Will.i.Am Says "It Hurts" That Black Eyed Peas Aren't "Considered A Black Group"

He believes the group's international success is why people wouldn't label them as apart of "urban or Black culture."

BYErika Marie
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They are one of the most celebrated groups in Pop and Hip Hop circles, but will.i.am has one issue with the overall acceptance of the Black Eyed Peas. Current members include will.i.am, apl.de.ap, Taboo, and J. Rey Soul, but prior to the latter adding her vocals to the collective, singer Fergie held down that position. In a recent conversation with Wyclef Jean on Run That Back, will.i.am discussed his disappointment with the Black Eyed Peas not being celebrated as a Black group and examined why that possibly isn't widely accepted.

“In 2004, Black Eyed Peas we, we were just trying to get on. When you think of—like, I’m a Black dude but when you think of Black Eyed Peas, we go so big that...and it hurts, it still hurts a little bit that we’re not considered a Black group because we got that big,” said will.i.am. “And when you think of Black Eyed Peas, you don’t think of—it’s no longer urban or Black culture, which is...it's not good for the black community that Black Eyed Peas is not looked at as a Black group because we had international success."

"That should be credited to the Black community more so than letting it be adopted," he added before listing various genres that Black people once dominated but now have little presence. "That's just a thing that we suffer from all the time. When you think of Jazz, you no longer think of Black anymore. When you think of Rock n' Roll, you don't think of Black anymore. All that, I don't know why we have that. When you think of even country, you don't think of Black. A lot of the things that we create and we invent, we dispose of or it gets stolen from us to the point where it's not associated to its origins."

Watch the interview below and let us know if you think the Black Eyed Peas should don the "Black group" title.


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About The Author
Erika Marie is a seasoned journalist, editor, and ghostwriter who works predominantly in the fields of music, spirituality, mental health advocacy, and social activism. The Los Angeles editor, storyteller, and activist has been involved in the behind-the-scenes workings of the entertainment industry for nearly two decades. E.M. attempts to write stories that are compelling while remaining informative and respectful. She's an advocate of lyrical witticism & the power of the pen. Favorites: Motown, New Jack Swing, '90s R&B, Hip Hop, Indie Rock, & Punk; Funk, Soul, Harlem Renaissance Jazz greats, and artists who innovate, not simply replicate.