Is Future's Sprite a bit too muddy, or did he deliver as expected on "Dirty Sprite 2"?
Breakout Chicago emcee Mick Jenkins raps, “With perfect pitch, I’m screaming free my niggas/ polished and purposeful, he’s producing pristine pictures.” These rhymes-- which open “P’s & Q’s,” the eighth track off Jenkins’ latest effort, Wave[s]-- encapsulate both the ethos of this nine track EP, and one of its major shortcomings.
After dominating the majority of the most recent millennium, Free Weezy Album marks Lil Wayne's first foray into generating music without the safety net of the Cash Money Records machine that helped make him. More than that, it’s Weezy’s first opportunity to air a slew of infamous grievances, whether it be his fallout with Birdman or new beefs.
Visibility is the number one law of rap-- if they can’t see/hear/feel you, you don’t actually exist for a lot of people. But the main concern is how do you keep them interested? Tyga is one of those artists who has been cursed with a struggle between visibility and interest.
Meek Mill’s new album sounds like the Apocalypse. Not the actual, devastating end-of-days, but the cinematic equivalent we’ve come to expect from our summer blockbusters: a free-wheeling, no-stakes madhouse of destruction complete with swelling strings, chanting choirs and Earth-shaking war drumbeats that could bring a tear to Clint Mansell’s eye.
We're noticing a pattern here.
A$AP Rocky’s relatively short career in the rap game has been one filled with high praise. His debut mixtape, Live.Love.A$AP, received exponential buzz solely off the strength of “Purple Swag,” and it was more so off the strength of the visual, which went viral (visuals have become a key component to Rocky’s career).
I first saw Vince Staples through his baby picture, the artwork to his breakout mixtape, Shyne Coldchain Vol. 1, was floating down my Tumblr feed in 2011. However, it wasn’t until I was listening to Earl Sweatshirt’s Doris, that I was blown away listening to Vince completely slaughter the outro of “Hive,” and from there on anything else I heard him on.
J. Cole has come a long way from rapping about how to get up off the sideline. Three albums in, with 2014 Forest Hills Drive, the “God” is home. The Fayetteville, North Carolina native composed an honest, nostalgic album without any apologies. Cole typically plays it safe, straddling the fence of a conscious rapper who can still create commercial hits and enjoy a good romp in the bed.
Everything about The Barter 6 is enigmatic.Firstly there's its author, Young Thug. The septum-pierced, face-tattooed Atlantian emcee seemingly came out of nowhere just a few years ago, quickly earning endorsements from the likes of Kanye West, Drake, Gucci Mane, and an apparent apprenticeship with Birdman.
On Dizzy Wright's second studio album The Growing Process, the 24-year old rapper makes an attempt at honing in his focus as an artist by establishing a moral constitution for his music to adhere to until further notice. For the most part, this is goal is met by the young upstart.
Immediately following Touchdown 2 Cause Hell’s introductory “Get Em Boosie”-- the aptly titled dizzying turn up track that unleashes Boosie Badazz loose on the rap game once again-- the bellows of an approaching storm crackles with doom. It’s an ominous sound byte, seeing as Lil Boosie has acted as the chief ambassador of Post-Katrina Louisiana gangster rap.
Seven years after Wale released his blazing Mixtape About Nothing, he’s released The Album About Nothing. His alternative hip hop style has come a long way in the time since; he’s inked a deal with Rick Ross, had a #2 album with Ambition, and a #1 album with The Gifted.
The most gratifying events in music are the moments where you can literally hear the construction in the artist’s mind, the building onto the promise of greatness. While not a guarantee, Days Before Rodeo provides the listener with the glimpses of the incredible, long-ranging capabilities of Travi$ Scott.
To say that the dawn of drill feels like yesterday would be generous at best. It's been roughly three years since Chicago's rap explosion took the world by storm, and now it feels like you're sifting through the rubble. So many promising talents have struggled to live up to the hype, gotten lost in the blogosphere, or become unrecognizable.
After a near-decade of hustling, Curren$y has finally landed his prominent role in the rap scene. It wasn’t easy work, but anyone who has watched the New Orleans-native go from Lil Wayne’s sidekick to stoner rap’s most consistent contributor will tell you that much.
Game doesn't quite get the respect he deserves. Sometimes things like his habitual name dropping and controversy divert attention from the fact that he has been one of the most consistent rappers over the last decade.
Tech N9ne, who has accrued nearly three decades in the rap-game, has made a career out of dancing between the mainstream and underground universes. Admired by his fans for his consistency and his abstract approach to the genre, the Missouri MC's cocktail of freakshow world mixed with club-worthy finesse is something that has become expected out of each N9ne discography installment.
I want to like the new Public Enemy record. I really do.
After Yelawolf’s first major-label album Radioactive proved to be, well, just that; and failed to meet the standards set by his 2010 mixtape Trunk Muzik, it felt as though - with his second effort Love Story - an explanation or apology was due. He seemingly traded in his trademark mud-coated country roots for pop-pandering.
In recent history, there’s been a few kinds of rap albums: the long ones and the short ones, those with lots of features and those kept rather personal. A$AP Rocky, Kendrick Lamar, and The Social Experiment went with longer listens peppered with tons of flavor from their friends and collaborators.
Have you ever seen the viral video of Susan Boyle performing for the first time on Britain’s Got Talent? A superficially unattractive older woman walks out onto the stage to perform a song before hundreds of people and four judges. Before she even gets an opportunity to sing, the crowd is halfway out their seats with laughter. Then she opened her mouth and silenced all haters.
Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon" Feb 27, 2014 at 05:55pm 50,419 Views
Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul.
2014 may be remembered as one of the weakest years for rap in recent memory, but there were, however, some definite highlights, especially when it came to newcomers. Bobby Shmurda had one of last year’s biggest rap records, DeJ Loaf had one of last year’s most remixed rap records and Young Thug was one of last year’s most talked about rap artists (even if for all of the wrong reasons).
When Drake released his newest mixtape, If You're Reading This It's Too Late, a few days ago, it took the internet by storm. Falling in line with Jay Z, Kanye and Beyoncé before him, he dropped it almost completely out of the blue, with no real warning.
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