Review: Joell Ortiz's House Slippers

Joell Ortiz changed this album’s title from Yaowa, basically because this is him at his most comfortable. In Hip Hop, getting too comfortable can sometimes lead to a decline in effort due to...

  • Review: Joell Ortiz's House Slippers
    9,592 Views
    17 Likes3 Dislikes
    Joell Ortiz changed this album’s title from Yaowa, basically because this is him at his most comfortable. In Hip Hop, getting too comfortable can sometimes lead to a decline in effort due to loss of hunger. Anyone familiar with Joell Ortiz would probably find it hard to imagine him not putting effort into a project, comfortable or not. Joell is always known for remarkable lyricism and...
  • Review: Chris Brown's  "X" Album
    29,713 Views
    38 Likes10 Dislikes
    Sometimes one song can set the precedence for an album’s entirety and Chris Brown’s opening title-track, X does just that. The Diplo-produced, hip-hop/EDM comprised record symbolizes Brown’s back and forth attempt at being an R&B, hip-hop, pop and dance music star.The song starts off slow and then builds up to an uptempo dance record filled with egotistical lyrics. The...
  • Review: Rittz's "Next To Nothing"
    7,442 Views
    28 Likes1 Dislikes
    It's no secret that hip-hop at large is lacking in original content. If the music isn't about money, it's about sex; if it's not about sex, it's about who's the hardest (no pun intended); if not who's hardest, it's about hip-hop itself. It's in this musical landscape that a label like Tech N9ne's Strange Music is needed the most. A collective of some of the most bizarre (read: interesting) voices...
  • Review: Jhene Aiko's "Souled Out"
    16,731 Views
    25 Likes1 Dislikes
    There’s something admirable about truly stepping out on your own, as your own person. You’re leaving behind that helping hand, that “co-sign,” and pursing your dreams, able to stand without the crutch. Los Angeles native Jhene Aiko has gained the support of numerous high-level, high-visibility artists, such as Drake, Childish Gambino, No-ID (producer and label boss at...
  • Review: Jeezy's "Seen It All: The Autobiography"
    20,098 Views
    47 Likes7 Dislikes
    Every meaningful artist takes a step back at some point in their career to dwell on their achievements and tribulations in an attempt to make sense of everything that’s happened. JAY Z accomplished this feat on wax with The Black Album. Kanye did the same on My Beautiful Dark Twisted Fantasy, as did Nas on Life Is Good. By sheer force of will, Jeezy has risen...
  • Review: Ty Dolla $ign's "$ign Language"
    13,529 Views
    24 Likes11 Dislikes
    First things first, there's a few things you'll need to effectively set the mood for this one. $ign Language isn't a middle of the afternoon at your office listen, as we quickly learned. Fast forward to a little later at your crib, where you've presumably acquired the 40's of malt, a pile of your favorite strain, and two to three bad bitches that will really make this mixtape ring true. Now...
  • Review: G-Unit's "The Beauty of Independence"
    36,425 Views
    65 Likes13 Dislikes
    After he proved he was a bankable rapper, 50 Cent started his own imprint and made G-Unit his first priority. For a while Lloyd Banks, Tony Yayo, Young Buck and Fiddy were consistently putting out quality music that fed the streets. But all good things must come to an end. In the Unit's case, the general fell out with first Young Buck and kicked him out of the group. This was already after Cali...
  • Review: Travi$ Scott's "Days Before Rodeo"
    21,110 Views
    70 Likes6 Dislikes
    The most gratifying events in music are the moments where you can literally hear the construction in the artist’s mind, the building onto the promise of greatness. While not a guarantee, Days Before Rodeo provides the listener with the glimpses of the incredible, long-ranging capabilities of Travi$ Scott. Scott has been bubbling from below, as both an MC and as a notable producer,...
  • Review: Wiz Khalifa's "Blacc Hollywood"
    40,046 Views
    36 Likes29 Dislikes
    We all know the story with Wiz and his albums, it's a tale as old as time. He goes super, extra hard on his mixtapes to shut up the critics who talked bad about his albums, only to make some of the same mistakes on the next album. It's a vicious cycle, that we're only escaping gradually, in baby steps. Rolling Papers was what the label wanted Wiz to be, and he acknowledged and atoned for...
  • Review: DJ Mustard "10 Summers"
    17,399 Views
    20 Likes7 Dislikes
    Dijon McFarlane, aka DJ Mustard, is a Los Angeles born and raised producer of seemingly all of the most important tracks you’ve heard over the past year. While that statement is obvious hyperbole, his influence on the rap stratosphere is not, and cannot be overstated. When you have producers jack what you’ve made hot, for another artist (cough, Iggy Azalea), with no shame, it means...
  • Review: Sir Michael Rocks "BANCO"
    11,090 Views
    15 Likes2 Dislikes
    As a member of the Cool Kids, Sir Michael Rocks helped pioneer the current “cool kid” rap and fashion swag, since borrowed by a number of your favorite artists. They were the next big thing, even featured in a nationally aired Rhapsody commercial, with future star Sara Bareilles. Unfortunately for the duo, the steam from their almost certain runaway train to stardom ran out halfway...
  • Review: PARTYNEXTDOOR "PARTYNEXTDOOR TWO"
    26,707 Views
    25 Likes8 Dislikes
    PARTYNEXTDOOR is Canadian rising star Jahron Brathwaite, formerly a producer of soft, sunny R&B with EDM inflections. His first wide release under the new name represented a new label situation, through signing with Drake’s OVO Sound, and a fully realized change in sound and lyrical content. Taking a sexually aggressive tone, with dark, bass heavy atmospheres, PARTYNEXTDOOR combines it...
  • Review: Common "Nobody's Smiling"
    13,340 Views
    8 Likes6 Dislikes
    A mostly levelheaded veteran who’s open about his distant relationship with Chicago, Common is the only 30-plus rapper who could’ve made a Nobody’s Smiling. And this goes beyond the conscious label or being a representative of “real hip-hop.” Common’s best works have been guided by a sense of empathy whether it’s through his famous personification of...
  • Review: The-Dream's "Royalty: The Prequel" EP
    4,754 Views
    8 Likes3 Dislikes
    The North Carolina-born and Georgia raised singer-songwriter and producer set out to pay homage to hip hop and his Southern roots on the follow up to his 2013 album, IV Play. Sonically, more like the follow up to his first free release, 1977, which was released under his government name, Terius Nash in 2011 and rereleased by Def Jam for commercial sale the following year. Royalty: The Prequel is...
  • Review: B.o.B.'s "No Genre 2"
    10,699 Views
    17 Likes5 Dislikes
    B.o.B. is one of those artist that currently stands in a grey area: he's attained mainstream success thanks to catchy tunes, but he's also a seasoned rapper, and finds himself balancing between full-out pop music and more hardened hip-hop. So who are his main fans, the picky hip-hop heads or the avid radio listeners? On No Genre 2 he makes a plea for both.  Three years, two albums and two...
  • Review: Trey Songz's "Trigga"
    19,995 Views
    28 Likes16 Dislikes
    The average man thinks about sex between one and 388 times per day; Trey Songz isn’t your average man. In his nine years of making music, the twenty-nine-year-old has made it abundantly clear that sex is pretty much all he thinks about. One might even say he invented it. In a way, Songz's one-dimensionality is a gift and curse. On one hand, when you’re recording the same song for...
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