Review: YG's "My Krazy Life"

YG first popped up on the radar with the 2009 song "Toot It And Boot It" featuring Ty Dolla $ign. While he was locked up serving a six-month sentence for a parole violation stemming from a home...

  • Review: YG's "My Krazy Life"
    36,837 Views
    57 Likes10 Dislikes
    YG first popped up on the radar with the 2009 song "Toot It And Boot It" featuring Ty Dolla $ign. While he was locked up serving a six-month sentence for a parole violation stemming from a home invasion, the Compton native saw the song steadily climb the Billboard charts. Once YG was released, he had several label options, eventually signing with Def Jam. As fans awaited his debut album, he...
  • Review: Young Money's "Young Money: Rise Of An Empire"
    33,835 Views
    15 Likes24 Dislikes
    Since the release of We Are Young Money in 2009, Nicki Minaj has risen from femme fatale on the rise after dropping the excellent Beam Me Up Scotty to ubiquitous representative of aggressive femininity. Drake, once Lil Wayne’s fresh-faced protégé, is now the biggest crossover success in hip-hop — not just Young Money. Lil Wayne’s career has been on a slump in...
  • Review: J. Cole's "Revenge of the Dreamers" Compilation
    27,891 Views
    25 Likes2 Dislikes
    With this month’s release of his compilation album Revenge of the Dreamers, it’s clear that 29 is J. Cole’s lucky number. The recording artist and producer turned 29 this year, on the 29th of January, and on that same day tweeted publicly to announce the launch of his label Dreamville, partnering with Interscope Records. His recent release of this compilation project celebrates...
  • Review: August Alsina's "Testimony"
    19,283 Views
    31 Likes6 Dislikes
    2014 has been quite the year for debut albums thus far. Already, we’ve seen debut studio LPs from Cali artists Kid Ink, ScHoolboy Q, and YG. Now, about a year after he first splashed into mainstream Hip-hop/R&B, New Orleans singer August Alsina delivers his Def Jam debut album, Testimony. In 2013, Alsina released the radio-buzzing single “I Luv This Shit” featuring labelmate...
  • Review: Rick Ross' "Mastermind" Album
    47,425 Views
    61 Likes18 Dislikes
    In the last two years between his last album and now, Rick Ross has been through a lot, including surviving a targeted hit on his life. Critics bashed God Forgives, I Don’t and many wondered if Ross had peaked too soon and lost his touch. After numerous setbacks and delays, the bawse is back with his sixth album to prove that he’s a man with nine lives and a rapper with hits for...
  • Review: Isaiah Rashad's "Cilvia Demo"
    29,882 Views
    59 Likes2 Dislikes
    Isaiah Rashad’s debut EP, Cilvia Demo, is very easily among the most captivating mainstream debut projects from a new artist since the likes of J. Cole, Drake or even label mate Kendrick Lamar. Cilvia Demo is the first official body of work from the young Chattanooga emcee. Through the record’s thematic contrast, Rashad constructs the conflicted, contemplative and deeply human image...
  • Review: Vado's "Sinatra EP"
    4,875 Views
    11 Likes1 Dislikes
    For Vado, Sinatra represents much more than just another one of the several tapes he has dropped over the past few years. The smooth flowing Harlem representer is in the midst of a crucial part of his rap career. The Dipset affiliate went from NYC --> MIA to link up with DJ Khaled and in 2013 he signed with Khaled's We the Best label. He dropped the fourth installment of his Slime Flu series...
  • Review: Lil Herb's "Welcome To Fazoland"
    15,484 Views
    29 Likes3 Dislikes
    With Chief Keef, King L, Lil Reese and Lil Durk signing to major labels in 2013, Chicago's drill scene saw all of its major stars graduating to more commercial successes, leaving vacancies in the underground mixtape scene that the genre was born from. Enter Lil Bibby and Lil Herb, two MCs ages 19 and 18, respectively, who seemed to be the "Heir Apparents" to the scene, especially after using that...
  • Review: Pharrell Williams's "G I R L"
    14,360 Views
    11 Likes4 Dislikes
    It’s official: Pharrell Williams is back. With the recent success of songs like “Get Lucky”, “Blurred Lines” and his newest Oscar-nominated single “Happy”, Pharrell has reclaimed his spot in the R&B royal family and is killing it. Not that he was ever really gone, since he’s been co-producing for other artists throughout. Either way, the artist...
  • Review: Smoke DZA's "Dream.ZONE.Achieve"
    6,496 Views
    5 Likes1 Dislikes
    Smoke DZA fans have seen the Harlem rapper’s growth from his last few projects. He went from hard-hitting straight-laced lyrics in George Kush Da Button to a street storyteller in Rugby Thompson. Back with the long awaited and highly anticipated Dream.ZONE.Achieve, DZA sets out to prove that he has a lot more to talk about than just marijuana. Inspired by his moniker, DZA’s latest...
  • Review: Freddie Gibbs & Madlib's "Piñata"
    14,513 Views
    39 Likes2 Dislikes
    On paper, stone cold gangster Freddie Gibbs and alt-hop producer Madlib have little in common. But after releasing several highly enjoyable EPs beginning in 2011, it quickly became apparent that the duo were capable of vibing off one another. Four songs from those EPs show up on Piñata, and the rest of its seventeen songs fall in line with their smoked-out, sample-heavy sound, creating an...
  • Review: King Los' "Zero Gravity II"
    9,182 Views
    27 Likes3 Dislikes
    After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005. In April 2010 the Baltimore native released the first mixtape Zero Gravity, which is mainly comprised of remixes. It’s been four years and five mixtapes since...
  • Review: Childish Gambino's "Because The Internet"
    42,908 Views
    68 Likes6 Dislikes
    Originality is a rarity in modern hip-hop, and when an experimental album comes along, it tends to polarize listeners initially. Take Kanye West's new album Yeezus, for example. Its minimalism, raw emotion and amalgamation of genres was difficult for many diehard fans to stomach at first (not to mention the left-field visuals). Childish Gambino's Because the Internet has similarly polarized...
  • Review: Ty Dolla $ign's "Beach House" EP
    10,245 Views
    12 Likes2 Dislikes
    With the recent release of his EP Beach House, Ty Dolla $ign has been on our radar for a while. The West Coast rapper, responsible for producing and writing the hit “Toot It And Boot It” for YG, has since made a name for himself through two successful mixtapes, Beach House and Beach House 2. Within two years, he signed to both Atlantic Records and Taylor Gang Records, and released a...
  • Review: Migos' "No Label 2"
    21,082 Views
    18 Likes4 Dislikes
    Migos’ style is something like a basketball point guard. The person at the position doesn’t need to master every aspect of the game and probably won’t — rebounding just isn’t his thing. But the person’s shortcomings are hidden by how exceedingly good he is or has to be in a few other skills, whether it’s ball handling or calling plays. Migos will probably...
  • Review: Rich Homie Quan's "I Promise I Will Never Stop Going In"
    26,131 Views
    21 Likes6 Dislikes
    Rich Homie Quan dominated the summer with his smash single “Type of Way.” The song made its way onto the Billboard chart and helped catapult the Atlanta rapper’s career (and bank account) into a new stratosphere. Before he drops his debut album, the Atlanta native released the DJ Drama-hosted I Promise I Will Never Stop Going In mixtape with the hopes of proving that he’s much more than a...
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