Kid Ink Talks Christmas, Best & Worst Gifts He's Received
    With Christmas arriving tomorrow, we decided it was only appropriate to make our recent interview with Kid Ink Christmas-themed. Ink will no doubt be busy this holiday prepping the release of his debut album My Own Lane for the New Year (January 7th, to be exact), but nonetheless, even rappers have time to celebrate Christmas.
    Charts Don’t Lie: January 18
    While Taylor Swift remains the reigning queen of the Billboard 200, we get a few new entries from the hip-hop sphere this week. Rae Sremmurd, as projected, landed a top 10 Billboard 200 debut with SremmLife. They even did one better, making it into the top 5 by sliding in at #5.
    Charts Don't Lie: December 7
    This is a pretty eventful Charts Don't Lie, as we were not only anticipating first week sales for the likes of Eminem, Rick Ross, Beyonce and Iggy Azalea, but we're now seeing the streaming initiative from Billboard in full effect. For those unaware, we'll explain real quick.
    Charts Don’t Lie: January 11
    This week's chart contenders prove to be rather boring, because not much has happened in the past week when it comes to rap, hip-hop and r'n'b charters. We've got Nicki Minaj doing what she does at her #2 spot, which she refuses to leave, we've got J. Cole continuing to hold on to a spot in the top 10, impressively, after charting for four weeks.
    Charts Don't Lie: January 19
    This week we welcome a new entry on Charts Don't Lie, Kid Ink. Kid Ink is a prime example of a rapper who took his internet fame way past the internet. The Alumni rapper is now signed to a major label, and was able to successfully release his debut album My Own Lane-- he actually surpassed the sales projections of 40-45k.
    Charts Don’t Lie: June 9
    This week r'n'b singer and hit-maker extraordinaire, The-Dream, enters the charts with his latest effort, IV Play. The-Dream is an interesting artist to analyze, because while he creates hits on top of hits for tons artists in the game, his own fan-base is much smaller, yet extremely devout to the singer.
     Charts Don’t Lie: March 2
    It's almost time for the ScHoolboy Q and Kid Cudi chart invasion, but not just yet. We received the first week sales projection for both rappers respective releases, Oxymoron and Satellite Flight, and both are on track to sell a solid amount of albums.
    Charts Don’t Lie: February 16
    Although we saw an increase in overall album sales last week, due to the Grammys and the Super Bowl, this week we're back down again, with a 3% decrease compared to last week.
    Charts Don’t Lie: February 9
    This past week has been pretty interesting for the Billboard 200. Following the Grammys and more recently, the Super Bowl, we've seen several artists gain substantial increases in sales. First, the song that Macklemore & Ryan Lewis performed at the Grammys, "Same Love", as we reported earlier this week, saw a crazy increase in sales of 350%, while their album, The Heist, saw a 62% increase.
    Charts Don’t Lie: May 18
    This week the hip-hop underground proves you don't need to be mainstream to top the Billboard 200, at least these days. Two mainstays within the underground movement debuted within the top 10 of the Billboard charts this week.
    Charts Don’t Lie: November 23
    Big K.R.I.T. lands himself a strong debut for his sophomore effort Cadillactica, sliding into the Billboard 200's top 5 at #5. This happens to be the same debut as his first LP, Live From The Underground, although Krizzle upped his numbers this time, ever so slightly, moving 44,000 units. Live From The Underground did 41,000.
    Charts Don’t Lie: November 2
    This week the race between T.I. and Logic for the top spot on the Billboard 200 comes to a close. Many fans have been anticipating the competition between the OG and the newcomer, and the final tally finds Tip coming out ahead by less than 10,000 copies. Paperwork didn't nab the #1 spot but finagled #2 with 80k copies. Under Pressure comes up under T.I. at #4 with a solid 72k.
    Charts Don’t Lie: February 23
    Overall album sales are up this week by 20% according to Nielsen, and we may have Valentine's Day purchases to blame for this one. Perhaps lovers were picking up Drake's Nothing Was The Same, and some r'n'b albums for V-Day? Along with Drake seeing a rise in sales, so did Justin Timberlake, R. Kelly, Beyonce and John Legend-- those are all very Valentine's Day-worthy releases.
    Charts Don't Lie: November 9
    This week something quite significant went down on the Billboard 200, albeit it's outside of the genre of hip-hop. Taylor Swift basically broke the mold and sold over 1 million copies of her new album, 1989, in turn giving her the highest sales in one week since 2002. That's twelve years ago.
    Chart’s Don’t Lie: February 1
    This week both Joey Bada$$ and Lupe Fiasco finally make their splash on the Billboard 200. One splash was bigger than another, though. The sales projections for both artists were pretty accurate, with Joey doing 57,694 units when you take into account the single and album streams, and Lupe doing 42,458.
    Charts Don’t Lie: December 14
    This week on Charts Don't Lie we see the Christmas spirit in effect, as Mariah Carey's 1994 album Merry Christmas soars back up the charts. We're also seeing a relatively quick decent for the MMG boss Rick Ross, and a relatively low debut for his counterpart Omarion. Wu-Tang Clan arrive on the charts with A Better Tomorrow receiving around 25k streams and sales, although they get one-upped by Ms.
    Charts Don’t Lie: May 25
    This week we're seeing how a little bit (or a lot, rather) of media coverage can go a long way. While we have new entries from Michael Jackson (Xscape) and Iamsu! (Sincerely Yours), we're also seeing a few classic albums re-enter the Billboard 200, plus there's the aftermath of the Solange/Jay Z elevator blow out.
    Charts Don’t Lie: October 19
    This week we're finding several new entries in the Billboard 200, although nothing took over the #1 spot. Keyshia Cole actually comes out on top this week, debuting at #9, moving 25,000 copies opening week. Her album dropped around the same time she got in the news for assaulting a Cash Money employee, which leads us to ask, publicity stunt or nah?.
    Charts Don't Lie: February 17th
    All eyes were on the world of music as it was the 55th Annual Grammy Awards, which many artists used as a platform to push new material and make announcements of upcoming projects.   As far as the world of hip hop and R&B went, there were no real notable new releases.  The biggest new project to drop was Joe Budden’s, who, following the
    Charts Don't Lie: September 7
    We're currently awaiting first week sale numbers for Jeezy's new album, Seen It All, which is supposed to move around 90k-100k. Even though these are just projections at the moment, it's extremely unlikely The Snowman will be able to beat the sales of his last album TM:103 Hustlerz Ambition, which moved 233,000 copies when it dropped three years ago.
    Talking To Logic & C-Sick On "Two Kings"
    Logic was quietly grinding in his hometown of Maryland for some time, releasing tape after tape, before he hit it big and signed a deal with Def Jam. His story is similar to that of many rappers: an absentee father, a mother with a drug addiction, and a high school drop out. However, Logic is not your average rapper.
    Charts Don’t Lie: April 20
    This week on the charts we see a new entry with Top Dawg's lady SZA, who made a strong debut considering it's her first release on the label/first release for sale. Similar to Isaiah Rashad's Cilvia Demo, which debuted at #40, SZA's Z debuted at #39 by moving 7,000 units.
    Charts Don’t Lie: May 11
    This week we're seeing how Honest and The New Classic are holding up after spending two weeks on the Billboard 200. Despite lagging behind in the first week the albums were on shelves, Iggy Azalea has now surpassed Future sales-wise and she sits atop the charts at #5.
    Emerging Hip Hop Scenes: Toronto Edition
    Home to one of the game’s biggest stars and several acclaimed risers, Toronto is finally emerging as the hip hop force it’s spent over two decades trying to become. Until recently, the city’s place on the world stage was tenuous. As North America’s fourth largest market, Toronto has produced talented and original
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