Does Logic's space journey rocket him to rap's stratosphere?
As someone who's put out quite a bit of music as a solo artist but will always be better known as a label head and mogul, Diddy seems to use his albums as showrooms for his expansive rolodex and impeccable taste.
The rap game is an unforgiving place, all too often. Plenty of talents come and go, getting lost in the shuffle, when there are literally dozens of rappers coming up and burning out in the blink of an eye. Especially in the Los Angeles scene, where a certified talent can have a stellar year but have a hell of a time trying to break on the national circuit.
Future has been overwhelming us lately, yet he still remains in-demand. Despite giving us back-to-back releases of three monstrous mixtapes (Beastmode, Monster and 56 Nights), the streets were literally salivating when news broke that he was dropping Dirty Sprite 2.
When listening to the two nearly 80-minute-long discs that The Game has released in the past week, it doesn't take long to realize that they're both very good albums. The Documentaries 2 and 2.5 both have high-profile guests who deliver, excellent tributes to Compton, and surprising arrays of beats, which is more than you'd expect from a whopping two and a half hours
During a recent interview with Larry King, Mac Miller stated that GO:OD AM -- his major label debut under Warner Bros. -- was intended to be a departure from the "darker and sad" vibes of his previous record, Watching Movies with the Sound Off. GOD:DAMN. Mac was right on the money.
After dominating the majority of the most recent millennium, Free Weezy Album marks Lil Wayne's first foray into generating music without the safety net of the Cash Money Records machine that helped make him. More than that, it’s Weezy’s first opportunity to air a slew of infamous grievances, whether it be his fallout with Birdman or new beefs.
The Game is a man of contradictions. His long-awaited follow-up to 2005's The Documentary begins with the Compton rapper hopping out of his car to bust some heads, and ends with a cheery hook sung by will.i.am and Fergie that sounds like it belongs in a Mary Kate & Ashley movie set in Los Angeles.
Big K.R.I.T. keeps busy, man.
In terms of rappers from different area codes that join forces for a mixtape, Drake and Future are one of the strangest pairs we've seen in a minute.
Young Thug is easily one of, if not the most, interesting artist in hip-hop at this moment. The Atlanta born rapper has been all over the hip-hop headlines these past 12 months, for a variety of reasons; some good and some not so good. The latter referring to his oddly constructed "beefs" with the likes of Lil Wayne, The Game, Rich Homie Quan and most recently Plies.
Is there anything more startling than hearing a 19 year old kid saying that he doesn't fear death because he's "happy for all the years [he] got to see"? Lil Herb's still around 57 years shy of the average male life expectancy in the U.S., but you don't need to be a super-sleuth to figure out why optimism isn't his strong suit. Hell, you barely even have to listen to his music.
Would you believe that Jay Rock has been signed to Top Dawg Entertainment for ten years? They say Rome wasn’t built in a day, and apparently TDE wasn’t either, because Anthony Tiffith and his group of MCs have been hacking at this hip hop thing for a while now.
Despite his notoriety as a pioneer of Southern rap music and lyrical depth, Scarface remains low-key with his legendary status. And reasonably so. There’s a lot going on in the mind of the 44-year-old Geto Boy.
Where were you when you first heard K Camp? Was it years ago, when his guest feature on Sy Ari Da Kid's “Popular” made him a hook artist worth keeping tabs on? Did it happen at the beginning of last year when his anthems “Money Baby” and “Cut Her Off” were dominating radios and leaving air pockets of bass around the cars that blasted them?
Keith Cozart, best known to the world as rap's enfant terrible Chief Keef, doesn’t do much to imply a typical career is in the cards for him.
Sir Robert Bryson Hall II even sounds like future royalty. Professionally known as Logic, the massively talented Maryland MC has that potential. He’s also an interesting meta case study of multiple perspectives. Surface level, his racial background paints a ready-made perception, fair or not.
J. Cole has come a long way from rapping about how to get up off the sideline. Three albums in, with 2014 Forest Hills Drive, the “God” is home. The Fayetteville, North Carolina native composed an honest, nostalgic album without any apologies. Cole typically plays it safe, straddling the fence of a conscious rapper who can still create commercial hits and enjoy a good romp in the bed.
“Love is all we need.” This lyric off the opening track “All We Need” could summarize the message Raury is trying to convey with his music. Like Bob Marley, Marvin Gaye, and John Lennon before him, Raury wants to see the world become a better place.
Everything about The Barter 6 is enigmatic.Firstly there's its author, Young Thug. The septum-pierced, face-tattooed Atlantian emcee seemingly came out of nowhere just a few years ago, quickly earning endorsements from the likes of Kanye West, Drake, Gucci Mane, and an apparent apprenticeship with Birdman.
Ever since Casey Veggies stepped onto the rap scene back in 2007, he's been stuck in the middle. Despite his diehard fans and devout supporters who may rank him higher out of bias, in the eyes of the larger hip-hop listenership, Veggies has always been placed in a middle tier, stuck in a sort of hip-hop limbo, neither advancing nor retreating.
There has been no artist in our culture that has had a more storied four years than The Weeknd. The Scarborough, Canada native currently sits in a pop music position that he probably never had imagined himself in. When House Of Balloons dropped in March of 2011, no one knew who or what The Weeknd was.
Breakout Chicago emcee Mick Jenkins raps, “With perfect pitch, I’m screaming free my niggas/ polished and purposeful, he’s producing pristine pictures.” These rhymes-- which open “P’s & Q’s,” the eighth track off Jenkins’ latest effort, Wave[s]-- encapsulate both the ethos of this nine track EP, and one of its major shortcomings.
Having recently gotten a release date for his debut album after months of uncertainty, Ty Dolla $ign has all the reason in the world to celebrate. Free TC arrives next month, but before we get the full-length tackling the weighty subject of his brother's wrongful incarceration, Ty's surprised us with 24 minutes of escapist jams.
Rick Ross is a work horse. Despite legal troubles, the Maybach Music boss just released a seventeen-track mixtape to hold us over until his next official project. Mind you, Ross released a #1 overall album last year in Mastermind, along with a #2 rap release in Hood Billionaire. He's been having a quiet year musically, but that all changed this past Thursday when he dropped Black Dollar.
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