Inside the robotic nightmare: "Special Effects."
Drake’s highly anticipated sophomore album “Take Care” was officially released today...but most likely you’ve been listening to it for the past week if you downloaded the leak, nonetheless now that it’s official let’s discuss it.
A mostly levelheaded veteran who’s open about his distant relationship with Chicago, Common is the only 30-plus rapper who could’ve made a Nobody’s Smiling.
Even while behind bars, Gucci Mane has proved that he can produce quality music no matter where he is. His newest mixtape, also available on iTunes, Brick Factory Vol.1, is assumed as one of several compilations to follow, and the series is off to an impressive start.
2012 was an eye-opening year for Snoop Dogg. So much so that the West Coast rapper held a press conference in July to publicly announce that, after spending some time in the Caribbean island of Jamaica, he was a changed man. Snoop declared he was leaving the gangsta-image alone to adopt the ways and culture of a Rastafarian.
Seriously, is there a more versatile rap star than Snoop Dogg? Name another rapper who has done full albums of reggae, funk and rap over the last 5 years alone. Or an MC who’s released music on Death Row, No Limit, Star Trak, Mad Decent, and Stones Throw. Or one who’s released albums with Wiz Khalifa, toured with Korn, and acted alongside Ben Stiller and Owen Wilson.
Who is Theophilus London, anyways? The Brooklyn-based, Trinidad-born 27-year old isn't really an MC, but he doesn't really sing all the time either. He cares about The Smiths more than he cares about Gang Starr and for some reason all of this attracts the likes of Kanye West to take on the roll of executive producer on his newest album Vibes.
In superhero literature, it's not uncommon for an aging master like Bruce Wayne to find himself a protégé. Often arriving at our hero's lowest point -- after the death in the family or, perhaps, a critical injury -- this stranger inspires the hero to get back to doing what he does best: fighting crime and selling a ton of movie theater tickets.
With Waka Flocka Flame’s newest album set to come out later this year, the Atlanta rapper has released a mixtape to hold us all over in the meantime. The tape, Re-Up features all-star collabs and on-point production.
Breakout Chicago emcee Mick Jenkins raps, “With perfect pitch, I’m screaming free my niggas/ polished and purposeful, he’s producing pristine pictures.” These rhymes-- which open “P’s & Q’s,” the eighth track off Jenkins’ latest effort, Wave[s]-- encapsulate both the ethos of this nine track EP, and one of its major shortcomings.
Childish Gambino has definitely come a long way from his I Am Just A Rapper days. He's found a better voice and sound, that's for sure. His latest realease, Royalty, had drummed up quite a bit of buzz before it dropped, and I was anticipating its release as well. The project does not disappoint, however, Gambino still has growth to do as a rapper. Most fans are
When Royce da 5’9” and DJ Premier announced that they’d be making an entire project together, hip-hop heads everywhere got excited. Premier is a legendary figure in hip-hop and Royce is widely revered for his ability to spit quality bars. With three years having passed since Royce’s last project, he’s still managed to remain active with work related to Slaughterhouse and Shady.
It only took one day for Iamsu!’s debut album, Sincerely Yours, to reach iTunes’ top album charts, a feat which is, quite frankly, surprising. Though the album is not a flop, it’s not a work of artistic genius either. There is nothing about this album that differentiates it from his previous seven albums, and many of the songs on it sound alike.
As a member of the Cool Kids, Sir Michael Rocks helped pioneer the current “cool kid” rap and fashion swag, since borrowed by a number of your favorite artists. They were the next big thing, even featured in a nationally aired Rhapsody commercial, with future star Sara Bareilles.
It would be lazy, bordering on irresponsible, to run with the “future of rap” motif when looking at the hotly anticipated debut LP from Atlanta’s, Future. Fact is, the latest in a long line of talented ATL rappers, has a sound that’s not so much futuristic, as it is transcendent.
Ty Dolla $ign delivered his Beach House 2 mixtape just in time for summer. At first glance, the tape's tracklist looks iffy. There's at least one guest appearance on each song, something which is often frowned upon by devout fans and critics. However, flooding a project with features has been done successfully before, as was the case with The Game's 2012 album Jesus Piece.
T-Pain dropped his new mixtape at the end of last week. After keeping busy with three mixtapes and four studio records in less than a decade, T-Pain went dark with no releases since 2012, until now.
Joell Ortiz changed this album’s title from Yaowa, basically because this is him at his most comfortable. In Hip Hop, getting too comfortable can sometimes lead to a decline in effort due to loss of hunger. Anyone familiar with Joell Ortiz would probably find it hard to imagine him not putting effort into a project, comfortable or not.
B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both.
After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
After 14 years of waiting, D’Angelo’s surprise album Black Messiah had every right to be the R&B/Soul equivalent of Guns & Roses' Chinese Democracy - a creaky mess that was done no favors by the weight of fan expectations. But that’s not what happened.
"Playing with your parts hopping in and out the friendzone..." Father really ain’t shit, y'all. He went on tour, dropped this chill ass 12-track album appropriately titled Who's Gonna Get Fucked First? on the interwebs last week, and did not run any of this by me...'cause we were totes besties back in two years from now.
I just have to say that I have never really understood the hype about Rick Ross, but the hype was at an all time high after he dropped “Rich Forever.” “If he gives this to us on a mixtape, imagine 'God Forgives, I Don't'?!!?” But, it is true that “Rich Forever” was some huge ish.
This tape has been something that Pro Era fans have no doubt been waiting patiently for after their last releases were back in 2012. The Secc$ Tap.e 2 does nothing but feed the hunger of fans and add to the weight that has fallen onto the crew’s shoulders as it proves that the Beast Coast Movement is in full force.
In the era of Yeezus Christ and King Kendrick, it's easy to fall into the mindset that every hip-hop album should be an experiment in pushing hip-hop forward. Every track should ooze with idealism and what's new. This feeling goes double for mixtapes. Freed from the binds of needing to make something that is commercially viable, rappers are able to let their wildest experiments roam.
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