R.I.P John Singleton: The Importance Of "Boyz N The Hood"

John Singleton told stories of Black America to a Hollywood audience that weren’t nearly prepared for realities of the inner-city.

BYAron A.
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A Los Angeles native with a penchant for telling the honest truth, John Singleton made his debut in 1991 with Boyz N The Hood. A film that, nearly 30-years later, still holds a deep cultural relevance.  Singleton was a trailblazer in his directorial style, making sure the vision of the story maintained its authenticity. The film arrived a few months after Rodney King was brutally beaten by LAPD and a year short of the Los Angeles riots following the verdict of the King case. “I wasn’t going to have somebody from Idaho or Encino [Los Angeles] direct this movie,” Singleton told The Guardian in 2016. Boyz N The Hood dove into the complexities of the Black experience from family life and relationships to gang life, gentrification, and more while effortlessly tying in the cause and effect of issues affecting the Black community.

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Authentic stories wouldn’t be able to be properly conveyed without the input of those from the community who have lived through them. Singleton’s ability to pick out emerging acts helped launch the film careers of Ice Cube (Singleton said the role of Doughboy was specifically tailored for Cube), Morris Chestnut, Cuba Gooding Jr., and Nia Long. Backed by some powerhouse performances across the board, Boyz N The Hood showcases the harsh realities of the Black experience in America at a time social media didn’t echo the need for representation in Hollywood. His breed of “hood film” helped open up doors for other African-American directors to tell their own story. Though only his first movie, it immediately impacted mainstream America, garnering widespread praise by critics which led Singleton to his first Oscar nods. He became the youngest person ever to be nominated for Best Director, and also, the first Black director to get a chance at the honor.

Nearly 28-years since its debut in Los Angeles, Boyz N The Hood has withstood the test of time, earning its position as a classic American film. In 2002, the Library Of Congress announced that the film was considered "culturally, historically, or aesthetically significant" and was chosen to be preserved in the National Film Registry. Singleton gave the world a glimpse into Black America in a way that combatted the media’s existing representation of African-American communities. After Singleton’s passing, Ice Cube summed up the director’s work perfectly in a heartfelt tribute: “I was discovered by a master filmmaker by the name of John Singleton. He not only made me a movie star but made me a filmmaker.  There are no words to express how sad I am to lose my brother, friend & mentor. He loved [to] bring the black experience to the world.”

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Like his subsequent efforts like Baby Boy, Higher Learning, and Rosewood, Singleton fought to explore Black lives in film - and not always in a way that white Hollywood execs would consider palatable. He explored stories that not only resonated with the film industry but would also grow to influence the direction of hip-hop and entertainment as a whole. If The Chronic is the quintessential gangsta rap album, Boyz N The Hood is its visual companion.

Rest In Power, John Singleton.


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About The Author
Aron A. is a features editor for HotNewHipHop. Beginning his tenure at HotNewHipHop in July 2017, he has comprehensively documented the biggest stories in the culture over the past few years. Throughout his time, Aron’s helped introduce a number of buzzing up-and-coming artists to our audience, identifying regional trends and highlighting hip-hop from across the globe. As a Canadian-based music journalist, he has also made a concerted effort to put spotlights on artists hailing from North of the border as part of Rise & Grind, the weekly interview series that he created and launched in 2021. Aron also broke a number of stories through his extensive interviews with beloved figures in the culture. These include industry vets (Quality Control co-founder Kevin "Coach K" Lee, Wayno Clark), definitive producers (DJ Paul, Hit-Boy, Zaytoven), cultural disruptors (Soulja Boy), lyrical heavyweights (Pusha T, Styles P, Danny Brown), cultural pioneers (Dapper Dan, Big Daddy Kane), and the next generation of stars (Lil Durk, Latto, Fivio Foreign, Denzel Curry). Aron also penned cover stories with the likes of Rick Ross, Central Cee, Moneybagg Yo, Vince Staples, and Bobby Shmurda.