Charts Don’t Lie: December 29
    The past week brought Christmas, which undoubtedly brought sales in all departments, music or otherwise. However not all hip-hop artists were lucky enough to benefit from this Christmas season. Although B.o.B released his album Underground Luxury just in time to enjoy some holiday giving, his album fell completely flat, managing to debut at #22 this week on the Billboard 200, moving only 35k.
    Charts Don’t Lie: August 10
    This week we see one new entry below, belonging to October's Very Own's PARTYNEXTDOOR. The r'n'b singer is relatively new, having released his first official mixtape PARTYNEXTDOOR just last summer. Nonetheless, he's already developed quite the loyal following, undoubtedly due (in part) to his affiliation with Drizzy.
    Charts Don't Lie: April 27
    We're still awaiting the albums of both Iggy Azalea and Future to enter the charts, but this week we've got two new entries coming from August Alsina's Testimony and Dizzy Wright's State Of Mind EP.
    Charts Don't Lie: May 12
    Last week we questioned the grip of Will.i.am's influence on the mainstream, with his solo effort, #willpower, moving less than 30k opening week. We could also blame this on the ever-waning sales of albums in general. This week, we get LL Cool J's Authentic album as a new entry in Charts Don't Lie.
    Kid Ink Talks Christmas, Best & Worst Gifts He's Received
    With Christmas arriving tomorrow, we decided it was only appropriate to make our recent interview with Kid Ink Christmas-themed. Ink will no doubt be busy this holiday prepping the release of his debut album My Own Lane for the New Year (January 7th, to be exact), but nonetheless, even rappers have time to celebrate Christmas.
    Underrated Audio: November 23- November 29
    As we do every week, we provide you with several overlooked tracks that appeared on the site this past week in Underrated Audio. The records on here didn't quite hit as many views as we thought they deserved, so we're giving them a second look. Check out the five selections of the week in the gallery above.
    Charts Don’t Lie: May 4
    This week three new rappers entered the Billboard 200, with Future's Honest topping them all sales-wise (we'll let you be the judge on the music). Asher Roth, who has calmed way down from his College Rap days, moved under 10,000 units with his new album RetroHash, released independently. Future and Iggy Azalea also came in neck-and-neck with their respective albums Honest and The New Classic.
    Charts Don’t Lie: June 8
    This week our one new entry belongs to Mariah Carey, who recently released her umpteeth album, Me. I Am Mariah…The Elusive Chanteuse. While the sales show she doesn't quite have that star power she once did, it's still a respectable debut of #3.
    Charts Don’t Lie: October 5
    This week we only have one new entry so to speak of, and it's r'n'b/pop singer Jennifer Hudson with her newly-released JHUD. The album didn't do very much damage on the charts, but it still enters within the Billboard's top 10. Chris Brown, though, is still moving more than JHUD with his album X's second week on shelves.
    Charts Don’t Lie: January 18
    While Taylor Swift remains the reigning queen of the Billboard 200, we get a few new entries from the hip-hop sphere this week. Rae Sremmurd, as projected, landed a top 10 Billboard 200 debut with SremmLife. They even did one better, making it into the top 5 by sliding in at #5.
    Charts Don’t Lie: March 30
    After Charts Don't Lie took a hiatus last week, we are back again this week just in time to highlight three important debuts on the Billboard 200. YG's My Krazy Life, Kevin Gates' By Any Means and Freddie Gibbs & Madlib's Pinata.
    Charts Don't Lie: December 7
    This is a pretty eventful Charts Don't Lie, as we were not only anticipating first week sales for the likes of Eminem, Rick Ross, Beyonce and Iggy Azalea, but we're now seeing the streaming initiative from Billboard in full effect. For those unaware, we'll explain real quick.
    Charts Don’t Lie: January 11
    This week's chart contenders prove to be rather boring, because not much has happened in the past week when it comes to rap, hip-hop and r'n'b charters. We've got Nicki Minaj doing what she does at her #2 spot, which she refuses to leave, we've got J. Cole continuing to hold on to a spot in the top 10, impressively, after charting for four weeks.
    Charts Don’t Lie: June 29
    This week J. Lo returns to the Billboard 200, although her opening week numbers are not as strong as previous releases from the pop star. Back in the 2000s when J. Lo was really in her prime (although we cannot deny she is still looking hot these days), the singer would easily sell upwards of 200,000 units opening week. However her comeback album, A.K.A., didn't even manage to break the 50k mark.
    Charts Don't Lie: January 19
    This week we welcome a new entry on Charts Don't Lie, Kid Ink. Kid Ink is a prime example of a rapper who took his internet fame way past the internet. The Alumni rapper is now signed to a major label, and was able to successfully release his debut album My Own Lane-- he actually surpassed the sales projections of 40-45k.
    Charts Don’t Lie: June 9
    This week r'n'b singer and hit-maker extraordinaire, The-Dream, enters the charts with his latest effort, IV Play. The-Dream is an interesting artist to analyze, because while he creates hits on top of hits for tons artists in the game, his own fan-base is much smaller, yet extremely devout to the singer.
    Charts Don't Lie: January 20th
    This week on Charts Don’t Lie, R&B artists who infuse their music with hip hop collaborations and sounds continue to rule, however things are about to change as A$AP Rocky’s studio debut is projected to top the Billboard 200 next week.  In the interim, we see the holdovers from 2012 selling solid with some of the best albums of the year still appearing on the charts. 
    Charts Don’t Lie: February 9
    This past week has been pretty interesting for the Billboard 200. Following the Grammys and more recently, the Super Bowl, we've seen several artists gain substantial increases in sales. First, the song that Macklemore & Ryan Lewis performed at the Grammys, "Same Love", as we reported earlier this week, saw a crazy increase in sales of 350%, while their album, The Heist, saw a 62% increase.
    Origins: Pusha T's "My Name Is My Name"
    Pusha T said in an interview that he had the best album of the year. On top of that he said that he had the best production. The audience rating on our site's review of this album at an outstanding 93%. This album is undoubtedly one of the best of 2013 with producers such as Kanye West, Hudson Mohawke, The Dream, Pharrell Williams and...
    Charts Don’t Lie: February 16
    Although we saw an increase in overall album sales last week, due to the Grammys and the Super Bowl, this week we're back down again, with a 3% decrease compared to last week.
    Charts Don’t Lie: May 25
    This week we're seeing how a little bit (or a lot, rather) of media coverage can go a long way. While we have new entries from Michael Jackson (Xscape) and Iamsu! (Sincerely Yours), we're also seeing a few classic albums re-enter the Billboard 200, plus there's the aftermath of the Solange/Jay Z elevator blow out.
    Charts Don’t Lie: November 23
    Big K.R.I.T. lands himself a strong debut for his sophomore effort Cadillactica, sliding into the Billboard 200's top 5 at #5. This happens to be the same debut as his first LP, Live From The Underground, although Krizzle upped his numbers this time, ever so slightly, moving 44,000 units. Live From The Underground did 41,000.
    Chart’s Don’t Lie: February 1
    This week both Joey Bada$$ and Lupe Fiasco finally make their splash on the Billboard 200. One splash was bigger than another, though. The sales projections for both artists were pretty accurate, with Joey doing 57,694 units when you take into account the single and album streams, and Lupe doing 42,458.
    Charts Don't Lie: February 17th
    All eyes were on the world of music as it was the 55th Annual Grammy Awards, which many artists used as a platform to push new material and make announcements of upcoming projects.   As far as the world of hip hop and R&B went, there were no real notable new releases.  The biggest new project to drop was Joe Budden’s, who, following the
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