Gucci Mane's newest mixtape/online release "Brick Factory Vol. 1" is a successful collection of trap collaborations with familiar faces from the Bricksquad extended family.
In his “Essays on the Intellectual Powers of a Man,” Thomas Reid made the claim that a chain is only as strong as its weakest link. When the philosopher said this in the 1700s, the concept of a compilation album (or an “album” for that matter) was hundreds of years away and yet the words could not apply more appropriately.
It's fair to presume that some hip-hop fans have slept on Asher Roth over the years. Some still associate him only with his 2009 platinum-selling hit "I Love College". If you find yourself in this category, it's time to recognize one of the best lyrical, smooth-flowing rappers in the game.
Defining a “classic” is no easy task. The first factor is obviously the quality of the music. Here we ask the basic questions: Are there any unnecessary tracks? Does the production impress without outshining the lyrics? The usual surface stuff that’s easy to assess on two full listens. After the surface level is cleared, an album has to separate itself from the pack.
Future is lightyears ahead of his time. Since touching down in 2012 with his Epic Records debut album Pluto, the Freeband Gang founder has continued hustling as an artist. The sloppy, melodic flow Future introduced on Pluto has been used by virtually every trapper who’s poppin’ today, and U.O.E.N.O. it.
2014 has been quite the year for debut albums thus far. Already, we’ve seen debut studio LPs from Cali artists Kid Ink, ScHoolboy Q, and YG. Now, about a year after he first splashed into mainstream Hip-hop/R&B, New Orleans singer August Alsina delivers his Def Jam debut album, Testimony.
Smoke DZA fans have seen the Harlem rapper’s growth from his last few projects. He went from hard-hitting straight-laced lyrics in George Kush Da Button to a street storyteller in Rugby Thompson. Back with the long awaited and highly anticipated Dream.ZONE.Achieve, DZA sets out to prove that he has a lot more to talk about than just marijuana.
After his recent split with Puff Daddy’s Bad Boy Records and Interscope on March 19, King Los has stepped it up quickly and released his latest mixtape, Zero Gravity II. He had first signed with the label back in 2005.
With Waka Flocka Flame’s newest album set to come out later this year, the Atlanta rapper has released a mixtape to hold us all over in the meantime. The tape, Re-Up features all-star collabs and on-point production.
March has been a damn good month for Baton Rouge hip-hop, and for fans of the genre as a whole. The release of Kevin Gates' highly anticipated mixtape By Any Means comes just weeks after southern icon and fellow Louisiana native Boosie was released from prison.
On paper, stone cold gangster Freddie Gibbs and alt-hop producer Madlib have little in common. But after releasing several highly enjoyable EPs beginning in 2011, it quickly became apparent that the duo were capable of vibing off one another.
YG first popped up on the radar with the 2009 song "Toot It And Boot It" featuring Ty Dolla $ign. While he was locked up serving a six-month sentence for a parole violation stemming from a home invasion, the Compton native saw the song steadily climb the Billboard charts. Once YG was released, he had several label options, eventually signing with Def Jam.
Since the release of We Are Young Money in 2009, Nicki Minaj has risen from femme fatale on the rise after dropping the excellent Beam Me Up Scotty to ubiquitous representative of aggressive femininity. Drake, once Lil Wayne’s fresh-faced protégé, is now the biggest crossover success in hip-hop — not just Young Money.
In the last two years between his last album and now, Rick Ross has been through a lot, including surviving a targeted hit on his life. Critics bashed God Forgives, I Don’t and many wondered if Ross had peaked too soon and lost his touch. After numerous setbacks and delays, the bawse is back with his sixth album to prove that he’s a man with nine lives and a rapper with hits for days.
It’s official: Pharrell Williams is back. With the recent success of songs like “Get Lucky”, “Blurred Lines” and his newest Oscar-nominated single “Happy”, Pharrell has reclaimed his spot in the R&B royal family and is killing it. Not that he was ever really gone, since he’s been co-producing for other artists throughout.
Migos’ style is something like a basketball point guard. The person at the position doesn’t need to master every aspect of the game and probably won’t — rebounding just isn’t his thing. But the person’s shortcomings are hidden by how exceedingly good he is or has to be in a few other skills, whether it’s ball handling or calling plays.
When we last heard from CyHi the Prynce, he was cruising around college campuses with his Ivy League: Kick Back mixtape early last year. Now, ready to show us what he’s learned, he takes us back to school with Hystori: Black History Project. His most socially conscious body of work yet, CyHi gives us a history lesson throughout the project.
Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon" Feb 27, 2014 at 05:55pm 51,219 Views
Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul.
An important facet of memorable groups throughout hip-hop history is chemistry: the dynamics every member brings to the table is an essential part of a group's success. Black Hippy's rise to the top has been so prevalent and quick because each of their four main members - Ab-Soul, ScHoolboy Q, Jay Rock and Kendrick Lamar - each bring something radically different to what the crew represents.
With Chief Keef, King L, Lil Reese and Lil Durk signing to major labels in 2013, Chicago's drill scene saw all of its major stars graduating to more commercial successes, leaving vacancies in the underground mixtape scene that the genre was born from.
This tape has been something that Pro Era fans have no doubt been waiting patiently for after their last releases were back in 2012. The Secc$ Tap.e 2 does nothing but feed the hunger of fans and add to the weight that has fallen onto the crew’s shoulders as it proves that the Beast Coast Movement is in full force.
Only a handful of artists release as much content as Curren$y does. Some can match the quantity, but none can top the quality. Spitta Andretti is known for releasing album-quality mixtapes at a constant rate, giving fans all they can digest. 2013’s New Jet City was one of the hottest mixtapes of the year, and his latest offering The Drive In Theatre doesn’t disappoint either.
For Vado, Sinatra represents much more than just another one of the several tapes he has dropped over the past few years. The smooth flowing Harlem representer is in the midst of a crucial part of his rap career. The Dipset affiliate went from NYC --> MIA to link up with DJ Khaled and in 2013 he signed with Khaled's We the Best label.
With this month’s release of his compilation album Revenge of the Dreamers, it’s clear that 29 is J. Cole’s lucky number. The recording artist and producer turned 29 this year, on the 29th of January, and on that same day tweeted publicly to announce the launch of his label Dreamville, partnering with Interscope Records.
Isaiah Rashad’s debut EP, Cilvia Demo, is very easily among the most captivating mainstream debut projects from a new artist since the likes of J. Cole, Drake or even label mate Kendrick Lamar.