. Beginning his tenure at HotNewHipHop in July 2017, he has comprehensively documented the biggest stories in the culture over the past few years. Throughout his time, Aron’s helped introduce a number of buzzing up-and-coming artists to our audience, identifying regional trends and highlighting hip-hop from across the globe. As a Canadian-based music journalist, he has also made a concerted effort to put spotlights on artists hailing from North of the border as part of Rise & Grind, the weekly interview series that he created and launched in 2021. Aron also broke a number of stories through his extensive interviews with beloved figures in the culture. These include industry vets (Quality Control co-founder Kevin "Coach K" Lee, Wayno Clark), definitive producers (DJ Paul, Hit-Boy, Zaytoven), cultural disruptors (Soulja Boy), lyrical heavyweights (Pusha T, Styles P, Danny Brown), cultural pioneers (Dapper Dan, Big Daddy Kane), and the next generation of stars (Lil Durk, Latto, Fivio Foreign, Denzel Curry). Aron also penned cover stories with the likes of Rick Ross, Central Cee, Moneybagg Yo, Vince Staples, and Bobby Shmurda.