Gucci Mane's newest mixtape/online release "Brick Factory Vol. 1" is a successful collection of trap collaborations with familiar faces from the Bricksquad extended family.
When Royce da 5’9” and DJ Premier announced that they’d be making an entire project together, hip-hop heads everywhere got excited. Premier is a legendary figure in hip-hop and Royce is widely revered for his ability to spit quality bars. With three years having passed since Royce’s last project, he’s still managed to remain active with work related to Slaughterhouse and Shady.
With Waka Flocka Flame’s newest album set to come out later this year, the Atlanta rapper has released a mixtape to hold us all over in the meantime. The tape, Re-Up features all-star collabs and on-point production.
Childish Gambino has definitely come a long way from his I Am Just A Rapper days. He's found a better voice and sound, that's for sure. His latest realease, Royalty, had drummed up quite a bit of buzz before it dropped, and I was anticipating its release as well. The project does not disappoint, however, Gambino still has growth to do as a rapper. Most fans are
It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike.
As a member of the Cool Kids, Sir Michael Rocks helped pioneer the current “cool kid” rap and fashion swag, since borrowed by a number of your favorite artists. They were the next big thing, even featured in a nationally aired Rhapsody commercial, with future star Sara Bareilles.
Ever since Casey Veggies stepped onto the rap scene back in 2007, he's been stuck in the middle. Despite his diehard fans and devout supporters who may rank him higher out of bias, in the eyes of the larger hip-hop listenership, Veggies has always been placed in a middle tier, stuck in a sort of hip-hop limbo, neither advancing nor retreating.
T-Pain dropped his new mixtape at the end of last week. After keeping busy with three mixtapes and four studio records in less than a decade, T-Pain went dark with no releases since 2012, until now.
It would be lazy, bordering on irresponsible, to run with the “future of rap” motif when looking at the hotly anticipated debut LP from Atlanta’s, Future. Fact is, the latest in a long line of talented ATL rappers, has a sound that’s not so much futuristic, as it is transcendent.
Ty Dolla $ign delivered his Beach House 2 mixtape just in time for summer. At first glance, the tape's tracklist looks iffy. There's at least one guest appearance on each song, something which is often frowned upon by devout fans and critics. However, flooding a project with features has been done successfully before, as was the case with The Game's 2012 album Jesus Piece.
"Playing with your parts hopping in and out the friendzone..." Father really ain’t shit, y'all. He went on tour, dropped this chill ass 12-track album appropriately titled Who's Gonna Get Fucked First? on the interwebs last week, and did not run any of this by me...'cause we were totes besties back in two years from now.
Joell Ortiz changed this album’s title from Yaowa, basically because this is him at his most comfortable. In Hip Hop, getting too comfortable can sometimes lead to a decline in effort due to loss of hunger. Anyone familiar with Joell Ortiz would probably find it hard to imagine him not putting effort into a project, comfortable or not.
B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both.
Despite his notoriety as a pioneer of Southern rap music and lyrical depth, Scarface remains low-key with his legendary status. And reasonably so. There’s a lot going on in the mind of the 44-year-old Geto Boy.
After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
After 14 years of waiting, D’Angelo’s surprise album Black Messiah had every right to be the R&B/Soul equivalent of Guns & Roses' Chinese Democracy - a creaky mess that was done no favors by the weight of fan expectations. But that’s not what happened.
I just have to say that I have never really understood the hype about Rick Ross, but the hype was at an all time high after he dropped “Rich Forever.” “If he gives this to us on a mixtape, imagine 'God Forgives, I Don't'?!!?” But, it is true that “Rich Forever” was some huge ish.
This tape has been something that Pro Era fans have no doubt been waiting patiently for after their last releases were back in 2012. The Secc$ Tap.e 2 does nothing but feed the hunger of fans and add to the weight that has fallen onto the crew’s shoulders as it proves that the Beast Coast Movement is in full force.
In the era of Yeezus Christ and King Kendrick, it's easy to fall into the mindset that every hip-hop album should be an experiment in pushing hip-hop forward. Every track should ooze with idealism and what's new. This feeling goes double for mixtapes. Freed from the binds of needing to make something that is commercially viable, rappers are able to let their wildest experiments roam.
Curren$y is definitely a main-stay in the rap game. He's one of the few rappers who remains underground, but is still able to touch the mainstream without backlash from fans. He says it best himself on “What It Look Like”: “mainstream cheese, but I ain't actin' like y'all.” That's the truth. The Stoned Immaculate was the
The rap game is an unforgiving place, all too often. Plenty of talents come and go, getting lost in the shuffle, when there are literally dozens of rappers coming up and burning out in the blink of an eye. Especially in the Los Angeles scene, where a certified talent can have a stellar year but have a hell of a time trying to break on the national circuit.
With a face often free of make-up and a childlike voice that delivers bars filled with tales of gun violence, come-p wishes, survival and tipsy nights off Hennessy, DeJ Loaf, the 23-year-old baby-faced rapper-singer, who hails from the East side of Detroit currently has everyone intrigued.
It's no secret that hip-hop at large is lacking in original content. If the music isn't about money, it's about sex; if it's not about sex, it's about who's the hardest (no pun intended); if not who's hardest, it's about hip-hop itself. It's in this musical landscape that a label like Tech N9ne's Strange Music is needed the most.
We first heard from the young Harlemite in 2008 when she released her first single, “Google Me,” from her debut project, a mixtape titled From a Planet Called Harlem. The Jazze Pha-produced single sank low on the Billboard charts and left Teyana Taylor with something to prove.
El-P was first brought to Killer Mike's studio to commission a beat, or two, for Mike’s R.A.P. Music. This was 2011, and Adult Swim creative director Jason DeMarco, the mutual connection, couldn't have possibly foreseen the two-headed beast he just spawned. By the end of the session, Mike knew he’d found the sole producer for his next album.