The proud Harlem-native puts on for his city with this classic New York hip-hop EP.
For Vado, Sinatra represents much more than just another one of the several tapes he has dropped over the past few years. The smooth flowing Harlem representer is in the midst of a crucial part of his rap career. The Dipset affiliate went from NYC --> MIA to link up with DJ Khaled and in 2013 he signed with Khaled's We the Best label.
Fifteen years of Shady Records represents an unusual time for rap music, transitioning out of the shiny suit era and into a bubble featuring new names. Aside from D12 and Obie Trice releases, the label’s existence was mostly tied to Eminem signing a certain Queens MC.
The inaugural Yams Day got off to an inauspicious start, as a shortage of security guards led to a bottleneck at the entrance to Manhattan's Terminal 5, thus forcing thousands of eager fans to wait outside the venue for an hour or more, in a temperature that can only be described as cold-as-balls.
After 2013’s wildly successful good kid, m.A.A.d city, Kendrick Lamar had an opportunity that very few artists ever receive. For his third album, he could have continued to make tracks like the wavy “Bitch Don’t Kill My Vibe”, the hook-laden “Fuckin’ Problem", or the festival-banging “m.A.A.d city”, and still had a top-selling album.
Every rapper that can be considered in the G.O.A.T. debate eventually hits a wall. This drop-off point comes for everyone and leads their stans to add qualifiers to their respective "best all time" arguments, "Of course, I'm talking about Jay-Z from Reasonable Doubt to Black Album, Eminem pre-Encore, etc."
In many ways, the early 2000s belonged to Ludacris. Within that time, the rapper was able to cross multiple platforms, making palatable music for varying tastes tinged with his trademark Dirty South sound. He would drop cheeky hit after cheeky hit, with a self serious flow delivered through a cheshire grin - and we all loved him for it.
The evolutions of Donald Glover and Childish Gambino appeared mutually exclusive until recently, with the masses not completely sold on either. Glover was either "that guy from that show,” or “Troy!!!!” The Gambino character was viewed as a playful, non-threatening side project, by fans of Glover’s work, and other rappers.
Where were you when you first heard K Camp? Was it years ago, when his guest feature on Sy Ari Da Kid's “Popular” made him a hook artist worth keeping tabs on? Did it happen at the beginning of last year when his anthems “Money Baby” and “Cut Her Off” were dominating radios and leaving air pockets of bass around the cars that blasted them?
Immediately following Touchdown 2 Cause Hell’s introductory “Get Em Boosie”-- the aptly titled dizzying turn up track that unleashes Boosie Badazz loose on the rap game once again-- the bellows of an approaching storm crackles with doom. It’s an ominous sound byte, seeing as Lil Boosie has acted as the chief ambassador of Post-Katrina Louisiana gangster rap.
Throughout the years Kanye West has transcended hip hop and has made music of his own kind. A hybrid of many sounds and ideas, Yeezus is an ambition expansion of West’s sound palette. Introducing news soundscapes and textures, the album has a completely new sound for the artist, and is a complete disregard for the rules of hip hop and music and because of it, it works.
When Young Money released their We Are Young Money album four years ago, they were undeniably the hottest team in hip-hop. Lil Wayne's army was young and hungry, as artists like Tyga and Nicki Minaj had yet to develop into superstars. Veterans such as Mystikal and Busta Rhymes have since joined the Young Money militia, though have failed to make a lasting impact with the group.
It's no secret that hip-hop at large is lacking in original content. If the music isn't about money, it's about sex; if it's not about sex, it's about who's the hardest (no pun intended); if not who's hardest, it's about hip-hop itself. It's in this musical landscape that a label like Tech N9ne's Strange Music is needed the most.
Releasing two full length albums in one year is a rare feat most rappers will never accomplish, but in a sense, it's really nothing new for Rick Ross, who yesterday released Hood Billionaire, his second solo album of the year. The rapper has been dropping albums, along with mixtapes that have been considered to be as good as albums, within months of each other for years now.
There was a time not too long ago when Lil Wayne was widely considered the best rapper alive. Since 2009's No Ceilings, Lil Tunechi has left fans scratching their heads and wondering what happened to the once dominant Mixtape Weezy. All that mediocrity recently caught up to the Young Money star. Tunechi wasn't nominated for this year's MTV VMAs or the BET Awards.
At this point in the Trap-A-Velli mixtape series (and this point in the unkillable career of 2 Chainz) we definitely know what to expect from any new releases.
Call him Steve-O. The Cleveland Wild Boy is back with his new mixtape, Black Flag. Featuring all original music, the free album is more or less a gift to his dedicated EST fanbase. This project comes not too long after Machine Gun Kelly’s debut studio album, Lace Up, which released in October of last year. Nevertheless, MGK certainly didn’t rush the making of his latest mixtape.
In the last two years between his last album and now, Rick Ross has been through a lot, including surviving a targeted hit on his life. Critics bashed God Forgives, I Don’t and many wondered if Ross had peaked too soon and lost his touch. After numerous setbacks and delays, the bawse is back with his sixth album to prove that he’s a man with nine lives and a rapper with hits for days.
2014 may be remembered as one of the weakest years for rap in recent memory, but there were, however, some definite highlights, especially when it came to newcomers. Bobby Shmurda had one of last year’s biggest rap records, DeJ Loaf had one of last year’s most remixed rap records and Young Thug was one of last year’s most talked about rap artists (even if for all of the wrong reasons).
Ladies and gentlemen, Joe Budden is back in Mood Muzik form. Early last year Joe released No Love Lost, which packaged club and radio songs along with some more personal tracks. That album left many of his longtime fans wanting more of the intimate feel they get from his darker projects. Almost two years later and Joey is back to documenting his turmoil in a way that only he can.
In recent history, there’s been a few kinds of rap albums: the long ones and the short ones, those with lots of features and those kept rather personal. A$AP Rocky, Kendrick Lamar, and The Social Experiment went with longer listens peppered with tons of flavor from their friends and collaborators.
In superhero literature, it's not uncommon for an aging master like Bruce Wayne to find himself a protégé. Often arriving at our hero's lowest point -- after the death in the family or, perhaps, a critical injury -- this stranger inspires the hero to get back to doing what he does best: fighting crime and selling a ton of movie theater tickets.
It’s tough to get 100 percent behind the Wu-Tang Clan these days. No one can deny their influence and run of classic records in the 90s, but drama, stylistic confusion, and album delays have plagued the crew for the past half-decade.
Sometimes one song can set the precedence for an album’s entirety and Chris Brown’s opening title-track, X does just that. The Diplo-produced, hip-hop/EDM comprised record symbolizes Brown’s back and forth attempt at being an R&B, hip-hop, pop and dance music star.The song starts off slow and then builds up to an uptempo dance record filled with egotistical lyrics.
"Playing with your parts hopping in and out the friendzone..." Father really ain’t shit, y'all. He went on tour, dropped this chill ass 12-track album appropriately titled Who's Gonna Get Fucked First? on the interwebs last week, and did not run any of this by me...'cause we were totes besties back in two years from now.
Fabolous has always done a solid job at blending in with his environment. Whether he’s cutting with DJ Clue and The Neptunes in 2001 or jiving with Rich Homie Quan in 2015, he’s done a phenomenal job at adapting to change and staying relevant, something that is easier said than done.
In line with the recent (and awesome) trend of surprise albums, Tyler, the Creator announced Cherry Bomb just a few days prior to its April 13th digital release. The album’s single, “Fucking Young,” along with its attached snippet of the record's opening track, “Deathcamp,” showed a Tyler who is wearing his N.E.R.D.
Like any Wiz project, there will be a wide variety of opinions on 28 Grams, ranging from exuberant praise to vitriolic disdain.
Few rappers get a second life in the rap game. It’s nearly unheard of to lap around the competition a third time around. But then again Juicy J is not the typical rapper. He started out with his fellow Memphis native rappers and friends DJ Paul and Lord Infamous to form Three 6 Mafia in the early 90’s.
Isaiah Rashad’s debut EP, Cilvia Demo, is very easily among the most captivating mainstream debut projects from a new artist since the likes of J. Cole, Drake or even label mate Kendrick Lamar.
Ludacris is a veteran in the game. Lyrics, beats, hit songs, a unique style; over his 10-plus year career he has obviously shown why he has been one of the most respected and successful stars in hip hop.