See where "Blue Dream & Lean 2" ranks among Juicy's most ratchet mixtapes.
This week Drake is knocked from his pedestal ever so slightly, as Big Sean's new album Dark Sky Paradise is ushered in at #1. Drake moves to #4, which still isn't a bad look, considering he's above rivals Chris Brown and Tyga. Fan of a Fan didn't move as much as you might expect two mainstream stars to sell-- with just over 50k in pure sales opening week.
Today may not be a government-mandated holiday, but for those who advocate a green lifestyle, it's just as important as any other statutory holiday. Rap music has a special niche for all the weed smokers out there, however it's really transcended that niche genre and has become pretty common-place.
Over the past 5 years, Danny Brown has made his insane rap style appeal to a massive audience. Through strategic collaborations and, let's face it, good music, Brown has gone from the mixtape circuit to become one of the biggest rappers in the game.
Another stellar year for hip-hop. As the digital market continued to flourish, singles did accordingly. From Chicago trap to New York boom-bap to Houston trill, it’s all here. Not only were the year’s top singles diverse, but their marketing tactics were unique as well (take Kanye’s “New Slaves”, for example).
HotNewHipHop's On The Come Up profiles emerging rappers and producers that show strong promise but haven't necessarily seen the shine they deserve, from those deep underground to artists on the cusp of the mainstream that you may have missed. You'll find analyses of their defining characteristics, examples of their best work and plenty of opportunities to dig deeper via hyperlinks.
Beyonce & Jay Z Share Photos From New Year's Eve & Blue Ivy's 2nd Birthday Jan 16, 2014 at 06:05pm 41,378 Views
Beyonce and Jay Z like to keep their personal life under tight wraps, so whenever we get a glimpse at what the power couple has been up too, we usually take it.
Future is lightyears ahead of his time. Since touching down in 2012 with his Epic Records debut album Pluto, the Freeband Gang founder has continued hustling as an artist. The sloppy, melodic flow Future introduced on Pluto has been used by virtually every trapper who’s poppin’ today, and U.O.E.N.O. it.
When hip-hop began, samples were all that DJs and producers had to construct instrumental tracks with. They'd dig through crates of vinyl trying to find isolated drum breaks, melodies or vocals that they could repurpose for use in hip-hop music. Today, sampling has become less common, but a choice sample can still push a track from lukewarm to hot faster than you can say "uh-huh honey".
Rap is a young man’s game. No matter how much you may disagree, the fact remains that there are a good bit of rhymesayers who have secured their financial future from making a successful entry into the rap arena and conquering other avenues.
This week proved to be a big one for hip-hop music, with Joey Bada$$ and Lupe Fiasco dropping their respective albums on the same day (January 20th), not to mention, free projects from Trinidad James, Lil Wayne, Yo Gotti and K Camp. While the latter projects won't be charting on the Billboard 200, both Joey and Lupe are expected to impact shortly.
As you probably heard last night, Drake started yet another trend with his #HoodGrammys on Instagram. That's all well and good, but he only announced 5 awards, and to be honest there was a slight OVO-family bias with some of them (PARTYNEXTDOOR with mixtape of the year? Bruh.) So we've decided to use this week's Top 10 instalment fill in all the missing categories.
After a relatively stable week, the top of the HNHH Top 100 became the Wild West once more. The week was dominated by newcomers (even if several of these are new takes on tracks we’ve all heard), with only a few stragglers holding on to top spots. 10) Belly ft. The Weeknd – Might Not
First things first, there's a few things you'll need to effectively set the mood for this one. $ign Language isn't a middle of the afternoon at your office listen, as we quickly learned. Fast forward to a little later at your crib, where you've presumably acquired the 40's of malt, a pile of your favorite strain, and two to three bad bitches that will really make this mixtape ring true.
Dijon McFarlane, aka DJ Mustard, is a Los Angeles born and raised producer of seemingly all of the most important tracks you’ve heard over the past year. While that statement is obvious hyperbole, his influence on the rap stratosphere is not, and cannot be overstated.
Underrated Audio aims to provide you with some dope looks from the last seven days, that flew under most peoples' radars. While they may have received front-page placement on HNHH, they didn't get as many views as they deserve, so we shine a little more light on them right here.
While emcees and rappers are mostly lauded for their lyrical capability, there’s something astonishing about having voice control, diversified delivery and for whatever reason, having a voice that stands out.
After devoting a few of the most recent editions of "Samples Of The Week" to break down sample-heavy albums by J. Cole, Lupe Fiasco. Joey Bada$$ and Fabolous, we return to the usual format this week. That means it's back to covering three big tracks that dropped this week, and this time around, they're taken from all corners of the hip-hop spectrum.
Who is Theophilus London, anyways? The Brooklyn-based, Trinidad-born 27-year old isn't really an MC, but he doesn't really sing all the time either. He cares about The Smiths more than he cares about Gang Starr and for some reason all of this attracts the likes of Kanye West to take on the roll of executive producer on his newest album Vibes.
Game Changers is a new HNHH feature that highlights artists that have left a strong mark on hip hop. Whether it be through creativity, influence, exposure, or just plain good timing, a game changer is someone who has brought something to rap where the game just wouldn't be the same without them. In our first entry to the series, we're
Atmosphere have a lengthy history within the underground rap scene, and while they've never quite made it to mainstream stardom (there is probably a reason: they don't want too), they've developed large and loyal underground following. The duo, individually known as Slug and Ant, released their debut album Overcast!, then with another member by the name of Spawn, in 1997.
Before he was acting in "Fast and Furious" movies, before he even made music under the name Bow Wow, Shad Moss was a 13-year old rapper known as Lil Bow Wow. The concept of a kid rapper is an interesting anomaly. On one hand, rap is a young man's sport, but on the other side of things, how much knowledge can a boy give you before he can even drive a vehicle?
There's no denying the inspiration rappers draw from movies, whether the sound is on or off.
Battle rap is quickly growing as a culture. What was almost completely relegated to street corners and Youtube a few years ago has garnered national recognition, more tv programming, Pay-Per-View events, and other attention of the mainstream media. Hip Hop icons like Eminem and Snoop Dogg have put on events for the battle scene and at this rate things can only continue to expand.
For almost a year, living in his friend’s basement, MC Logic worked non-stop on a deadline to make "it" happen before the year was up. And that he did. The Maryland native signed with Visionary Music Group and Def Jam, and began working on his first project, Under Pressure. The album debuted at #4 last month on the Billboards, falling only behind veteran emcee T.I. and his Paperwork album.
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