Review: Fabolous' "Soul Tape 3" Mixtape

In November, Atlanta rapper Trinidad James caused a firestorm with comments he made while performing in Brooklyn, New York City. After multiple rappers (most notably Maino) called him out for...

  • Review: Fabolous' "Soul Tape 3" Mixtape
    18,019 Views
    37 Likes1 Dislikes
    In November, Atlanta rapper Trinidad James caused a firestorm with comments he made while performing in Brooklyn, New York City. After multiple rappers (most notably Maino) called him out for stating that ATL rappers run NYC musically, the Def Jam signee finally admitted he chose the wrong venue. Veteran Brooklyn rapper Fabolous chose not to respond to James publicly, instead choosing to let...
  • Review: Beyonce's "Beyonce"
    17,859 Views
    15 Likes7 Dislikes
    Beyonce beat the system with the unexpected drop of her fifth, self-titled album, which shocked the internet, the media and music fans alike. Although B's team had recently told us to expect an album soon, (Ne-Yo almost ruined the surprise as well), no one suspected it would happen this soon. Her unconventional marketing strategy was executed to perfection, and she successfully...
  • Review: Lil Herb's "Welcome To Fazoland"
    17,712 Views
    29 Likes3 Dislikes
    With Chief Keef, King L, Lil Reese and Lil Durk signing to major labels in 2013, Chicago's drill scene saw all of its major stars graduating to more commercial successes, leaving vacancies in the underground mixtape scene that the genre was born from. Enter Lil Bibby and Lil Herb, two MCs ages 19 and 18, respectively, who seemed to be the "Heir Apparents" to the scene, especially after using that...
  • Review: Stalley's "Ohio"
    17,333 Views
    31 Likes11 Dislikes
    Rick Ross and the Maybach Music Group have taken their time with Stalley. Signed in 2011, the same year as Meek Mill and Wale (who were almost immediately launched in to mainstream eyes), the MC is just getting a proper debut album released. Born Kyle Myricks, Stalley's career revolves largely around his homestate. Ohio isn't known for hip-hop culture, or any strong form of culture for that...
  • Review: Logic's "Welcome to Forever"
    17,309 Views
    32 Likes2 Dislikes
    Throughout Welcome to Forever Robert Bryson Hall II reflects upon the last year of his career. The opening title track recalls when Logic met Nas for the first time in the line, “Shook his hand then he started quoting my lines? God damn this is real life!” A certain hunger and drive are present in the Maryland native's voice. The intensity and the leisurely style that he rhymes with have...
  • Review: French Montana's "Excuse My French"
    17,207 Views
    13 Likes32 Dislikes
    It’s been hard to turn on the radio in the past year or so and not hear French Montana’s rich yet slurred delivery coming through the speakers. The Moroccan born, Bronx, NY bred rapper’s rise to the top may seem like it happened overnight but that’s far from the case. Before the days of taking to various social networking platforms to establish a fan base, French Montana went about...
  • Review: Freddie Gibbs & Madlib's "Piñata"
    16,956 Views
    41 Likes2 Dislikes
    On paper, stone cold gangster Freddie Gibbs and alt-hop producer Madlib have little in common. But after releasing several highly enjoyable EPs beginning in 2011, it quickly became apparent that the duo were capable of vibing off one another. Four songs from those EPs show up on Piñata, and the rest of its seventeen songs fall in line with their smoked-out, sample-heavy sound, creating an...
  • Review: Slaughterhouse's "welcome to: Our House"
    16,559 Views
    33 Likes4 Dislikes
    Although Joe Budden, Royce Da 5’9, Joell Ortiz, and Crooked I all struggled independently for years, in 2008 all of that changed when they collaborated for a song on Budden’s Halfway House album. Thereafter they took the title of said song and made a group out of it. Slaughterhouse even released an independent album. Yet, it wasn't until they signed to Shady Aftermath that...
  • Review: Slaughterhouse's "House Rules"
    16,124 Views
    21 Likes1 Dislikes
    In the hip-hop industry, there are four kinds of artists: those who have crossover appeal, those who don’t, those who choose not to, and those who shouldn’t. Slaughterhouse, as a collective and as solo members, simply shouldn’t. Crooked, Royce, Budden and Ortiz could be raking in commercials deals right now, dropping radio hits with Bruno Mars and releasing studio albums once a...
  • Review: Pusha T's "Wrath Of Caine"
    16,109 Views
    12 Likes10 Dislikes
    Pusha T has by no means been quiet over the last couple of years, but it has been a while since we heard a new mixtape from the G.O.O.D. music signee. Push has kept himself on the blogosphere with a number of singles, and his part in the G.O.O.D. Music compliation album, Cruel Summer. His name has also been in the news for issues he has had with Young Money’s general, Lil’...
  • Review: Dizzy Wright’s “The Golden Age”
    15,984 Views
    31 Likes1 Dislikes
    After a number of impressive leaks, Dizzy Wright, drops his highly anticipated mixtape, The Golden Age. This is the Sin City representative's fifth street album in total, the tape is the follow-up to the free version of SmokeOut Conversations, which was released in June 2012, and comes on the heels of last December's Booth-hosted The First Agreement EP. The tape is not only inspired by 90s...
  • Review: Nispey Hussle's "Crenshaw"
    15,981 Views
    11 Likes11 Dislikes
    To answer the above question, yes, mostly. His recent headlines alone show that there’s something to Nipsey Hussle, and we do get a glimpse of what that 'something' may be in Crenshaw. Overall, the tape is a good listen and a sound effort. The production is absolutely amazing. From top to bottom, there’s not a single whack beat on this project. Nipsey’s beat selection is one of his best...
  • Review: Rockie Fresh's "Electric Highway"
    15,221 Views
    16 Likes3 Dislikes
    In all honesty fans of Rockie Fresh's earlier tapes like Rockie’s Modern Life and Otherside may mark Electric City as a departure from the lyricism and alternative qualities of those efforts. The degree of departure will definitely vary between listeners, but overall the spirit of early Rockie Fresh is pretty clearly present here. More on that later.Rockie still finds himself on some...
  • Review: Pharrell Williams's "G I R L"
    15,082 Views
    11 Likes4 Dislikes
    It’s official: Pharrell Williams is back. With the recent success of songs like “Get Lucky”, “Blurred Lines” and his newest Oscar-nominated single “Happy”, Pharrell has reclaimed his spot in the R&B royal family and is killing it. Not that he was ever really gone, since he’s been co-producing for other artists throughout. Either way, the artist...
  • Review: Fabolous' "The Soul Tape 2"
    14,948 Views
    7 Likes2 Dislikes
    Fabolous hasn't released a studio album since 2009 but has dropped four strong mixtapes in the three years since, the latest of which was The Soul Tape 2, a mixtape  that should convince label heads to give Fabolous the distribution he deserves. The first two tracks are dope and gives hope that this will be a  classic mixtape by the Brooklyn rapper, but then he segways into...
  • Review: Curren$y "New Jet City"
    14,947 Views
    18 Likes2 Dislikes
    Keeping it fresh with his signature, smoked out flow, Curren$y delivers a strong introduction with the title track New Jet City. Backed by a pompous instrumental, Spitta lays it down and lauds about his boss status. From “sittin in the back of his triple black, with picnic tables, twisting up sacks” to making double our life savings, he is clearly on some new boss shit. The triumphant...
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