Posted by , Sep 9, 2015 at 09:21am
EDITOR RATING
81%
Golden: 1Broken: 0
Unanimous
AUDIENCE RATING
93%
69 votes
User  Rating:
very hottttt
93% (69)
Rate it!
audience rating
58 VERY HOTTTTT
8 HOTTTTT
1 MEH
0 NOT FEELING IT
2 MAKE IT STOP
User Rating:
93% (69)
Scarface's new album dissects a midlife crisis.

Despite his notoriety as a pioneer of Southern rap music and lyrical depth, Scarface remains low-key with his legendary status. And reasonably so. There’s a lot going on in the mind of the 44-year-old Geto Boy. While his poetic lyricism has sold him countless records, both as a member of Geto Boys and as a solo act, it is founded in darkness-- a darkness that he delved into in his no-holds-barred memoir, "Diary of a Madman." Drug use, drug sale, suicide attempts, parental death and abandonment-- you name it, Scarface endured it. So, it should come as no surprise, after stints of contractual purgatory and financial woes, that in his middle-age, Scarface takes things in stride.

That’s why it’s so important for him to stay rooted, as Face’s newest instalment Deeply Rooted and its sort-of-title track suggests.

“I'm only just now coming out of my shell and learning to deal with people... I'm only just now learning to be a normal person," confesses Face late in his "Diary of a Madman."

And in many ways Deeply Rooted is an anthem of enduring these sort of variables so to free one’s self to be able to come out of their shell: “I’m living proof there’s no excuse,” he says on “Anything.” Putting his memoir to instrumentals, Face achieves a vulnerability that separates himself from other rappers. While he may be Scarface, on Deeply Rooted he is willing to wear the mask of his tormentors, including his former self (or selves), in order to conquer them, both literally and lyrically.

On “Dope Man Pushin’” we hear from a drug slinger with no remorse who says he’ll “shoot your ass twice, then I’m walking out.” The mea culpa of an in-too-deep killer is bellowed in the form of “Steer,” one of the more emotionally resonant tracks on Deeply Rooted (or any album, really). Here, Scarface, who as recently as this past June suffered from potentially-life-threatening crises, surrenders control to the Almighty saying “Realizing what I'm up against, I guess I just have to face the consequence” before Rush Davis assists with the provocative hook, imploring “Lord if you hear me, steer.”

The bouncy “All Bad” hones in on life’s endurance test from a grass-is-greener perspective, the smokey bass of Scarface making his priorities clear from the other side.  

On the aptly named track “God,” Scarface takes on perhaps the most daunting role Deeply Rooted has to offer-- God himself.  In tandem with the vocals of John Legend (one of many high profile cameos on the record), Face uses his first verse to muse how he’d handle the almighty power and omnipresence of God if it were his own, manifesting “a safe place, for the young to come out if they want to play/I let their mommas know that they ok/And when y'all pray, I'll respond so you can all see a sign/And answer every pray one at a time.” “God” becomes the best track on the album, though, when the tables are turned and God is taken out of the equation-- in the second verse replaced by the devil, and in the song’s concluding verse, his absence. Tackling tricky subject matter like religion from all possible angles with such dexterity while losing little-to-no cred is something very few emcees can do, and it’s something that Scarface has made a career out of. Deeply Rooted is no exception.

You can’t get away without mentioning “Do What I Do,” featuring Rick Ross and Nas appearances. Always welcomed tag-team partners to tout the tale of the thug life, the usually indulgent Ross pairs perfectly with Scarface here, and Nas lays down bars of fire, sharig his stance on the police brutality that's been haunting headlines lately (a subject I was expecting/hoping to hear the album’s author touch on a bit more, if we’re being honest), saying, “When violence is resorted, knowledge is distorted/Unless it's payback for brutality/I'm more or less with that, get back.”

Shout outs go to N.O. Joe and Mike Dean, whose production on Deeply Rooted is the silent show stealer-- with a sound that adapts with the times but effortlessly keeps that classic key/drum combination sound residing right in Scarface’s wheelhouse for him and his collaborators to knock out of the park.

In an interview with Rolling Stone, Face said of Deeply Rooted that it’s “basically just me doing me.” He wasn’t lying. In regards to the album’s place among the rest of Scarface’s discography, Deeply Rooted ranks high up there despite it not providing anything particularly surprising, or anything that deviates from the usual Scarface sound. But sometimes that’s all we as a hip-hop audience need, sometimes that’s all we want.

Review: Scarface's "Deeply Rooted"

 
81%

Editor rating

Golden: 1 Broken: 0
Unanimous

Audience rating

69 votes
93 %

Audience Rating

How do you rate this album/mixtape?
User  Rating:
audience rating
58 VERY HOTTTTT
8 HOTTTTT
1 MEH
0 NOT FEELING IT
2 MAKE IT STOP
 

Scarface's new album dissects a midlife crisis.


Despite his notoriety as a pioneer of Southern rap music and lyrical depth, Scarface remains low-key with his legendary status. And reasonably so. There’s a lot going on in the mind of the 44-year-old Geto Boy. While his poetic lyricism has sold him countless records, both as a member of Geto Boys and as a solo act, it is founded in darkness-- a darkness that he delved into in his no-holds-barred memoir, "Diary of a Madman." Drug use, drug sale, suicide attempts, parental death and abandonment-- you name it, Scarface endured it. So, it should come as no surprise, after stints of contractual purgatory and financial woes, that in his middle-age, Scarface takes things in stride.

That’s why it’s so important for him to stay rooted, as Face’s newest instalment Deeply Rooted and its sort-of-title track suggests.

“I'm only just now coming out of my shell and learning to deal with people... I'm only just now learning to be a normal person," confesses Face late in his "Diary of a Madman."

And in many ways Deeply Rooted is an anthem of enduring these sort of variables so to free one’s self to be able to come out of their shell: “I’m living proof there’s no excuse,” he says on “Anything.” Putting his memoir to instrumentals, Face achieves a vulnerability that separates himself from other rappers. While he may be Scarface, on Deeply Rooted he is willing to wear the mask of his tormentors, including his former self (or selves), in order to conquer them, both literally and lyrically.

On “Dope Man Pushin’” we hear from a drug slinger with no remorse who says he’ll “shoot your ass twice, then I’m walking out.” The mea culpa of an in-too-deep killer is bellowed in the form of “Steer,” one of the more emotionally resonant tracks on Deeply Rooted (or any album, really). Here, Scarface, who as recently as this past June suffered from potentially-life-threatening crises, surrenders control to the Almighty saying “Realizing what I'm up against, I guess I just have to face the consequence” before Rush Davis assists with the provocative hook, imploring “Lord if you hear me, steer.”

The bouncy “All Bad” hones in on life’s endurance test from a grass-is-greener perspective, the smokey bass of Scarface making his priorities clear from the other side.  

On the aptly named track “God,” Scarface takes on perhaps the most daunting role Deeply Rooted has to offer-- God himself.  In tandem with the vocals of John Legend (one of many high profile cameos on the record), Face uses his first verse to muse how he’d handle the almighty power and omnipresence of God if it were his own, manifesting “a safe place, for the young to come out if they want to play/I let their mommas know that they ok/And when y'all pray, I'll respond so you can all see a sign/And answer every pray one at a time.” “God” becomes the best track on the album, though, when the tables are turned and God is taken out of the equation-- in the second verse replaced by the devil, and in the song’s concluding verse, his absence. Tackling tricky subject matter like religion from all possible angles with such dexterity while losing little-to-no cred is something very few emcees can do, and it’s something that Scarface has made a career out of. Deeply Rooted is no exception.

You can’t get away without mentioning “Do What I Do,” featuring Rick Ross and Nas appearances. Always welcomed tag-team partners to tout the tale of the thug life, the usually indulgent Ross pairs perfectly with Scarface here, and Nas lays down bars of fire, sharig his stance on the police brutality that's been haunting headlines lately (a subject I was expecting/hoping to hear the album’s author touch on a bit more, if we’re being honest), saying, “When violence is resorted, knowledge is distorted/Unless it's payback for brutality/I'm more or less with that, get back.”

Shout outs go to N.O. Joe and Mike Dean, whose production on Deeply Rooted is the silent show stealer-- with a sound that adapts with the times but effortlessly keeps that classic key/drum combination sound residing right in Scarface’s wheelhouse for him and his collaborators to knock out of the park.

In an interview with Rolling Stone, Face said of Deeply Rooted that it’s “basically just me doing me.” He wasn’t lying. In regards to the album’s place among the rest of Scarface’s discography, Deeply Rooted ranks high up there despite it not providing anything particularly surprising, or anything that deviates from the usual Scarface sound. But sometimes that’s all we as a hip-hop audience need, sometimes that’s all we want.

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