With his tenth solo album "I Am Not A Human Being 2", Lil' Wayne proves once again that he's not quite of this earth.
Keeping it fresh with his signature, smoked out flow, Curren$y delivers a strong introduction with the title track New Jet City. Backed by a pompous instrumental, Spitta lays it down and lauds about his boss status. From “sittin in the back of his triple black, with picnic tables, twisting up sacks” to making double our life savings, he is clearly on some new boss shit.
News flash, Xzibit doesn’t just pimp rides. Every now and then when X wants to he has proven he can spit, and this was very apparent at this years BET Awards show. His verse at the BET Cypher this year was nothing short of memorable, and his album follows suit.Napalm is X’s first commercial attempt since his last studio album Full Circle, which was released in 2006.
In a way, Coke Boys 4 is exactly what was expected. Plenty of features, varied production, and a heavy supply of trunk bangers make this a typical French Montana project. This time around, OTF rapper Lil Durk was notably involved after recently joining forces with the Coke Boy family. Even with Durk's contributions, however, the mixtape lacks originality.
Kendrick Lamar is leading the charge in the revival of West Coast hip hop. After rising to prominence on the back of his mixtape, Overly Dedicated, and arguably 2011's best album, Section.80, fans were due another masterpiece from the Compton native. After teasing fans with a collaboration with Dr. Dre, “The Recipe”, and pushing the release date
“I am the struggle. I am the hustle. I am the city. I’m the pot in the kitchen.” Yo Gotti raps on the title track of his latest album, I Am. The self-proclaimed king of Memphis has been involved in the trap game for a while now, and he has much to share, telling stories through out his new album, I Am. Gotti‘s strong southern influence is clearly shown throughout the 13-track project.
Defining a “classic” is no easy task. The first factor is obviously the quality of the music. Here we ask the basic questions: Are there any unnecessary tracks? Does the production impress without outshining the lyrics? The usual surface stuff that’s easy to assess on two full listens. After the surface level is cleared, an album has to separate itself from the pack.
Justin Timberlake fans are still basking in the martini-drinking, suit-wearing, gold-plated visions of The 20/20 Experience, but the pop crooner’s sights are already set on the steamy after party. The 20/20 Experience – 2 of 2 evokes the grit, sweat and sex missing from the first iteration, which took its extravagant vibe to the top of the charts as the best-selling record of 2013 so far.
Right off the bat, YG’s fifth mixtape Just Re’d Up 2 illustrates just what the Californian rapper is all about. Starting bold from the second track with bumping 808’s and underscored by synthesizers, “Im 4Rm Brompton” really sets the tone for the mixtape’s high energy.
Childish Gambino has definitely come a long way from his I Am Just A Rapper days. He's found a better voice and sound, that's for sure. His latest realease, Royalty, had drummed up quite a bit of buzz before it dropped, and I was anticipating its release as well. The project does not disappoint, however, Gambino still has growth to do as a rapper. Most fans are
Two years ago, Jay-Z and Kanye West joined forces and crowned themselves the kings of rap. After an extensive worldwide Watch The Throne tour, the two went back to their separate careers to work on solo projects. Although they both welcomed a brand new baby in the last year and a half, they couldn’t be in more different places musically.
B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both.
If there’s one rapper out there that shows unfaltering consistency in his melodic style and lyrical flow, it has got to be Gucci Mane. The seasoned Atlanta rapper’s newest mixtape, Trap God 2, unveils the same playful energy as Chicken Talk, which he put out in 2006—a mere 27 mixtapes ago. As for Trap God 2,
Stunning. If Jhene Aiko wasn't already a household name, she ought to be by now. The 25-year-old singer has appeared on numerous hip-hop tracks throughout the year, most notably Drake's "From Time", J. Cole's "Sparks Will Fly", and Big Sean’s radio smash "Beware". Sail Out* is Jhene’s first major label EP, and what a debut it is.
Ty Dolla $ign delivered his Beach House 2 mixtape just in time for summer. At first glance, the tape's tracklist looks iffy. There's at least one guest appearance on each song, something which is often frowned upon by devout fans and critics. However, flooding a project with features has been done successfully before, as was the case with The Game's 2012 album Jesus Piece.
Freddie Gibbs is a veteran in the rap game but it’s taken him a decade to put out his first studio album. Cutting his teeth on the mixtape circuit, Gibbs released a steady stream of solid projects rife with stories of the drug game. After signing with Interscope Records, Gibbs was shuffled to the back of the bus before being dropped altogether.
Curren$y is definitely a main-stay in the rap game. He's one of the few rappers who remains underground, but is still able to touch the mainstream without backlash from fans. He says it best himself on “What It Look Like”: “mainstream cheese, but I ain't actin' like y'all.” That's the truth. The Stoned Immaculate was the
If the first Starvation mixtape proved to be a metaphor for Ace Hood’s unmitigated hunger for the level of super stardom usually reserved for rappers like his friend, Lil Wayne, then Starvation 3 makes Ace Hood sound as hungry as ever, except this time around, the production values are a lot better.
A mostly levelheaded veteran who’s open about his distant relationship with Chicago, Common is the only 30-plus rapper who could’ve made a Nobody’s Smiling.
Halftime at any sporting event is usually the time when folks go to the bathroom, get refreshments and talk amongst themselves about the game. For Waka Flocka Flame, halftime is no time for an intermission. Instead, it’s a period to continue carrying the heat.
In November, Atlanta rapper Trinidad James caused a firestorm with comments he made while performing in Brooklyn, New York City. After multiple rappers (most notably Maino) called him out for stating that ATL rappers run NYC musically, the Def Jam signee finally admitted he chose the wrong venue.
Ever resilient and defiant, Big K.R.I.T. drops K.R.I.T. (King Remembered in Time) for hip-hop heads to feast on. Placing a stake in Mississippi, K.R.I.T. presents a project to deliver his message that he’s a force to be reckoned with in the rap game.
Studio albums have a way of working as a litmus test for hip-hop's up and comers. Mixtapes and guest appearances are one thing, but for an artist to prove that he/she can create a strong cohesive album while delivering on lyrics, beats, and bravado is another. Meek Mill seems capable of preforming this balancing act with Dreams & Nightmares, a
More than two years ago Rockie Fresh and Casey Veggies teamed up for the first time together on “Duckin N Dodgin,” which winded up on Fresh’s The Otherside Redux. The song pitted the two up and coming rappers together and although they were from different time zones, the chemistry between the two was obvious. Fast-forward to the present.
The North Carolina-born and Georgia raised singer-songwriter and producer set out to pay homage to hip hop and his Southern roots on the follow up to his 2013 album, IV Play. Sonically, more like the follow up to his first free release, 1977, which was released under his government name, Terius Nash in 2011 and rereleased by Def Jam for commercial sale the following year.
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