Review: Lil Wayne's "Sorry 4 The Wait 2"

Every rapper that can be considered in the G.O.A.T. debate eventually hits a wall.  This drop-off point comes for everyone and leads their stans to add qualifiers to their respective "best all...

  • Review: Lil Wayne's "Sorry 4 The Wait 2"
    58,021 Views
    41 Likes47 Dislikes
    Every rapper that can be considered in the G.O.A.T. debate eventually hits a wall.  This drop-off point comes for everyone and leads their stans to add qualifiers to their respective "best all time" arguments, "Of course, I'm talking about Jay-Z from Reasonable Doubt to Black Album, Eminem pre-Encore, etc."  Weezy's GOAT argument comes with  more qualifiers than just about any other....
  • Review: Lupe Fiasco's "Tetsuo & Youth"
    25,631 Views
    61 Likes3 Dislikes
    Lupe Fiasco has been in a battle with Atlantic records for what seems to be forever. We all know about his discontent with Lasers and on his mixtape Friend of the People he made it clear that he wanted off the label. He did not get his wish before this album dropped, and that almost prevented us from hearing this album entirely. Lupe has done interviews in which he says the album would...
  • Review: Joey Bada$$' "B4.DA.$$"
    27,801 Views
    56 Likes3 Dislikes
    Joey Bada$$ is a young Brooklyn emcee who was influenced by those who came before him from his region, the same way most young rappers from any region show clear influence from those who came before them in their region. As rappers from other regions have begun to dwarf New York rappers in popularity and New York rappers have begun taking more influence from other regions, some have viewed...
  • Review: Rae Sremmurd's "SremmLife"
    37,251 Views
    48 Likes28 Dislikes
    2014 may be remembered as one of the weakest years for rap in recent memory, but there were, however, some definite highlights, especially when it came to newcomers. Bobby Shmurda had one of last year’s biggest rap records, DeJ Loaf had one of last year’s most remixed rap records and Young Thug was one of last year’s most talked about rap artists (even if for all of the wrong reasons). And...
  • Review: Fabolous' "The Young OG Project"
    29,068 Views
    26 Likes66 Dislikes
    Fabolous has always done a solid job at blending in with his environment. Whether he’s cutting with DJ Clue and The Neptunes in 2001 or jiving with Rich Homie Quan in 2015, he’s done a phenomenal job at adapting to change and staying relevant, something that is easier said than done. That being said, if you’re adapting to trends, you probably aren’t the one...
  • Review: Kevin Gates' "Luca Brasi 2"
    22,615 Views
    35 Likes5 Dislikes
    The first Luca Brasi Story, released last February, put Kevin Gates on the map. Soon after, he quietly inked a partnership with Atlantic and a management deal with Young Money. He put out another excellent mixtape, Stranger Than Fiction, months later, and he’s had a similar 2014 in terms of output: two mixtapes, both excellent. Though he was one of twelve XXL Freshmen this year, Gates is no...
  • Review: Ludacris' "Burning Bridges"
    21,997 Views
    21 Likes5 Dislikes
    Ludacris is a veteran in the game. Lyrics, beats, hit songs, a unique style; over his 10-plus year career he has obviously shown why he has been one of the most respected and successful stars in hip hop.  But before, during, and after listening to his new digital only EP Burning Bridges - released exclusively through Google Play (for free, at that) - the listener is forced to wonder "do I...
  • Review: D'Angelo's "Black Messiah"
    11,113 Views
    20 Likes2 Dislikes
    After 14 years of waiting, D’Angelo’s surprise album Black Messiah had every right to be the R&B/Soul equivalent of Guns & Roses' Chinese Democracy - a creaky mess that was done no favors by the weight of fan expectations. But that’s not what happened. It might be blasphemy (no pun intended), but Black Messiah is actually better than D’Angelo’s 2000...
  • Review: Nicki Minaj's "The Pinkprint"
    28,069 Views
    54 Likes39 Dislikes
    After a few listens to Nicki Minaj's latest album, The Pinkprint, it is pretty clear that, to a certain extent, she does pay attention to critics. Her last album, 2012's Pink Friday: Roman Reloaded, was universally panned in reviews for being disjointed, gimmicky and lackluster, among other things. There aren’t many traces of the over-the-top theatrics that were sprinkled all throughout her...
  • Review: J. Cole's "2014 Forest Hills Drive"
    95,617 Views
    161 Likes22 Dislikes
    J. Cole has come a long way from rapping about how to get up off the sideline. Three albums in, with 2014 Forest Hills Drive, the “God” is home. The Fayetteville, North Carolina native composed an honest, nostalgic album without any apologies. Cole typically plays it safe, straddling the fence of a conscious rapper who can still create commercial hits and enjoy a good romp...
  • Review: Royce da 5’9" and DJ Premier’s "PRhyme"
    11,459 Views
    35 Likes1 Dislikes
    When Royce da 5’9” and DJ Premier announced that they’d be making an entire project together, hip-hop heads everywhere got excited. Premier is a legendary figure in hip-hop and Royce is widely revered for his ability to spit quality bars. With three years having passed since Royce’s last project, he’s still managed to remain active with work related to...
  • Review: Ghostface Killah's "36 Seasons"
    4,524 Views
    13 Likes1 Dislikes
    Ghostface Killah’s new LP 36 Seasons comes to us just one week after the release of Wu-Tang Clan’s A Better Tomorrow. While the latter LP received lukewarm reviews due to questionably experimental tracks, 36 Seasons is the exact opposite. It is concise and precise, using that classic Wu sound to march along an incredible story line while The Revelations provide the production. The...
  • Review: Shady Records "Shady XV"
    20,754 Views
    23 Likes6 Dislikes
    Fifteen years of Shady Records represents an unusual time for rap music, transitioning out of the shiny suit era and into a bubble featuring new names. Aside from D12 and Obie Trice releases, the label’s existence was mostly tied to Eminem signing a certain Queens MC. 2011 proves a critical year with the reformation of Bad Meets Evil with friend Royce da 5’9”, and the signings of...
  • Review: Wu-Tang Clan's "A Better Tomorrow"
    15,311 Views
    18 Likes8 Dislikes
    It's been seven years since the Wu-Tang Clan released their last proper album, 8 Diagrams, but of course, that doesn’t mean the members of rap’s greatest clan have been prepping for an early retirement. Not by a long shot.  Since 8 Diagrams, there have been a number of efforts from Clan members, most notably records by Ghostface Killah, Raekwon and Method Man. While the three...
  • Review: Rick Ross' "Hood Billionaire"
    32,260 Views
    24 Likes32 Dislikes
    Releasing two full length albums in one year is a rare feat most rappers will never accomplish, but in a sense, it's really nothing new for Rick Ross, who yesterday released Hood Billionaire, his second solo album of the year. The rapper has been dropping albums, along with mixtapes that have been considered to be as good as albums, within months of each other for years now. His latest album,...
  • Review: Big K.R.I.T.'s "Cadillactica"
    19,499 Views
    59 Likes1 Dislikes
    A weird thing happens when an artist gets signed to a major label. It seems, no matter how talented they are, no matter how much their fans are willing to support, debut albums almost always come up short. There have been exceptions, of course. (Logic's Under Pressure being the most recent example.) But, more often than not, the curse of a major label signing is very real. Perhaps no record...
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