Is Future's Sprite a bit too muddy, or did he deliver as expected on "Dirty Sprite 2"?
To say that the dawn of drill feels like yesterday would be generous at best. It's been roughly three years since Chicago's rap explosion took the world by storm, and now it feels like you're sifting through the rubble. So many promising talents have struggled to live up to the hype, gotten lost in the blogosphere, or become unrecognizable.
Game doesn't quite get the respect he deserves. Sometimes things like his habitual name dropping and controversy divert attention from the fact that he has been one of the most consistent rappers over the last decade.
Sir Robert Bryson Hall II even sounds like future royalty. Professionally known as Logic, the massively talented Maryland MC has that potential. He’s also an interesting meta case study of multiple perspectives. Surface level, his racial background paints a ready-made perception, fair or not.
Immediately following Touchdown 2 Cause Hell’s introductory “Get Em Boosie”-- the aptly titled dizzying turn up track that unleashes Boosie Badazz loose on the rap game once again-- the bellows of an approaching storm crackles with doom. It’s an ominous sound byte, seeing as Lil Boosie has acted as the chief ambassador of Post-Katrina Louisiana gangster rap.
Miguel is an R&B artist that not many will argue against. After bursting onto the music scene in 2010 with his debut single and album "All I Want Is You", Miguel has been a casually unstoppable force in music, with hits like "Sure Thing," "Adore," "Quickie," and features like "Lotus Flower Bomb" and "Good Lovin" keeping Miguel in the back of our minds and at the top of our playlists.
After a long wait, SURF is finally here. The debut LP from The Social Experiment (aka SOX) is billed as Donnie Trumpet & The Social Experiment despite the fact that the band’s biggest star is obviously Chance The Rapper. The album features, although they aren’t listed on the iTunes version of the free album, the likes of J.
After a near-decade of hustling, Curren$y has finally landed his prominent role in the rap scene. It wasn’t easy work, but anyone who has watched the New Orleans-native go from Lil Wayne’s sidekick to stoner rap’s most consistent contributor will tell you that much.
Lupe Fiasco has been in a battle with Atlantic records for what seems to be forever. We all know about his discontent with Lasers and on his mixtape Friend of the People he made it clear that he wanted off the label. He did not get his wish before this album dropped, and that almost prevented us from hearing this album entirely.
When Drake released his newest mixtape, If You're Reading This It's Too Late, a few days ago, it took the internet by storm. Falling in line with Jay Z, Kanye and Beyoncé before him, he dropped it almost completely out of the blue, with no real warning.
Joey Bada$$ is a young Brooklyn emcee who was influenced by those who came before him from his region, the same way most young rappers from any region show clear influence from those who came before them in their region.
Part of Future’s appeal lies in a musically indefinable existence. While both Pluto (and the 3D version) and Honest became somewhat of a set template for artists like Travi$ Scott, Future himself is a blend of the past, some not so distant.
In the era of Yeezus Christ and King Kendrick, it's easy to fall into the mindset that every hip-hop album should be an experiment in pushing hip-hop forward. Every track should ooze with idealism and what's new. This feeling goes double for mixtapes. Freed from the binds of needing to make something that is commercially viable, rappers are able to let their wildest experiments roam.
A weird thing happens when an artist gets signed to a major label. It seems, no matter how talented they are, no matter how much their fans are willing to support, debut albums almost always come up short. There have been exceptions, of course. (Logic's Under Pressure being the most recent example.) But, more often than not, the curse of a major label signing is very real.
YG first popped up on the radar with the 2009 song "Toot It And Boot It" featuring Ty Dolla $ign. While he was locked up serving a six-month sentence for a parole violation stemming from a home invasion, the Compton native saw the song steadily climb the Billboard charts. Once YG was released, he had several label options, eventually signing with Def Jam.
2014 may be remembered as one of the weakest years for rap in recent memory, but there were, however, some definite highlights, especially when it came to newcomers. Bobby Shmurda had one of last year’s biggest rap records, DeJ Loaf had one of last year’s most remixed rap records and Young Thug was one of last year’s most talked about rap artists (even if for all of the wrong reasons).
I first saw Vince Staples through his baby picture, the artwork to his breakout mixtape, Shyne Coldchain Vol. 1, was floating down my Tumblr feed in 2011. However, it wasn’t until I was listening to Earl Sweatshirt’s Doris, that I was blown away listening to Vince completely slaughter the outro of “Hive,” and from there on anything else I heard him on.
Call him Steve-O. The Cleveland Wild Boy is back with his new mixtape, Black Flag. Featuring all original music, the free album is more or less a gift to his dedicated EST fanbase. This project comes not too long after Machine Gun Kelly’s debut studio album, Lace Up, which released in October of last year. Nevertheless, MGK certainly didn’t rush the making of his latest mixtape.
After 2013’s wildly successful good kid, m.A.A.d city, Kendrick Lamar had an opportunity that very few artists ever receive. For his third album, he could have continued to make tracks like the wavy “Bitch Don’t Kill My Vibe”, the hook-laden “Fuckin’ Problem", or the festival-banging “m.A.A.d city”, and still had a top-selling album.
Every rapper that can be considered in the G.O.A.T. debate eventually hits a wall. This drop-off point comes for everyone and leads their stans to add qualifiers to their respective "best all time" arguments, "Of course, I'm talking about Jay-Z from Reasonable Doubt to Black Album, Eminem pre-Encore, etc."
The most gratifying events in music are the moments where you can literally hear the construction in the artist’s mind, the building onto the promise of greatness. While not a guarantee, Days Before Rodeo provides the listener with the glimpses of the incredible, long-ranging capabilities of Travi$ Scott.
For some reason or another, my timeline has recently been bombarded with a ton of Tweets and Instagram posts claiming that the Migos are better than The Beatles. As most logical rap fans can attest, there are definitely better ways to champion the trio as leaders of this new school in rap than to compare them with arguably the greatest group in the history of popular music.
In many ways, the early 2000s belonged to Ludacris. Within that time, the rapper was able to cross multiple platforms, making palatable music for varying tastes tinged with his trademark Dirty South sound. He would drop cheeky hit after cheeky hit, with a self serious flow delivered through a cheshire grin - and we all loved him for it.
Have you ever seen the viral video of Susan Boyle performing for the first time on Britain’s Got Talent? A superficially unattractive older woman walks out onto the stage to perform a song before hundreds of people and four judges. Before she even gets an opportunity to sing, the crowd is halfway out their seats with laughter. Then she opened her mouth and silenced all haters.
With Chief Keef, King L, Lil Reese and Lil Durk signing to major labels in 2013, Chicago's drill scene saw all of its major stars graduating to more commercial successes, leaving vacancies in the underground mixtape scene that the genre was born from.
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