Cozz's debut album "Cozz & Effect" proves the sky is the limit for the young-LA artist.
In superhero literature, it's not uncommon for an aging master like Bruce Wayne to find himself a protégé. Often arriving at our hero's lowest point -- after the death in the family or, perhaps, a critical injury -- this stranger inspires the hero to get back to doing what he does best: fighting crime and selling a ton of movie theater tickets.
It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike.
Ty Dolla $ign delivered his Beach House 2 mixtape just in time for summer. At first glance, the tape's tracklist looks iffy. There's at least one guest appearance on each song, something which is often frowned upon by devout fans and critics. However, flooding a project with features has been done successfully before, as was the case with The Game's 2012 album Jesus Piece.
It would be lazy, bordering on irresponsible, to run with the “future of rap” motif when looking at the hotly anticipated debut LP from Atlanta’s, Future. Fact is, the latest in a long line of talented ATL rappers, has a sound that’s not so much futuristic, as it is transcendent.
When Royce da 5’9” and DJ Premier announced that they’d be making an entire project together, hip-hop heads everywhere got excited. Premier is a legendary figure in hip-hop and Royce is widely revered for his ability to spit quality bars. With three years having passed since Royce’s last project, he’s still managed to remain active with work related to Slaughterhouse and Shady.
As a member of the Cool Kids, Sir Michael Rocks helped pioneer the current “cool kid” rap and fashion swag, since borrowed by a number of your favorite artists. They were the next big thing, even featured in a nationally aired Rhapsody commercial, with future star Sara Bareilles.
T-Pain dropped his new mixtape at the end of last week. After keeping busy with three mixtapes and four studio records in less than a decade, T-Pain went dark with no releases since 2012, until now.
B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both.
After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
After 14 years of waiting, D’Angelo’s surprise album Black Messiah had every right to be the R&B/Soul equivalent of Guns & Roses' Chinese Democracy - a creaky mess that was done no favors by the weight of fan expectations. But that’s not what happened.
Joell Ortiz changed this album’s title from Yaowa, basically because this is him at his most comfortable. In Hip Hop, getting too comfortable can sometimes lead to a decline in effort due to loss of hunger. Anyone familiar with Joell Ortiz would probably find it hard to imagine him not putting effort into a project, comfortable or not.
If there’s one rapper out there that shows unfaltering consistency in his melodic style and lyrical flow, it has got to be Gucci Mane. The seasoned Atlanta rapper’s newest mixtape, Trap God 2, unveils the same playful energy as Chicken Talk, which he put out in 2006—a mere 27 mixtapes ago. As for Trap God 2,
I just have to say that I have never really understood the hype about Rick Ross, but the hype was at an all time high after he dropped “Rich Forever.” “If he gives this to us on a mixtape, imagine 'God Forgives, I Don't'?!!?” But, it is true that “Rich Forever” was some huge ish.
This tape has been something that Pro Era fans have no doubt been waiting patiently for after their last releases were back in 2012. The Secc$ Tap.e 2 does nothing but feed the hunger of fans and add to the weight that has fallen onto the crew’s shoulders as it proves that the Beast Coast Movement is in full force.
Curren$y is definitely a main-stay in the rap game. He's one of the few rappers who remains underground, but is still able to touch the mainstream without backlash from fans. He says it best himself on “What It Look Like”: “mainstream cheese, but I ain't actin' like y'all.” That's the truth. The Stoned Immaculate was the
In the era of Yeezus Christ and King Kendrick, it's easy to fall into the mindset that every hip-hop album should be an experiment in pushing hip-hop forward. Every track should ooze with idealism and what's new. This feeling goes double for mixtapes. Freed from the binds of needing to make something that is commercially viable, rappers are able to let their wildest experiments roam.
El-P was first brought to Killer Mike's studio to commission a beat, or two, for Mike’s R.A.P. Music. This was 2011, and Adult Swim creative director Jason DeMarco, the mutual connection, couldn't have possibly foreseen the two-headed beast he just spawned. By the end of the session, Mike knew he’d found the sole producer for his next album.
With a face often free of make-up and a childlike voice that delivers bars filled with tales of gun violence, come-p wishes, survival and tipsy nights off Hennessy, DeJ Loaf, the 23-year-old baby-faced rapper-singer, who hails from the East side of Detroit currently has everyone intrigued.
We first heard from the young Harlemite in 2008 when she released her first single, “Google Me,” from her debut project, a mixtape titled From a Planet Called Harlem. The Jazze Pha-produced single sank low on the Billboard charts and left Teyana Taylor with something to prove.
It's no secret that hip-hop at large is lacking in original content. If the music isn't about money, it's about sex; if it's not about sex, it's about who's the hardest (no pun intended); if not who's hardest, it's about hip-hop itself. It's in this musical landscape that a label like Tech N9ne's Strange Music is needed the most.
"Playing with your parts hopping in and out the friendzone..." Father really ain’t shit, y'all. He went on tour, dropped this chill ass 12-track album appropriately titled Who's Gonna Get Fucked First? on the interwebs last week, and did not run any of this by me...'cause we were totes besties back in two years from now.
Joe Budden has been known to let it all hang out musically, and A Loose Quarter is no different. This is Joe’s first solo project that wasn’t named Mood Muzik since Halfway House. There has been a lot of talk about the self proclaimed King of New Jersey surrounding his relationship with his new girlfriend, Kaylin Garcia, and his addition to the upcoming season of "Love and
Smoke DZA fans have seen the Harlem rapper’s growth from his last few projects. He went from hard-hitting straight-laced lyrics in George Kush Da Button to a street storyteller in Rugby Thompson. Back with the long awaited and highly anticipated Dream.ZONE.Achieve, DZA sets out to prove that he has a lot more to talk about than just marijuana.
SBTRKT took the world by storm with his first LP. Released at the base of the alternative R&B explosion, the album perfectly blended dance music and soul, even catching the eye of Drake and inspiring him to drop a verse on "Wildfire," which in turn became more popular than the original (but that's every day for Drake). How will SBTRKT's second album stack up to the first one?
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