Will Thugger's new mixtape-album tip the scales in his favor, finally? Probably not.
It’s tough to get 100 percent behind the Wu-Tang Clan these days. No one can deny their influence and run of classic records in the 90s, but drama, stylistic confusion, and album delays have plagued the crew for the past half-decade.
Game doesn't quite get the respect he deserves. Sometimes things like his habitual name dropping and controversy divert attention from the fact that he has been one of the most consistent rappers over the last decade.
Review: Earl Sweatshirt's "I Don't Like Shit, I Don't Go Outside" Mar 29, 2015 at 03:42pm 20,079 Views
Earl Sweatshirt’s I Don’t Like Shit, I Don’t Get Outside is a short and moody album. It also happens to be a very focused, quality listen, and possibly the best output we’ve received from the California native. Through bummed-out stoned raps and shoegazing beats, Earl proves to be one of the most talented, albeit depressed, rappers in the game.
In line with the recent (and awesome) trend of surprise albums, Tyler, the Creator announced Cherry Bomb just a few days prior to its April 13th digital release. The album’s single, “Fucking Young,” along with its attached snippet of the record's opening track, “Deathcamp,” showed a Tyler who is wearing his N.E.R.D.
When Drake released his newest mixtape, If You're Reading This It's Too Late, a few days ago, it took the internet by storm. Falling in line with Jay Z, Kanye and Beyoncé before him, he dropped it almost completely out of the blue, with no real warning.
Most of the album's best qualities are present in the intro and and title track: catchy hooks, hard-hitting lyrics, confidant flows, obscure topics and absolutely amazing production.
In many ways, the early 2000s belonged to Ludacris. Within that time, the rapper was able to cross multiple platforms, making palatable music for varying tastes tinged with his trademark Dirty South sound. He would drop cheeky hit after cheeky hit, with a self serious flow delivered through a cheshire grin - and we all loved him for it.
After Yelawolf’s first major-label album Radioactive proved to be, well, just that; and failed to meet the standards set by his 2010 mixtape Trunk Muzik, it felt as though - with his second effort Love Story - an explanation or apology was due. He seemingly traded in his trademark mud-coated country roots for pop-pandering.
Sir Robert Bryson Hall II even sounds like future royalty. Professionally known as Logic, the massively talented Maryland MC has that potential. He’s also an interesting meta case study of multiple perspectives. Surface level, his racial background paints a ready-made perception, fair or not.
2014 may be remembered as one of the weakest years for rap in recent memory, but there were, however, some definite highlights, especially when it came to newcomers. Bobby Shmurda had one of last year’s biggest rap records, DeJ Loaf had one of last year’s most remixed rap records and Young Thug was one of last year’s most talked about rap artists (even if for all of the wrong reasons).
Every rapper that can be considered in the G.O.A.T. debate eventually hits a wall. This drop-off point comes for everyone and leads their stans to add qualifiers to their respective "best all time" arguments, "Of course, I'm talking about Jay-Z from Reasonable Doubt to Black Album, Eminem pre-Encore, etc."
After 2013’s wildly successful good kid, m.A.A.d city, Kendrick Lamar had an opportunity that very few artists ever receive. For his third album, he could have continued to make tracks like the wavy “Bitch Don’t Kill My Vibe”, the hook-laden “Fuckin’ Problem", or the festival-banging “m.A.A.d city”, and still had a top-selling album.
Releasing two full length albums in one year is a rare feat most rappers will never accomplish, but in a sense, it's really nothing new for Rick Ross, who yesterday released Hood Billionaire, his second solo album of the year. The rapper has been dropping albums, along with mixtapes that have been considered to be as good as albums, within months of each other for years now.
Lupe Fiasco has been in a battle with Atlantic records for what seems to be forever. We all know about his discontent with Lasers and on his mixtape Friend of the People he made it clear that he wanted off the label. He did not get his wish before this album dropped, and that almost prevented us from hearing this album entirely.
The first Luca Brasi Story, released last February, put Kevin Gates on the map. Soon after, he quietly inked a partnership with Atlantic and a management deal with Young Money. He put out another excellent mixtape, Stranger Than Fiction, months later, and he’s had a similar 2014 in terms of output: two mixtapes, both excellent.
Fifteen years of Shady Records represents an unusual time for rap music, transitioning out of the shiny suit era and into a bubble featuring new names. Aside from D12 and Obie Trice releases, the label’s existence was mostly tied to Eminem signing a certain Queens MC.
In superhero literature, it's not uncommon for an aging master like Bruce Wayne to find himself a protégé. Often arriving at our hero's lowest point -- after the death in the family or, perhaps, a critical injury -- this stranger inspires the hero to get back to doing what he does best: fighting crime and selling a ton of movie theater tickets.
T-Pain dropped his new mixtape at the end of last week. After keeping busy with three mixtapes and four studio records in less than a decade, T-Pain went dark with no releases since 2012, until now.
Action Bronson’s new album is a bid to be considered the funniest man in hip hop. A week after Kendrick Lamar’s album has the entire culture debating race, politics, and society, Mr. Wonderful reminds us that sometimes rap can also be about wicked-funny punch lines and ridiculous one-liners as much as it can attempt to impact culture itself.
Last year in March, Kid Ink reached a big milestone for a new artist: his single “Show Me” featuring Chris Brown went double Platinum.
Ludacris is a veteran in the game. Lyrics, beats, hit songs, a unique style; over his 10-plus year career he has obviously shown why he has been one of the most respected and successful stars in hip hop.
After a number of impressive leaks, Dizzy Wright, drops his highly anticipated mixtape, The Golden Age. This is the Sin City representative's fifth street album in total, the tape is the follow-up to the free version of SmokeOut Conversations, which was released in June 2012, and comes on the heels of last December's Booth-hosted The First Agreement EP.
It's funny how music comes full circle. Tinashe was just eight years old when Aaliyah Haughton tragically died in a plane crash, causing the music world to mourn and R&B to be reconstructed in her wake.
The most gratifying events in music are the moments where you can literally hear the construction in the artist’s mind, the building onto the promise of greatness. While not a guarantee, Days Before Rodeo provides the listener with the glimpses of the incredible, long-ranging capabilities of Travi$ Scott.
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