Birdman eluded Angie Martinez's most important questions with some pretty confusing answers.
5 Things You Need To Know About Drake Collaborator Quentin Miller Jul 22, 2015 at 05:39pm 141,243 Views
Last night, Meek Mill announced to the world that Drake's verse on their collaboration "R.I.C.O." was in fact written with the help of someone else. This isn't "news" per se, as Quentin Miller (the writer in question) appears in the song's credits, but Meek said he had only recently found out, or else he "woulda took it off my album."
Where to begin? Last night saw people from nearly every corner of hip hop (and even some pop mainstays) engaging in a widespread online conflict, oddly enough kicked off by some tweets exchanged between Nicki Minaj and Taylor Swift.
5 Things We Want From Dr. Dre's "Straight Outta Compton" Soundtrack Jul 30, 2015 at 01:01pm 13,966 Views
Tomorrow, Dr. Dre is dropping... something. Ice Cube said as much in an interview earlier this week, calling the release in question "an album inspired by the "Compton" movie," referring to the August 14th N.W.A. biopic that he, Dre and director F. Gary Gray have been working on. But will this be just another "music inspired by the film"-style soundtrack? Or something bigger?
At one point, there was no one hotter than NYC's Fabolous. Coming up in the Bedstuy neighborhood of Brooklyn, Fab eventually started pursuing rap in high school. DJ Clue eventually invited him to come rap on his Hot 97 radio show, which lead to Fab getting signed to Clue's Desert Storm Records.Ghetto Fabolous, the debut album, was released on the tragic September 11th, 2001.
Early yesterday morning, Meek Mill revealed to the world that Drake's verse on "R.I.C.O." was co-written by a guy named Quentin Miller. Jaws dropped, twitter exploded, and many debated whether Drake was still eligible for "best rapper" status. Really though, it wasn't truly a "reveal," as Miller's name appeared on the song's credits in the DWMTM packaging.
The Game was this week's undisputed Instagram MVP, but that doesn't mean other members of the hip hop community didn't have meaningful IG contributions of their own. Lots of big names teamed up for power portraits this week: Kendrick Lamar & Rae Sremmurd, Kevin Hart & Kanye West, Kid Ink & Gary Payton, and many more. Check out the full rundown after the jump.
After completely dominating the conversation last week, Drake and Meek Mill did so again this week, trading diss tracks and sneaky shots, and sparking a ton of response from the rap community. Unfortunately, this drama overshadowed long overdue debut albums from Migos and Gunplay, both of which should satisfy both of their loyal fanbases (stay tuned for those reviews coming in next week).
Holy beef. This week saw arguably more online clashes in the rap game than any other week in the past five years, with Nicki Minaj v. Taylor Swift, Meek Mill v. Drake, Boi-1da v. OG Maco, Ghostface Killah v. Action Bronson, and Bruno Mars v. Ed Sheeran (lol) all clashing. Those dominated the headlines and Twitter alike, so this week's edition of 140 Bars features some of the spillover.
Hip-hop dance crazes have become a huge part of our American mainstream culture. These dances, like the “Shmoney Dance” and the “Wobble” have gone viral due to sites like YouTube, Vine and Vimeo streaming artists’ videos containing them.
Since the defection and lawsuit of former right-hand man Lil Wayne at the top of 2015, Birdman has been taking one L after another. He has few if any reputed allies left, and evidence strongly suggests that neither Nicki Minaj nor Drake will be returning to Cash Money once their contracts expire.
Future's DS2 album just dropped, and you probably spent all weekend taking in the rap/R&B hybrid in. If you paid attention, in any capacity, you probably noticed the drug references peppered in just about each and every song. Of course, lean is what gave the album its title, but there is tons of coke, molly, weed, and prescription pills in these tracks.
We know you're probably sick of all the year-end lists from last year, but we're already in the second month of 2015, and we're hypothesizing who will get their big break in the coming months. This time last year, Bobby Shmurda came across a particularly fiery Jahlil Beats production on YouTube. Months later, iLoveMakonnen would see Drake remixing his song on Instagram.
More so than any weekend since If You're Reading This It's Too Late dropped, the last few days have belonged to Drake. Between premiering his "Energy" video, debuting his and OVO's Beats 1 radio show, sharing three new features/remixes and hinting at his new album's release date, the 6 God had us on high alert all weekend.
Whether you've been listening to Thundercat for years or just now hearing his name mentioned alongside Kendrick Lamar's, there is an undeniable mystique about this bassist / singer virtuoso. Born Stephen Bruner in Los Angeles, Thundercat is currently making serious waves in the worlds of hip hop, jazz, R&B, and funk.
How the hell did we make it through fifty percent of 2015 already? June has seemingly crept up out of nowhere, marking the halfway checkpoint of a year that, so far, has been ripe with exceptional releases from some of hip-hop’s brightest emcees.
In the world of rap, “raunchy music video” is almost always code for “ass-shaking fiesta.” Thus, when narrowing down this list from 30+ videos to 10, I was forced to take multiple criteria into consideration. Is the song any good? Was it popular?
The Weeknd rose up as a largely anonymous kid from Toronto who released three epic mixtapes in 2011. March, August and December each held a release date for this dude who was mixing sounds of electronica, hip-hop, dubstep, R&B, downtempo and soul in a way that had never been done before.Well, it worked.
Nowadays the lines are becoming blurred as to who is a rapper and who is a singer. Not only are genres being bent in different directions, so that it's not uncommon to find an EDM influence (or folk, if it's Yelawolf) in a rap song and vice versa, but vocals are being bent in every which way as well.
Drugs are everywhere in hip-hop. Whether they're mentioned on the radio, seen in music videos, or smuggled into concerts, drugs are pretty much unavoidable in the genre. Weed, lean, pills, coke, booze, shrooms, you name it, dope's not to hard to find. Many rappers, like Juicy J or Lil Wayne, have made it clear in their music that they love getting fucked up.
There is somewhat of a divide between a club banger and a mainstream, popular hip-hop song, however, often times, the two overlap. The ever trust-worthy Urban Dictionary describes “club banger” as a term “used to describe a song to get all da bitches in the club movin.
On 2009's "Successful," a young Drake rapped, "Diss me, you’ll never hear a reply for it," creating somewhat of a mission statement for his career from there on out. In a way, those words were accurate, as Drizzy rarely (if ever) calls out anyone by name in his music, but more accurately, he's become known as the king of the sneak diss, the sultan of the subliminal shot.
If Def Jam taught us anything, it's to respect the DJ. The DJ is responsible for the perpetuation of the art form that is hip-hop. Without DJs, there'd be no medium for the streets and masses to access the music they crave.
It's written in hip-hop lore: The story of a Detroit kid who fought severe personal poverty in hip-hop's battle underground, all the way to mainstream dominance. There's arguably been no other hip-hop star that's reached the level of cultural omnipresence that Eminem has at the turn of the millennium. He was hip-hop's greatest hopes and society's biggest fears all in one.
As we know, Donald Glover AKA Childish Gambino's rap career has been one defined by its unexpected moves. These include, but are certainly not limited to, putting "30 Rock" pal Tina Fey on the same track as Alley Boy, tapping a Swedish composer as his go-to collaborator, and packaging his last album with a 72-page screenplay.
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