"Rockabyebaby" is a well-produced album by Cassie that showcases her ability to not just sing but mix in rhymes with her vocals. Surprisingly good for a mixtape, the anticipation for her new album is now at an all-time high.
In the last two years between his last album and now, Rick Ross has been through a lot, including surviving a targeted hit on his life. Critics bashed God Forgives, I Don’t and many wondered if Ross had peaked too soon and lost his touch. After numerous setbacks and delays, the bawse is back with his sixth album to prove that he’s a man with nine lives and a rapper with hits for days.
"They want that old Sosa… for what doe?" Well, for good reason. Chief Keef ran into some icebergs with Bang Pt. 2, and the ship continues to sink. The same qualities that were present on his last mixtape reappear on Almighty So. Poor mixing and sloppy delivery continue to cloud the highlights. Thankfully the beats were banging, or else this mixtape would have been a lot worse.
T-Pain dropped his new mixtape at the end of last week. After keeping busy with three mixtapes and four studio records in less than a decade, T-Pain went dark with no releases since 2012, until now.
Keeping it fresh with his signature, smoked out flow, Curren$y delivers a strong introduction with the title track New Jet City. Backed by a pompous instrumental, Spitta lays it down and lauds about his boss status. From “sittin in the back of his triple black, with picnic tables, twisting up sacks” to making double our life savings, he is clearly on some new boss shit.
Childish Gambino has definitely come a long way from his I Am Just A Rapper days. He's found a better voice and sound, that's for sure. His latest realease, Royalty, had drummed up quite a bit of buzz before it dropped, and I was anticipating its release as well. The project does not disappoint, however, Gambino still has growth to do as a rapper. Most fans are
Q-Tip and Busta Rhymes' new 28-track mixtape The Abstract & The Dragon plays like a documentary that any serious hip-hop head would enjoy - with its numerous remixes and skits, it's a welcome throwback to the traditional mixtape format.
In February of 2012, Pro Era’s Joey Bada$$ and Capital STEEZ dropped the visuals for their collaboration “Survival Tactics,” which quickly went viral. Crowned the future of New York rap, Bada$$ served the perfect blend of youthful, braggadocio-tinged rhymes, and laid-back flows-- not to mention an ear for classic 90s-referencing production that would make Gangstarr proud.
Today marks the culmination of the strangest rap career genesis this country’s ever seen, one that has included an MTV reality show, a hip-hop trio name Three Loco, OG Ron C, a Harmony Korine film, a slew of investigative articles and perhaps most importantly, about as much hate as the internet can muster.
Lucki Eck$ is one of the more interesting figures in today's rap scene. He may not have a "Trap Queen" under his belt, but with a unique sound, a few solid mixtapes, and no shortage of music videos, the 19-year-old rapper has built an image that his devoted fanbase can't get enough of.
Kanye West has certainly gathered a nice squad of lyricists over at G.O.O.D. Music. None fit in better than CyHi The Prynce. Following the release of his fellow G.O.O.D. Music compadre Pusha T's Wrath of Cocaine mixtape, the Atlanta rapper drops Ivy League: Kick Back, which is a follow up to his widely popular Ivy League Club mixtape that was released to great fanfare in 2012.
In a way, Coke Boys 4 is exactly what was expected. Plenty of features, varied production, and a heavy supply of trunk bangers make this a typical French Montana project. This time around, OTF rapper Lil Durk was notably involved after recently joining forces with the Coke Boy family. Even with Durk's contributions, however, the mixtape lacks originality.
For some reason or another, my timeline has recently been bombarded with a ton of Tweets and Instagram posts claiming that the Migos are better than The Beatles. As most logical rap fans can attest, there are definitely better ways to champion the trio as leaders of this new school in rap than to compare them with arguably the greatest group in the history of popular music.
Rich Homie Quan dominated the summer with his smash single “Type of Way.” The song made its way onto the Billboard chart and helped catapult the Atlanta rapper’s career (and bank account) into a new stratosphere.
Lloyd Banks' pedigree as an ill emcee speaks for itself at this point. During G-Unit’s active days, Banks was widely considered the best pure spitter in the group. Very little has changed in that regard; if anything Banks' career since the early 2000s has distinguished him as one of the most technically savvy rappers out. F.N.O. (Failure's No Option) only makes it easier to argue the case.
Drake’s highly anticipated sophomore album “Take Care” was officially released today...but most likely you’ve been listening to it for the past week if you downloaded the leak, nonetheless now that it’s official let’s discuss it.
When Royce da 5’9” and DJ Premier announced that they’d be making an entire project together, hip-hop heads everywhere got excited. Premier is a legendary figure in hip-hop and Royce is widely revered for his ability to spit quality bars. With three years having passed since Royce’s last project, he’s still managed to remain active with work related to Slaughterhouse and Shady.
After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
Lupe Fiasco has been in a battle with Atlantic records for what seems to be forever. We all know about his discontent with Lasers and on his mixtape Friend of the People he made it clear that he wanted off the label. He did not get his wish before this album dropped, and that almost prevented us from hearing this album entirely.
Although Joe Budden, Royce Da 5’9, Joell Ortiz, and Crooked I all struggled independently for years, in 2008 all of that changed when they collaborated for a song on Budden’s Halfway House album. Thereafter they took the title of said song and made a group out of it. Slaughterhouse even released an independent album. Yet, it wasn't until they signed to Shady
“Prince Akeem, they throw flowers at my feet, nigga!” Drake declares in the intro of his third album. In 2009, he released the highly-acclaimed So Far Gone mixtape and since then the half Jewish, half Black kid from Canada has gone on sell millions of records, sell out concerts, become insanely rich and currently holds the title for most number one songs on the Billboard rap charts.
O.N.I.F.C. is a solid project on the whole, but fans of pre “Black and Yellow” Wiz Khalifa may notice a seeming lack of inspiration and conviction. More on that soon, but the positive aspects of the album must be lauded.Wiz’s flow is deliberate and consistent throughout the project. Though slightly repetitive, Wiz’s delivery is among the most unique in the game.
It's been seven years since the Wu-Tang Clan released their last proper album, 8 Diagrams, but of course, that doesn’t mean the members of rap’s greatest clan have been prepping for an early retirement. Not by a long shot.
Fame is a helluva drug for any celebrity. For some, it's a way of giving voice to a worthy cause. For others, it's a license to do and say whatever they feel or pursue any artistic path they choose. With The Weeknd, fame could be downright scary.
It's no secret that hip-hop at large is lacking in original content. If the music isn't about money, it's about sex; if it's not about sex, it's about who's the hardest (no pun intended); if not who's hardest, it's about hip-hop itself. It's in this musical landscape that a label like Tech N9ne's Strange Music is needed the most.
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