Review: French Montana's "Coke Boys 4"
    In a way, Coke Boys 4 is exactly what was expected. Plenty of features, varied production, and a heavy supply of trunk bangers make this a typical French Montana project. This time around, OTF rapper Lil Durk was notably involved after recently joining forces with the Coke Boy family. Even with Durk's contributions, however, the mixtape lacks originality.
    Review: Iggy Azalea's "The New Classic"
    Defining a “classic” is no easy task. The first factor is obviously the quality of the music. Here we ask the basic questions: Are there any unnecessary tracks? Does the production impress without outshining the lyrics? The usual surface stuff that’s easy to assess on two full listens. After the surface level is cleared, an album has to separate itself from the pack.
    Review: Curren$y's "The Drive In Theatre"
    Only a handful of artists release as much content as Curren$y does. Some can match the quantity, but none can top the quality. Spitta Andretti is known for releasing album-quality mixtapes at a constant rate, giving fans all they can digest. 2013’s New Jet City was one of the hottest mixtapes of the year, and his latest offering The Drive In Theatre doesn’t disappoint either.
    Review: T.I.'s "Paperwork"
    Following the release of T.I.’s last two somewhat lackluster albums, 2010's No Mercy and 2012's Trouble Man, combined with the rise of new age rap stars like Drake, Kendrick Lamar, J.
    Review: Ghostface Killah's "36 Seasons"
    Ghostface Killah’s new LP 36 Seasons comes to us just one week after the release of Wu-Tang Clan’s A Better Tomorrow. While the latter LP received lukewarm reviews due to questionably experimental tracks, 36 Seasons is the exact opposite. It is concise and precise, using that classic Wu sound to march along an incredible story line while The Revelations provide the production.
    Review: CyHi The Prynce's "Black Hystori Project"
    When we last heard from CyHi the Prynce, he was cruising around college campuses with his Ivy League: Kick Back mixtape early last year. Now, ready to show us what he’s learned, he takes us back to school with Hystori: Black History Project. His most socially conscious body of work yet, CyHi gives us a history lesson throughout the project.
    Review: Chief Keef's "Almighty So"
    "They want that old Sosa… for what doe?" Well, for good reason. Chief Keef ran into some icebergs with Bang Pt. 2, and the ship continues to sink. The same qualities that were present on his last mixtape reappear on Almighty So. Poor mixing and sloppy delivery continue to cloud the highlights. Thankfully the beats were banging, or else this mixtape would have been a lot worse.
    Review: Run the Jewels' (Killer Mike & El-P) "RTJ2"
    El-P was first brought to Killer Mike's studio to commission a beat, or two, for Mike’s R.A.P. Music. This was 2011, and Adult Swim creative director Jason DeMarco, the mutual connection, couldn't have possibly foreseen the two-headed beast he just spawned. By the end of the session, Mike knew he’d found the sole producer for his next album.
    Review: A$AP Ferg's "Trap Lord"
    Earlier this year, hip-hop bible XXL Magazine featured rappers A$AP Rocky and French Montana on its cover declaring New York rap is back. While the focus of the game has shifted to other parts of the country in the past several years or so, there are some native New York emcees that are doing their part to rep their city.
    Review: Meek Mill's "Dreamchasers 3"
    Meek Mill has been through hell and back. He’s only 26-years-old but on the streets, age-wise that makes him a veteran. Growing up in the gritty, unforgiving city of Philadelphia, Meek, real name Robert Williams, fell into the same trap that a lot of his friends and many others in his age group that grew up in the same type of environment.
    Review: J. Cole's "Born Sinner"
    Cole World: The Sideline Story was considered somewhat of a disappointment to fans who really knew the raw talent that J. Cole posseses. The storyteller and the street smart rapper that fans loved was missing in his debut album. This time around Cole delivers a more cohesive project, with tracks easily flowing one by one to create a complete concept: Born Sinner.
    Review: Game's "Jesus Piece"
    Though he did fall off the map for a while, fans will remember 2012 as the year Game made his triumphant comeback. First, he released The R.E.D Album to critical acclaim and followed that up with the recent release of Jesus Piece - an album that could go down as one of Game's best.
    Review: The-Dream's "Royalty: The Prequel" EP
    The North Carolina-born and Georgia raised singer-songwriter and producer set out to pay homage to hip hop and his Southern roots on the follow up to his 2013 album, IV Play. Sonically, more like the follow up to his first free release, 1977, which was released under his government name, Terius Nash in 2011 and rereleased by Def Jam for commercial sale the following year.
    Review: Future's "Honest"
    Future is lightyears ahead of his time. Since touching down in 2012 with his Epic Records debut album Pluto, the Freeband Gang founder has continued hustling as an artist. The sloppy, melodic flow Future introduced on Pluto has been used by virtually every trapper who’s poppin’ today, and U.O.E.N.O. it.
    Review: King Los' "Zero Gravity II"
    After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
    Review: Eminem's "Marshall Mathers LP 2"
    The Marshall Mathers LP dropped in 2000 and became the fastest selling solo album of all time, influencing a whole generation of artists with its unique and in-depth look into the bizarre world of Eminem. The album was sandwiched in between Slim Shady LP and The Eminem Show – two other classic albums that are every bit as influential today as they were a decade ago.
    Review: Wiz Khalifa's "Cabin Fever 2"
    It only seems appropriate that Wiz would treat us to some of his new sounds, giving us a taste of what to expect on O.N.I.F.C. Full of chilled out, smoking vibes and plenty of party anthems, Cabin Fever 2 resembles a chilled bottle of Bombay Sapphire that sprouted legs and just walked out of the champagne room with a joint in hand.
    Review: Dizzy Wright’s “The Golden Age”
    After a number of impressive leaks, Dizzy Wright, drops his highly anticipated mixtape, The Golden Age. This is the Sin City representative's fifth street album in total, the tape is the follow-up to the free version of SmokeOut Conversations, which was released in June 2012, and comes on the heels of last December's Booth-hosted The First Agreement EP.
    Review: Tyler, The Creator's "Wolf"
    Tyler, the Creator's previous two solo projects were critically-acclaimed pieces of work. The success of Bastard and Goblin allowed him to garner the crazed fan base that follow his every move, but with Wolf, the Los Angeles native has moved on to something new.
    Review: Smoke DZA's "Dream.ZONE.Achieve"
    Smoke DZA fans have seen the Harlem rapper’s growth from his last few projects. He went from hard-hitting straight-laced lyrics in George Kush Da Button to a street storyteller in Rugby Thompson. Back with the long awaited and highly anticipated Dream.ZONE.Achieve, DZA sets out to prove that he has a lot more to talk about than just marijuana.
    Review: Lil Wayne's "I Am Not A Human Being II"
    Lil Wayne has always differentiated himself from us mere mortals, something he clearly set out to prove again with I Am Not A Human Being II, his tenth (and possibly final) studio album. He's explored the outer limits of the rap game with this one, bringing fellow rappers 2 Chainz, Nicki Minaj, Drake and Future along for the ride.IANAHB2 is the sequel to Weezy’s 2009 album of the sa
    Review: G-Unit's "The Beauty of Independence"
    After he proved he was a bankable rapper, 50 Cent started his own imprint and made G-Unit his first priority. For a while Lloyd Banks, Tony Yayo, Young Buck and Fiddy were consistently putting out quality music that fed the streets. But all good things must come to an end. In the Unit's case, the general fell out with first Young Buck and kicked him out of the group.
    Review: Big Sean's "Hall of Fame"
    It’s been a long road to the top for Big Sean. Back in 2005 after hearing Kanye West was going to be at a local radio station in Detroit for an interview, Big Sean headed down there to chance fate. Two years later he signed with G.O.O.D. Music but it wasn’t until 2011 that his debut album Finally Famous would hit the shelves.
    Review: D'Angelo's "Black Messiah"
    After 14 years of waiting, D’Angelo’s surprise album Black Messiah had every right to be the R&B/Soul equivalent of Guns & Roses' Chinese Democracy - a creaky mess that was done no favors by the weight of fan expectations. But that’s not what happened.
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