"Seen It All: The Autobiography" finds the trap legend at the top of his game, comfortable with his position, and ready to finally dispense true-to-fact game.
Bobby Ray is often cited as one of today’s underrated rappers. In the past, his hip hop game has come under fire for infusing pop and rock into his music. He’s also been dubbed a “sell-out” many a time, for creating radio winners. On Underground Luxury, he fights the critics bringing more of a hip hop feel.
Tech N9ne has been in the rap game for well over two decades but he flew under mainstream’s radar for much of his career. Shooting off lyrics with the speed of an automatic weapon, he earned a legion of fans through relentless tours to small cities in the heartland of the country.
It only seems appropriate that Wiz would treat us to some of his new sounds, giving us a taste of what to expect on O.N.I.F.C. Full of chilled out, smoking vibes and plenty of party anthems, Cabin Fever 2 resembles a chilled bottle of Bombay Sapphire that sprouted legs and just walked out of the champagne room with a joint in hand.
A weird thing happens when an artist gets signed to a major label. It seems, no matter how talented they are, no matter how much their fans are willing to support, debut albums almost always come up short. There have been exceptions, of course. (Logic's Under Pressure being the most recent example.) But, more often than not, the curse of a major label signing is very real.
It was strange when the tracklist for Old was released, as the album was divided into two different halves, but at first listen it's obvious why: they represent two sides of Danny Brown's multifaceted psyche and personality, as well as the old and the new.
Studio albums have a way of working as a litmus test for hip-hop's up and comers. Mixtapes and guest appearances are one thing, but for an artist to prove that he/she can create a strong cohesive album while delivering on lyrics, beats, and bravado is another. Meek Mill seems capable of preforming this balancing act with Dreams & Nightmares, a
In a way, Coke Boys 4 is exactly what was expected. Plenty of features, varied production, and a heavy supply of trunk bangers make this a typical French Montana project. This time around, OTF rapper Lil Durk was notably involved after recently joining forces with the Coke Boy family. Even with Durk's contributions, however, the mixtape lacks originality.
T.I. has been a man on a mission after his second prison stint. Following the success of his eighth studio album, Trouble Man: Heavy Is The Head, he once again travels back to his trapping roots. This time he’s joined by the roster he personally assembled on his Grand Hustle label for Hustle Gang’s G.D.O.D., the label’s first compilation mixtape.
Dijon McFarlane, aka DJ Mustard, is a Los Angeles born and raised producer of seemingly all of the most important tracks you’ve heard over the past year. While that statement is obvious hyperbole, his influence on the rap stratosphere is not, and cannot be overstated.
“I am the struggle. I am the hustle. I am the city. I’m the pot in the kitchen.” Yo Gotti raps on the title track of his latest album, I Am. The self-proclaimed king of Memphis has been involved in the trap game for a while now, and he has much to share, telling stories through out his new album, I Am. Gotti‘s strong southern influence is clearly shown throughout the 13-track project.
Only a handful of artists release as much content as Curren$y does. Some can match the quantity, but none can top the quality. Spitta Andretti is known for releasing album-quality mixtapes at a constant rate, giving fans all they can digest. 2013’s New Jet City was one of the hottest mixtapes of the year, and his latest offering The Drive In Theatre doesn’t disappoint either.
Rick Ross and the Maybach Music Group have taken their time with Stalley. Signed in 2011, the same year as Meek Mill and Wale (who were almost immediately launched in to mainstream eyes), the MC is just getting a proper debut album released.
Nas has done it again, and further cemented his place amongst hip hop royalty. With one of the most anticipated albums of 2012 now dropped the entire hip-hop community can breathe a collective sigh of relief. The Queensbridge rapper’s tenth studio album, Life is Good, is a shock to the system for a community that has become accustomed to musical mediocrity. As a
Ladies and gentlemen, Joe Budden is back in Mood Muzik form. Early last year Joe released No Love Lost, which packaged club and radio songs along with some more personal tracks. That album left many of his longtime fans wanting more of the intimate feel they get from his darker projects. Almost two years later and Joey is back to documenting his turmoil in a way that only he can.
Chris Brown has never been content with being just an R&B singer. Furthermore, he has never been satisfied with reaching a certain demographic, and has played within the pop genre to continuously open new eyes and ears. With four albums already under his belt, Fortune acts as a compilation of all of his previous experiments. Seeing that is
Right off the bat, YG’s fifth mixtape Just Re’d Up 2 illustrates just what the Californian rapper is all about. Starting bold from the second track with bumping 808’s and underscored by synthesizers, “Im 4Rm Brompton” really sets the tone for the mixtape’s high energy.
With Chief Keef, King L, Lil Reese and Lil Durk signing to major labels in 2013, Chicago's drill scene saw all of its major stars graduating to more commercial successes, leaving vacancies in the underground mixtape scene that the genre was born from.
In November, Atlanta rapper Trinidad James caused a firestorm with comments he made while performing in Brooklyn, New York City. After multiple rappers (most notably Maino) called him out for stating that ATL rappers run NYC musically, the Def Jam signee finally admitted he chose the wrong venue.
Mmmmaybach music. The heaviest group in hip-hop presents the third volume of their Self Made album series. Formulaically, the self-proclaimed untouchable Maybach empire haven't missed a step. Likewise previous installments in the series, Self Made Vol. 3 is packed with speaker-knocking beats driven by Rozay and company.
Beyonce beat the system with the unexpected drop of her fifth, self-titled album, which shocked the internet, the media and music fans alike. Although B's team had recently told us to expect an album soon, (Ne-Yo almost ruined the surprise as well), no one suspected it would happen this soon.
Throughout Welcome to Forever Robert Bryson Hall II reflects upon the last year of his career. The opening title track recalls when Logic met Nas for the first time in the line, “Shook his hand then he started quoting my lines? God damn this is real life!”
On paper, stone cold gangster Freddie Gibbs and alt-hop producer Madlib have little in common. But after releasing several highly enjoyable EPs beginning in 2011, it quickly became apparent that the duo were capable of vibing off one another.
Action Bronson’s new album is a bid to be considered the funniest man in hip hop. A week after Kendrick Lamar’s album has the entire culture debating race, politics, and society, Mr. Wonderful reminds us that sometimes rap can also be about wicked-funny punch lines and ridiculous one-liners as much as it can attempt to impact culture itself.
It’s been hard to turn on the radio in the past year or so and not hear French Montana’s rich yet slurred delivery coming through the speakers. The Moroccan born, Bronx, NY bred rapper’s rise to the top may seem like it happened overnight but that’s far from the case.
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