Review: MMG's "Self Made Vol. 3"
    Mmmmaybach music. The heaviest group in hip-hop presents the third volume of their Self Made album series. Formulaically, the self-proclaimed untouchable Maybach empire haven't missed a step. Likewise previous installments in the series, Self Made Vol. 3 is packed with speaker-knocking beats driven by Rozay and company.
    Review: French Montana's "Excuse My French"
    It’s been hard to turn on the radio in the past year or so and not hear French Montana’s rich yet slurred delivery coming through the speakers. The Moroccan born, Bronx, NY bred rapper’s rise to the top may seem like it happened overnight but that’s far from the case.
    Review: Iggy Azalea's "The New Classic"
    Defining a “classic” is no easy task. The first factor is obviously the quality of the music. Here we ask the basic questions: Are there any unnecessary tracks? Does the production impress without outshining the lyrics? The usual surface stuff that’s easy to assess on two full listens. After the surface level is cleared, an album has to separate itself from the pack.
    Review: Trae Tha Truth's "I Am King"
    Signing to T.I.'s Grand Hustle label has been a stroke of good fortune for Trae Tha Truth. The Houston rapper's career has unfortunately been plagued by the loss of some his closest friends, shootings and controversy with radio executives. Despite this, he's continued to make music and does a commendable job on this new 20-track tape.
    Review: New Boyz "Foolie Tape"
    Hip-Hop has become synonymous with American Pop Culture. Its styles and sounds have not only infiltrated every aspect of media, but also every neighborhood as well. Infinitely adapting to the taste-buds of today’s youth, it’s tough to remember how it all started at 1520 Sedgwick Ave.
    Review: DJ Khaled's "Kiss The Ring"
    As the release of Kiss The Ring approached, many wondered aloud, “What does DJ Khaled do exactly?” What he’s been telling us all along, he makes hit records! Time after time the president of Def Jam South has produced the most incredible compilations. This time things are different however, this time he’s expressed his appreciation
    Review: Gucci Mane's "Diary of a Trap God"
    When Gucci Mane released his World War 3 series on iTunes last month, it was merely a hint of what was to come. The first shots were fired on September 7th, when Guwop and Waka Flocka engaged in a Twitter argument. As more names got involved , the feud grew nastier. The peak of Gucci’s Twitter rant came on September 9th, when he put moguls such as Jeezy, Nicki Minaj, and T.I. on blast.
    Review: Big K.R.I.T.'s "Live From The Underground"
    Every so often an honest whisper echoes louder than lies. Hip Hop has experienced the truth of this as of late. Soul is again a subject of interest as artists like Big K.R.I.T. bear theirs on every outing. However, as the aforementioned rapper reveals, soul is not something
    Review: Eminem's "Marshall Mathers LP 2"
    The Marshall Mathers LP dropped in 2000 and became the fastest selling solo album of all time, influencing a whole generation of artists with its unique and in-depth look into the bizarre world of Eminem. The album was sandwiched in between Slim Shady LP and The Eminem Show – two other classic albums that are every bit as influential today as they were a decade ago.
    Review: Pusha T's "Wrath Of Caine"
    Pusha T has by no means been quiet over the last couple of years, but it has been a while since we heard a new mixtape from the G.O.O.D. music signee. Push has kept himself on the blogosphere with a number of singles, and his part in the G.O.O.D. Music compliation album, Cruel Summer. His name has also been in
    Review: Ty Dolla $ign's "Beach House 2"
    Ty Dolla $ign delivered his Beach House 2 mixtape just in time for summer. At first glance, the tape's tracklist looks iffy. There's at least one guest appearance on each song, something which is often frowned upon by devout fans and critics. However, flooding a project with features has been done successfully before, as was the case with The Game's 2012 album Jesus Piece.
    Review: Ghostface Killah's "36 Seasons"
    Ghostface Killah’s new LP 36 Seasons comes to us just one week after the release of Wu-Tang Clan’s A Better Tomorrow. While the latter LP received lukewarm reviews due to questionably experimental tracks, 36 Seasons is the exact opposite. It is concise and precise, using that classic Wu sound to march along an incredible story line while The Revelations provide the production.
    Review: Trey Songz' "Chapter V"
    Trey Songz started off as a happy-go-lucky heartthrob, right from his debut single, “Gotta Make It”, featuring Twista. His singles and videos have always been in keeping with the excitable conventions of contemporary R&B, for which R Kelly is widely seen as the stage-setter. His latest release, Chapter V, marks the
    Review: The-Dream's "Royalty: The Prequel" EP
    The North Carolina-born and Georgia raised singer-songwriter and producer set out to pay homage to hip hop and his Southern roots on the follow up to his 2013 album, IV Play. Sonically, more like the follow up to his first free release, 1977, which was released under his government name, Terius Nash in 2011 and rereleased by Def Jam for commercial sale the following year.
    Review: Gunplay's "Cops N Robbers"
    Gunplay has a very classic approach to mixtapes. The tapes he's put out recently have followed the template set by vets like 50 Cent, and Dipset, back when you still got mixtapes on the corner, rather than through a zip file. This means an awful lot of this tape is made up of going in over other people's beats, recycled features, and less-than-desirable audio quality.
    Review: Xzibit's "Napalm"
    News flash, Xzibit doesn’t just pimp rides. Every now and then when X wants to he has proven he can spit, and this was very apparent at this years BET Awards show. His verse at the BET Cypher this year was nothing short of memorable, and his album follows suit.Napalm is X’s first commercial attempt since his last studio album Full Circle, which was released in 2006.
    Review: B.o.B.'s "No Genre 2"
    B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both. 
    Review: Beyonce's "Beyonce"
    Beyonce beat the system with the unexpected drop of her fifth, self-titled album, which shocked the internet, the media and music fans alike. Although B's team had recently told us to expect an album soon, (Ne-Yo almost ruined the surprise as well), no one suspected it would happen this soon.
    Review: French Montana's "Mac and Cheese 3"
    Montana’s latest mixtape, which released November 20th, is a project that suffers many of the ills that plague mass appeal works. Mileage will vary by entire degrees here. For better or worse, Mac and Cheese 3 is a testament to the shift in rap culture toward more niche work. For all of that, the mixtape itself straddles the fence; it isn’t terrific or terrible.
    Review: Earl Sweatshirt's "Doris"
    Among Odd Future’s colorful cast, Earl Sweatshirt is almost reserved. Almost.
    Review: Wale's "The Gifted"
    Wale may be a victim of bad timing. While most rap fans were in their glory last week with the release of albums from Kanye West, J. Cole and Mac Miller, others are feverishly looking forward to Jay-Z’s Magna Carta Holy Grail, which is dropping on Independence Day. The release date of Wale's third album is stuck in the middle. 
    Review: Danny Brown's "Old"
    It was strange when the tracklist for Old was released, as the album was divided into two different halves, but at first listen it's obvious why: they represent two sides of Danny Brown's multifaceted psyche and personality, as well as the old and the new.
    Review: Ace Hood's "Starvation 3"
    If the first Starvation mixtape proved to be a metaphor for Ace Hood’s unmitigated hunger for the level of super stardom usually reserved for rappers like his friend, Lil Wayne, then Starvation 3 makes Ace Hood sound as hungry as ever, except this time around, the production values are a lot better.
    Review: B.o.B.'s "Strange Clouds"
    B.o.B. is not unfamiliar with the criticism that he's gone pop, but if this album proves anything, it may be that those criticisms are true. It's not that Bobby Ray can't do rap, he definitely can, but he chooses to incorporate rock and pop elements into most of his music.