Review: Wiz Khalifa's "28 Grams"

Like any Wiz project, there will be a wide variety of opinions on 28 Grams, ranging from exuberant praise to vitriolic disdain. This variance in opinion is common for Young Khalifa, as Wiz has been...

  • Review: Wiz Khalifa's "28 Grams"
    40,970 Views
    35 Likes41 Dislikes
    Like any Wiz project, there will be a wide variety of opinions on 28 Grams, ranging from exuberant praise to vitriolic disdain. This variance in opinion is common for Young Khalifa, as Wiz has been riding the same strange roller coaster as Weezy the last few years, delivering excellent mixtape projects like Taylor Allderdice and Cabin Fever 2 while disappointing most with his retail...
  • Review: SBTRKT "Wonder Where We Land"
    7,192 Views
    6 Likes3 Dislikes
    SBTRKT took the world by storm with his first LP. Released at the base of the alternative R&B explosion, the album perfectly blended dance music and soul, even catching the eye of Drake and inspiring him to drop a verse on "Wildfire," which in turn became more popular than the original (but that's every day for Drake). How will SBTRKT's second album stack up to the first one? Let's...
  • Review: Mac Miller's "Faces"
    37,026 Views
    73 Likes4 Dislikes
    Have you ever seen the viral video of Susan Boyle performing for the first time on Britain’s Got Talent? A superficially unattractive older woman walks out onto the stage to perform a song before hundreds of people and four judges. Before she even gets an opportunity to sing, the crowd is halfway out their seats with laughter. Then she opened her mouth and silenced all haters. Mac...
  • Review: Trey Songz's "Trigga"
    20,241 Views
    28 Likes16 Dislikes
    The average man thinks about sex between one and 388 times per day; Trey Songz isn’t your average man. In his nine years of making music, the twenty-nine-year-old has made it abundantly clear that sex is pretty much all he thinks about. One might even say he invented it. In a way, Songz's one-dimensionality is a gift and curse. On one hand, when you’re recording the same song for...
  • Review: 50 Cent's "Animal Ambition"
    37,319 Views
    67 Likes25 Dislikes
    On Animal Ambition, 50 Cent returns to the old street-ready sound that made him a household name back in 2003. Unfortunately, a lot has changed in hip-hop since 50’s debut. With the rise of Kanye West (or more particularly 808s & Heartbreak), the genre has become more emotive—more artistically diverse and interesting. Drake, Kendrick Lamar, Kid CuDi and even Future to an extent...
  • Review: Sir Michael Rocks "BANCO"
    11,313 Views
    15 Likes2 Dislikes
    As a member of the Cool Kids, Sir Michael Rocks helped pioneer the current “cool kid” rap and fashion swag, since borrowed by a number of your favorite artists. They were the next big thing, even featured in a nationally aired Rhapsody commercial, with future star Sara Bareilles. Unfortunately for the duo, the steam from their almost certain runaway train to stardom ran out halfway...
  • Review: Migos' "No Label 2"
    24,289 Views
    19 Likes4 Dislikes
    Migos’ style is something like a basketball point guard. The person at the position doesn’t need to master every aspect of the game and probably won’t — rebounding just isn’t his thing. But the person’s shortcomings are hidden by how exceedingly good he is or has to be in a few other skills, whether it’s ball handling or calling plays. Migos will probably...
  • Review: YG's "My Krazy Life"
    40,384 Views
    62 Likes10 Dislikes
    YG first popped up on the radar with the 2009 song "Toot It And Boot It" featuring Ty Dolla $ign. While he was locked up serving a six-month sentence for a parole violation stemming from a home invasion, the Compton native saw the song steadily climb the Billboard charts. Once YG was released, he had several label options, eventually signing with Def Jam. As fans awaited his debut album, he...
  • Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon"
    43,372 Views
    28 Likes10 Dislikes
    Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul. He’s connected with his young adult audience by embodying this idea of the discontent, rebellious youth with some sticky hooks for good measure — can one ever truly get “Day...
  • Review: August Alsina's "Testimony"
    30,594 Views
    38 Likes7 Dislikes
    2014 has been quite the year for debut albums thus far. Already, we’ve seen debut studio LPs from Cali artists Kid Ink, ScHoolboy Q, and YG. Now, about a year after he first splashed into mainstream Hip-hop/R&B, New Orleans singer August Alsina delivers his Def Jam debut album, Testimony. In 2013, Alsina released the radio-buzzing single “I Luv This Shit” featuring labelmate...
  • Review: Ty Dolla $ign's "$ign Language"
    13,704 Views
    24 Likes11 Dislikes
    First things first, there's a few things you'll need to effectively set the mood for this one. $ign Language isn't a middle of the afternoon at your office listen, as we quickly learned. Fast forward to a little later at your crib, where you've presumably acquired the 40's of malt, a pile of your favorite strain, and two to three bad bitches that will really make this mixtape ring true. Now...
  • Review: ScHoolboy Q's "Oxymoron"
    44,368 Views
    91 Likes8 Dislikes
    An important facet of memorable groups throughout hip-hop history is chemistry: the dynamics every member brings to the table is an essential part of a group's success. Black Hippy's rise to the top has been so prevalent and quick because each of their four main members - Ab-Soul, ScHoolboy Q, Jay Rock and Kendrick Lamar - each bring something radically different to what the crew represents....
  • Review: Slaughterhouse's "House Rules"
    15,898 Views
    21 Likes1 Dislikes
    In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t. Crooked, Royce, Budden and Ortiz could be raking in commercials deals right now, dropping radio hits with Bruno Mars and releasing studio albums once a...
  • Review: Logic's "Welcome to Forever"
    17,084 Views
    31 Likes2 Dislikes
    Throughout Welcome to Forever Robert Bryson Hall II reflects upon the last year of his career. The opening title track recalls when Logic met Nas for the first time in the line, “Shook his hand then he started quoting my lines? God damn this is real life!” A certain hunger and drive are present in the Maryland native's voice. The intensity and the leisurely style that he rhymes with have...
  • Review: Common "Nobody's Smiling"
    13,540 Views
    8 Likes6 Dislikes
    A mostly levelheaded veteran who’s open about his distant relationship with Chicago, Common is the only 30-plus rapper who could’ve made a Nobody’s Smiling. And this goes beyond the conscious label or being a representative of “real hip-hop.” Common’s best works have been guided by a sense of empathy whether it’s through his famous personification of...
  • Review: Rick Ross' "Mastermind" Album
    52,517 Views
    61 Likes18 Dislikes
    In the last two years between his last album and now, Rick Ross has been through a lot, including surviving a targeted hit on his life. Critics bashed God Forgives, I Don’t and many wondered if Ross had peaked too soon and lost his touch. After numerous setbacks and delays, the bawse is back with his sixth album to prove that he’s a man with nine lives and a rapper with hits for...
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