Taylor Gang crooner Ty Dolla $ign has been on a tear this year, and today we'll take a listen to his star studded mixtape $ign Language to see what all the hype is about.
Pusha T has by no means been quiet over the last couple of years, but it has been a while since we heard a new mixtape from the G.O.O.D. music signee. Push has kept himself on the blogosphere with a number of singles, and his part in the G.O.O.D. Music compliation album, Cruel Summer. His name has also been in
SBTRKT took the world by storm with his first LP. Released at the base of the alternative R&B explosion, the album perfectly blended dance music and soul, even catching the eye of Drake and inspiring him to drop a verse on "Wildfire," which in turn became more popular than the original (but that's every day for Drake). How will SBTRKT's second album stack up to the first one?
Lloyd Banks' pedigree as an ill emcee speaks for itself at this point. During G-Unit’s active days, Banks was widely considered the best pure spitter in the group. Very little has changed in that regard; if anything Banks' career since the early 2000s has distinguished him as one of the most technically savvy rappers out. F.N.O. (Failure's No Option) only makes it easier to argue the case.
After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
If the first Starvation mixtape proved to be a metaphor for Ace Hood’s unmitigated hunger for the level of super stardom usually reserved for rappers like his friend, Lil Wayne, then Starvation 3 makes Ace Hood sound as hungry as ever, except this time around, the production values are a lot better.
Tyga has been a very busy man. After banking more than a few racks after his massively successful 2011 strip club banger "Rack City", Tyga (aka Michael Ray Nguyen-Stevenson) has showed no signs of slowing down.
Throughout Welcome to Forever Robert Bryson Hall II reflects upon the last year of his career. The opening title track recalls when Logic met Nas for the first time in the line, “Shook his hand then he started quoting my lines? God damn this is real life!”
Gunplay, AKA Don Logan, has had a rough ride as a rapper.
B.o.B. is not unfamiliar with the criticism that he's gone pop, but if this album proves anything, it may be that those criticisms are true. It's not that Bobby Ray can't do rap, he definitely can, but he chooses to incorporate rock and pop elements into most of his music.
Casey Veggies’ new mixtape exhibits a tighter production level than his previous works, an indication of the help and experience he’s amassed since his junior high days. The songs are all originals, making the mixtape worthy in title as an album, all except for the creative bottleneck of a big record company.
Schoolboy Q dropped his latest project, “Habits & Contradictions” via iTunes, asking $7.99 for it. It was definitely worth the almost-eight bucks! This latest work show his growth as an artist since “Setbacks,” it displays his versatile flow and his ear for a unique beat.
In the era of Yeezus Christ and King Kendrick, it's easy to fall into the mindset that every hip-hop album should be an experiment in pushing hip-hop forward. Every track should ooze with idealism and what's new. This feeling goes double for mixtapes. Freed from the binds of needing to make something that is commercially viable, rappers are able to let their wildest experiments roam.
To say Hopsin's third album is long overdue is like saying FEMA's response to Hurricane Katrina was slightly delayed. It's been three years since he dropped his critically acclaimed sophomore album Raw. Since then, he's toured the country extensively and landed a spot on XXL's 2013 Freshman list.
Fame is a helluva drug for any celebrity. For some, it's a way of giving voice to a worthy cause. For others, it's a license to do and say whatever they feel or pursue any artistic path they choose. With The Weeknd, fame could be downright scary.
Tech N9ne has been in the rap game for well over two decades but he flew under mainstream’s radar for much of his career. Shooting off lyrics with the speed of an automatic weapon, he earned a legion of fans through relentless tours to small cities in the heartland of the country.
It's been seven years since the Wu-Tang Clan released their last proper album, 8 Diagrams, but of course, that doesn’t mean the members of rap’s greatest clan have been prepping for an early retirement. Not by a long shot.
It's no secret that hip-hop at large is lacking in original content. If the music isn't about money, it's about sex; if it's not about sex, it's about who's the hardest (no pun intended); if not who's hardest, it's about hip-hop itself. It's in this musical landscape that a label like Tech N9ne's Strange Music is needed the most.
Cole World: The Sideline Story was considered somewhat of a disappointment to fans who really knew the raw talent that J. Cole posseses. The storyteller and the street smart rapper that fans loved was missing in his debut album. This time around Cole delivers a more cohesive project, with tracks easily flowing one by one to create a complete concept: Born Sinner.
After he proved he was a bankable rapper, 50 Cent started his own imprint and made G-Unit his first priority. For a while Lloyd Banks, Tony Yayo, Young Buck and Fiddy were consistently putting out quality music that fed the streets. But all good things must come to an end. In the Unit's case, the general fell out with first Young Buck and kicked him out of the group.
Following the release of T.I.’s last two somewhat lackluster albums, 2010's No Mercy and 2012's Trouble Man, combined with the rise of new age rap stars like Drake, Kendrick Lamar, J.
"They want that old Sosa… for what doe?" Well, for good reason. Chief Keef ran into some icebergs with Bang Pt. 2, and the ship continues to sink. The same qualities that were present on his last mixtape reappear on Almighty So. Poor mixing and sloppy delivery continue to cloud the highlights. Thankfully the beats were banging, or else this mixtape would have been a lot worse.
Since the release of We Are Young Money in 2009, Nicki Minaj has risen from femme fatale on the rise after dropping the excellent Beam Me Up Scotty to ubiquitous representative of aggressive femininity. Drake, once Lil Wayne’s fresh-faced protégé, is now the biggest crossover success in hip-hop — not just Young Money.
Sometimes one song can set the precedence for an album’s entirety and Chris Brown’s opening title-track, X does just that. The Diplo-produced, hip-hop/EDM comprised record symbolizes Brown’s back and forth attempt at being an R&B, hip-hop, pop and dance music star.The song starts off slow and then builds up to an uptempo dance record filled with egotistical lyrics.
In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t.