Continuing on his quest to prove he's more than just a "club song" rapper, MMG's Meek Mill drops the third installment from his popular "Dreamchasers" mixtape series.
Cole World: The Sideline Story was considered somewhat of a disappointment to fans who really knew the raw talent that J. Cole posseses. The storyteller and the street smart rapper that fans loved was missing in his debut album. This time around Cole delivers a more cohesive project, with tracks easily flowing one by one to create a complete concept: Born Sinner.
Mmmmaybach music. The heaviest group in hip-hop presents the third volume of their Self Made album series. Formulaically, the self-proclaimed untouchable Maybach empire haven't missed a step. Likewise previous installments in the series, Self Made Vol. 3 is packed with speaker-knocking beats driven by Rozay and company.
In the last two years between his last album and now, Rick Ross has been through a lot, including surviving a targeted hit on his life. Critics bashed God Forgives, I Don’t and many wondered if Ross had peaked too soon and lost his touch. After numerous setbacks and delays, the bawse is back with his sixth album to prove that he’s a man with nine lives and a rapper with hits for days.
The evolutions of Donald Glover and Childish Gambino appeared mutually exclusive until recently, with the masses not completely sold on either. Glover was either "that guy from that show,” or “Troy!!!!” The Gambino character was viewed as a playful, non-threatening side project, by fans of Glover’s work, and other rappers.
The first Luca Brasi Story, released last February, put Kevin Gates on the map. Soon after, he quietly inked a partnership with Atlantic and a management deal with Young Money. He put out another excellent mixtape, Stranger Than Fiction, months later, and he’s had a similar 2014 in terms of output: two mixtapes, both excellent.
Immediately following Touchdown 2 Cause Hell’s introductory “Get Em Boosie”-- the aptly titled dizzying turn up track that unleashes Boosie Badazz loose on the rap game once again-- the bellows of an approaching storm crackles with doom. It’s an ominous sound byte, seeing as Lil Boosie has acted as the chief ambassador of Post-Katrina Louisiana gangster rap.
"They want that old Sosa… for what doe?" Well, for good reason. Chief Keef ran into some icebergs with Bang Pt. 2, and the ship continues to sink. The same qualities that were present on his last mixtape reappear on Almighty So. Poor mixing and sloppy delivery continue to cloud the highlights. Thankfully the beats were banging, or else this mixtape would have been a lot worse.
After he proved he was a bankable rapper, 50 Cent started his own imprint and made G-Unit his first priority. For a while Lloyd Banks, Tony Yayo, Young Buck and Fiddy were consistently putting out quality music that fed the streets. But all good things must come to an end. In the Unit's case, the general fell out with first Young Buck and kicked him out of the group.
With the recent release of his EP Beach House, Ty Dolla $ign has been on our radar for a while. The West Coast rapper, responsible for producing and writing the hit “Toot It And Boot It” for YG, has since made a name for himself through two successful mixtapes, Beach House and Beach House 2.
You can feel Cozz's hunger when listening to his music. It's easy to understand why J. Cole would want the youngster out of LA on his Dreamville/Interscope Label. Cozz has the lyrical trappings of a rapstar in the making.
Review: Earl Sweatshirt's "I Don't Like Shit, I Don't Go Outside" Mar 29, 2015 at 03:42pm 20,848 Views
Earl Sweatshirt’s I Don’t Like Shit, I Don’t Get Outside is a short and moody album. It also happens to be a very focused, quality listen, and possibly the best output we’ve received from the California native. Through bummed-out stoned raps and shoegazing beats, Earl proves to be one of the most talented, albeit depressed, rappers in the game.
Tech N9ne, who has accrued nearly three decades in the rap-game, has made a career out of dancing between the mainstream and underground universes. Admired by his fans for his consistency and his abstract approach to the genre, the Missouri MC's cocktail of freakshow world mixed with club-worthy finesse is something that has become expected out of each N9ne discography installment.
News flash, Xzibit doesn’t just pimp rides. Every now and then when X wants to he has proven he can spit, and this was very apparent at this years BET Awards show. His verse at the BET Cypher this year was nothing short of memorable, and his album follows suit.Napalm is X’s first commercial attempt since his last studio album Full Circle, which was released in 2006.
June 18th might as well have been Christmas Day for hip-hop fans. Kanye West’s highly anticipated album Yeezus finally hit the shelves. Determined to go against one of the heavyweights of rap, J. Cole decided to move up his sophomore album Born Sinner to compete with West.
To answer the above question, yes, mostly. His recent headlines alone show that there’s something to Nipsey Hussle, and we do get a glimpse of what that 'something' may be in Crenshaw. Overall, the tape is a good listen and a sound effort.
Future is lightyears ahead of his time. Since touching down in 2012 with his Epic Records debut album Pluto, the Freeband Gang founder has continued hustling as an artist. The sloppy, melodic flow Future introduced on Pluto has been used by virtually every trapper who’s poppin’ today, and U.O.E.N.O. it.
Part of Future’s appeal lies in a musically indefinable existence. While both Pluto (and the 3D version) and Honest became somewhat of a set template for artists like Travi$ Scott, Future himself is a blend of the past, some not so distant.
There’s something admirable about truly stepping out on your own, as your own person. You’re leaving behind that helping hand, that “co-sign,” and pursing your dreams, able to stand without the crutch.
Although he’s been in the rap game since the early '90s, Pusha T had yet to release a studio solo album. Until now. As one-half of the Clipse with his brother (now) No Malice, Push saw his popularity rise with their hit single “Grindin.” Three albums and 16 years later, Push, real name Terrence Thornton and his brother parted ways musically to work on their solo careers.
Among Odd Future’s colorful cast, Earl Sweatshirt is almost reserved. Almost.
It hasn't been too long since we've heard from the other Mobb Deep member, Prodigy, who just released an album in July, but he's back again with his second release post-prison. There has been a lot of talk about Prodigy lately, regarding the controversy surrounding his relationship with the other half of Mobb Deep, Havoc. This time around though
Studio albums have a way of working as a litmus test for hip-hop's up and comers. Mixtapes and guest appearances are one thing, but for an artist to prove that he/she can create a strong cohesive album while delivering on lyrics, beats, and bravado is another. Meek Mill seems capable of preforming this balancing act with Dreams & Nightmares, a
Ab-Soul is a complex artist. The Carson, California native and Top Dawg Entertainment signee has overcome a number of major tribulations throughout the course of his life. And while all artists experience ups-and-downs that become points of growth for them as people while shaping the music they create, Ab-Soul's ups-and-downs are unique to most.
If the first Starvation mixtape proved to be a metaphor for Ace Hood’s unmitigated hunger for the level of super stardom usually reserved for rappers like his friend, Lil Wayne, then Starvation 3 makes Ace Hood sound as hungry as ever, except this time around, the production values are a lot better.
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