The third collaborative album from ATL’s most insightful shit talker, Killer Mike, and Brooklyn’s otherwordly underground producer/rapper, El-P, is their strongest yet—and one of the year’s best releases.
After 14 years of waiting, D’Angelo’s surprise album Black Messiah had every right to be the R&B/Soul equivalent of Guns & Roses' Chinese Democracy - a creaky mess that was done no favors by the weight of fan expectations. But that’s not what happened.
Right off the bat, YG’s fifth mixtape Just Re’d Up 2 illustrates just what the Californian rapper is all about. Starting bold from the second track with bumping 808’s and underscored by synthesizers, “Im 4Rm Brompton” really sets the tone for the mixtape’s high energy.
It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike.
Probably not as Finally Rich falls short of the hype surrounding it.Finally Rich certainly does have an allure to it. Keef’s undeniable talent for catchy hooks and his ability to transmute energy to sound is appealing. Plain and simple. However, this appeal is primal, subliminal.
Since the release of We Are Young Money in 2009, Nicki Minaj has risen from femme fatale on the rise after dropping the excellent Beam Me Up Scotty to ubiquitous representative of aggressive femininity. Drake, once Lil Wayne’s fresh-faced protégé, is now the biggest crossover success in hip-hop — not just Young Money.
Lil Wayne has always differentiated himself from us mere mortals, something he clearly set out to prove again with I Am Not A Human Being II, his tenth (and possibly final) studio album. He's explored the outer limits of the rap game with this one, bringing fellow rappers 2 Chainz, Nicki Minaj, Drake and Future along for the ride.IANAHB2 is the sequel to Weezy’s 2009 album of the sa
Tyler, the Creator's previous two solo projects were critically-acclaimed pieces of work. The success of Bastard and Goblin allowed him to garner the crazed fan base that follow his every move, but with Wolf, the Los Angeles native has moved on to something new.
Stunning. If Jhene Aiko wasn't already a household name, she ought to be by now. The 25-year-old singer has appeared on numerous hip-hop tracks throughout the year, most notably Drake's "From Time", J. Cole's "Sparks Will Fly", and Big Sean’s radio smash "Beware". Sail Out* is Jhene’s first major label EP, and what a debut it is.
Ludacris is back in the game and reminding us who thafuck he is with his new mixtape “1.21 Gigawatts (Back To The First Time).”
The North Carolina-born and Georgia raised singer-songwriter and producer set out to pay homage to hip hop and his Southern roots on the follow up to his 2013 album, IV Play. Sonically, more like the follow up to his first free release, 1977, which was released under his government name, Terius Nash in 2011 and rereleased by Def Jam for commercial sale the following year.
Action Bronson is not your typical rapper. The portly fire-flame gourmet chef turned rapper with a shock of curly red beard, whose father is an Albanian immigrant and mother is a Jewish New Yorker, looks nothing like his peers. Sharpening his lyrical skills with several mixtapes, Bronson dropped his major label debut EP Saaab Stories a few months ago.
Among Odd Future’s colorful cast, Earl Sweatshirt is almost reserved. Almost.
Wale may be a victim of bad timing. While most rap fans were in their glory last week with the release of albums from Kanye West, J. Cole and Mac Miller, others are feverishly looking forward to Jay-Z’s Magna Carta Holy Grail, which is dropping on Independence Day. The release date of Wale's third album is stuck in the middle.
Pusha T has by no means been quiet over the last couple of years, but it has been a while since we heard a new mixtape from the G.O.O.D. music signee. Push has kept himself on the blogosphere with a number of singles, and his part in the G.O.O.D. Music compliation album, Cruel Summer. His name has also been in
More than two years ago Rockie Fresh and Casey Veggies teamed up for the first time together on “Duckin N Dodgin,” which winded up on Fresh’s The Otherside Redux. The song pitted the two up and coming rappers together and although they were from different time zones, the chemistry between the two was obvious. Fast-forward to the present.
B.o.B. is not unfamiliar with the criticism that he's gone pop, but if this album proves anything, it may be that those criticisms are true. It's not that Bobby Ray can't do rap, he definitely can, but he chooses to incorporate rock and pop elements into most of his music.
Gaining recognition after Nas famously co-signed and encouraged him, along with Scarface's timely advice, Jon Connor has had a lot to prove these days to live up to expectations. The up and coming artist from Flint, Michigan, just dropped his latest mixtape, 'The People’s Rapper LP' on April 13th under All Varsity Music, (produced by DJ Don Cannon) proving he can certainly deliver.
DJ Khaled has been behind some of the hottest records of the last few years and if there's one thing he's made consistently clear it's that he has a winning formula for hits. This is also his greatest fault. It's never been so clear how one dimensional DJ Khaled's music really is than here on Suffering From Success, the DJ's seventh studio album.
“Prince Akeem, they throw flowers at my feet, nigga!” Drake declares in the intro of his third album. In 2009, he released the highly-acclaimed So Far Gone mixtape and since then the half Jewish, half Black kid from Canada has gone on sell millions of records, sell out concerts, become insanely rich and currently holds the title for most number one songs on the Billboard rap charts.
Schoolboy Q dropped his latest project, “Habits & Contradictions” via iTunes, asking $7.99 for it. It was definitely worth the almost-eight bucks! This latest work show his growth as an artist since “Setbacks,” it displays his versatile flow and his ear for a unique beat.
Freddie Gibbs is a veteran in the rap game but it’s taken him a decade to put out his first studio album. Cutting his teeth on the mixtape circuit, Gibbs released a steady stream of solid projects rife with stories of the drug game. After signing with Interscope Records, Gibbs was shuffled to the back of the bus before being dropped altogether.
O.N.I.F.C. is a solid project on the whole, but fans of pre “Black and Yellow” Wiz Khalifa may notice a seeming lack of inspiration and conviction. More on that soon, but the positive aspects of the album must be lauded.Wiz’s flow is deliberate and consistent throughout the project. Though slightly repetitive, Wiz’s delivery is among the most unique in the game.
T.I. has been a man on a mission after his second prison stint. Following the success of his eighth studio album, Trouble Man: Heavy Is The Head, he once again travels back to his trapping roots. This time he’s joined by the roster he personally assembled on his Grand Hustle label for Hustle Gang’s G.D.O.D., the label’s first compilation mixtape.
Lil Wayne hasn’t stood center stage since Tha Carter IV dropped. Furthermore, he hasn’t released a mixtape since Sorry For The Wait. So when Dedication 4 was announced the excitement went into a fever pitch. Now after an array of delays Wayne and Drama have unleashed the latest chapter on the world. Similar to the volumes before, number four is a collection of beats, both new
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