The Game's "Documentary 2" barely misses the benchmark set by its predecessor.
After dominating the majority of the most recent millennium, Free Weezy Album marks Lil Wayne's first foray into generating music without the safety net of the Cash Money Records machine that helped make him. More than that, it’s Weezy’s first opportunity to air a slew of infamous grievances, whether it be his fallout with Birdman or new beefs.
Keith Cozart, best known to the world as rap's enfant terrible Chief Keef, doesn’t do much to imply a typical career is in the cards for him.
Ever since Casey Veggies stepped onto the rap scene back in 2007, he's been stuck in the middle. Despite his diehard fans and devout supporters who may rank him higher out of bias, in the eyes of the larger hip-hop listenership, Veggies has always been placed in a middle tier, stuck in a sort of hip-hop limbo, neither advancing nor retreating.
Would you believe that Jay Rock has been signed to Top Dawg Entertainment for ten years? They say Rome wasn’t built in a day, and apparently TDE wasn’t either, because Anthony Tiffith and his group of MCs have been hacking at this hip hop thing for a while now.
In the past year, Willie Maxwell, best known to the world as the one-eyed rapper Fetty Wap, has had one of the most monumental rises in rap in the past few years. Despite being a relative newcomer, the Patterson, NJ-based rapper's debut single "Trap Queen" has become a phenomenal smash hit, the kind that most rappers don't achieve in the ever-segmented radio of the 21st century.
Despite his notoriety as a pioneer of Southern rap music and lyrical depth, Scarface remains low-key with his legendary status. And reasonably so. There’s a lot going on in the mind of the 44-year-old Geto Boy.
Young Thug is easily one of, if not the most, interesting artist in hip-hop at this moment. The Atlanta born rapper has been all over the hip-hop headlines these past 12 months, for a variety of reasons; some good and some not so good. The latter referring to his oddly constructed "beefs" with the likes of Lil Wayne, The Game, Rich Homie Quan and most recently Plies.
Breakout Chicago emcee Mick Jenkins raps, “With perfect pitch, I’m screaming free my niggas/ polished and purposeful, he’s producing pristine pictures.” These rhymes-- which open “P’s & Q’s,” the eighth track off Jenkins’ latest effort, Wave[s]-- encapsulate both the ethos of this nine track EP, and one of its major shortcomings.
Rick Ross is a work horse. Despite legal troubles, the Maybach Music boss just released a seventeen-track mixtape to hold us over until his next official project. Mind you, Ross released a #1 overall album last year in Mastermind, along with a #2 rap release in Hood Billionaire. He's been having a quiet year musically, but that all changed this past Thursday when he dropped Black Dollar.
There has been no artist in our culture that has had a more storied four years than The Weeknd. The Scarborough, Canada native currently sits in a pop music position that he probably never had imagined himself in. When House Of Balloons dropped in March of 2011, no one knew who or what The Weeknd was.
Where were you when you first heard K Camp? Was it years ago, when his guest feature on Sy Ari Da Kid's “Popular” made him a hook artist worth keeping tabs on? Did it happen at the beginning of last year when his anthems “Money Baby” and “Cut Her Off” were dominating radios and leaving air pockets of bass around the cars that blasted them?
Game doesn't quite get the respect he deserves. Sometimes things like his habitual name dropping and controversy divert attention from the fact that he has been one of the most consistent rappers over the last decade.
We're noticing a pattern here.
At this point in the Trap-A-Velli mixtape series (and this point in the unkillable career of 2 Chainz) we definitely know what to expect from any new releases.
Meek Mill’s new album sounds like the Apocalypse. Not the actual, devastating end-of-days, but the cinematic equivalent we’ve come to expect from our summer blockbusters: a free-wheeling, no-stakes madhouse of destruction complete with swelling strings, chanting choirs and Earth-shaking war drumbeats that could bring a tear to Clint Mansell’s eye.
On Dizzy Wright's second studio album The Growing Process, the 24-year old rapper makes an attempt at honing in his focus as an artist by establishing a moral constitution for his music to adhere to until further notice. For the most part, this is goal is met by the young upstart.
Visibility is the number one law of rap-- if they can’t see/hear/feel you, you don’t actually exist for a lot of people. But the main concern is how do you keep them interested? Tyga is one of those artists who has been cursed with a struggle between visibility and interest.
Travi$ Scott has been the figure of some controversy for a myriad of reasons. Number one, he appears to have a reputation for being a dick, but that's actually not anything new to rap. He's also been known to bite styles, which is yet another familiar trope. But, perhaps above all, is the fact that both Grand Hustle and G.O.O.D.
We all know the story with Wiz and his albums, it's a tale as old as time. He goes super, extra hard on his mixtapes to shut up the critics who talked bad about his albums, only to make some of the same mistakes on the next album.
For over fifteen years fans of Dr. Dre awaited the follow-up to 2001. Detox was rumored to drop basically every year that followed, but was ultimately sidelined as Dre turned his attention to Eminem and 50 Cent, and later, the success of Beats headphones.
After 2013’s wildly successful good kid, m.A.A.d city, Kendrick Lamar had an opportunity that very few artists ever receive. For his third album, he could have continued to make tracks like the wavy “Bitch Don’t Kill My Vibe”, the hook-laden “Fuckin’ Problem", or the festival-banging “m.A.A.d city”, and still had a top-selling album.
Everything about The Barter 6 is enigmatic.Firstly there's its author, Young Thug. The septum-pierced, face-tattooed Atlantian emcee seemingly came out of nowhere just a few years ago, quickly earning endorsements from the likes of Kanye West, Drake, Gucci Mane, and an apparent apprenticeship with Birdman.
The evolutions of Donald Glover and Childish Gambino appeared mutually exclusive until recently, with the masses not completely sold on either. Glover was either "that guy from that show,” or “Troy!!!!” The Gambino character was viewed as a playful, non-threatening side project, by fans of Glover’s work, and other rappers.
Last year in March, Kid Ink reached a big milestone for a new artist: his single “Show Me” featuring Chris Brown went double Platinum.
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