R.I.P. Tupac Shakur.
We both hope and assume y'all have seen or are at least familiar with HBO's "The Wire" at this point - if not, it's due time you did your homework.
Few names have taken the hip-hop world by storm like ILoveMakonnen has in the last few months. A buzz-worthy mixtape artist came to mainstream fame after signing to Drake's OVO Sound label, along with having Drizzy blessing his single "Tuesday" with a verse. ILoveMakonnen's career hasn't been the same since, and Tuesdays at the club have been going up ever since.
“The supreme art of war is to subdue the enemy without fighting.” ― Sun Tzu, The Art of War To be dissed in rap is nothing new. Whether it’s your flow, fashion sense or recent actions, name one MC who doesn’t have a target on his or her back for any rival rhymesayer to take a shot at. Ready, aim…but wait!
50 Cent has been through so much beef, you could probably dedicate a book to the fights he has picked. Throughout his career, he has never been shy to give his honest opinion about fellow rappers. He has mastered the art of the diss song and pretty much wears the crown for being the king at feuding. His moves to out battle his rivals have been smart, conniving and sometimes just plain deep.
Review: Kid Cudi's "Satellite Flight: The Journey To Mother Moon" Feb 27, 2014 at 05:55pm 50,117 Views
Although none of his albums have really been critical hits, Kid Cudi’s main appeal is using outside, atypical influences and sounds to articulate some sort of emotional journey into the tortured soul.
Flying Lotus has been making brain-melting beats for about a decade now. The LA-based producer lives in the underground, but as the electronic music world has exploded, his music has gained the acclaim of critics and casual music listeners everywhere.
In case you're living under a rock and missed the story, Suge Knight caught a few strays the other night at a VMA pre-party. This raises a few burning questions that need to be answered. First, who's still inviting Suge Knight to these parties? Clearly where he goes, so do hella bullets.
Summer's almost here, and as the weather heats up, so does the music. More than any other season, we define summer by our favorite tunes, which usually coincide with our most memorable (or never to be remembered) moments of revelry.
Miguel is an R&B artist that not many will argue against. After bursting onto the music scene in 2010 with his debut single and album "All I Want Is You", Miguel has been a casually unstoppable force in music, with hits like "Sure Thing," "Adore," "Quickie," and features like "Lotus Flower Bomb" and "Good Lovin" keeping Miguel in the back of our minds and at the top of our playlists.
"Playing with your parts hopping in and out the friendzone..." Father really ain’t shit, y'all. He went on tour, dropped this chill ass 12-track album appropriately titled Who's Gonna Get Fucked First? on the interwebs last week, and did not run any of this by me...'cause we were totes besties back in two years from now.
Today, The Game became the first major rapper to chime in on the controversy between Lil Wayne and Young Thug. He had to choose Blood over Blood, and, unsurprisingly, chose Carter over Barter, and warned Thugga not to step foot anywhere in the Golden State.
Lean is by no means a new craze in hip-hop. Since the early days of DJ Screw, promethazine mixed with codeine and Sprite has been the recipe for many southern classics. Though purple drank originated in Houston, it has slurred its way into Atlanta, New Orleans, and just about every other hip-hop metropolis in the country.
What most music fans don’t know is that a major record label deal is not guaranteed change in your pocket. A recording contract is essentially a legal agreement which allows the record label to exploit an artist’s work through recorded material. This includes the album’s release, promotion, marketing, sales… you name it.
I don't know where you were when the sad wars hit, but if Yung Lean and his Sad Boy affiliates ushered in an era where 15-year-old Swedish kids crying over pokemon cards, clad in North Face, are spawning articles in swanky East Coast outlets, now seems like the time to honor the tradition of hip-hop tear jerkers that broke your heart but didn't actually make you cry that one time.
Waking up isn't always easy. Why would anyone want to leave the comfort of their warm bed to enter out in to the world? It almost doesn't make sense when you think about it. But we all have responsibilities, and we can't waste our entire lives away sleeping!
Without releasing an album, Drake has completely dominated the first two thirds or so of 2014, staying on the tip of everyone's tongues by delivering unexpected fireballs like "0 To 100/The Catch Up" and "Draft Day." But more so than anything else, the reason Drake's been able to stay relevant this year is his insane gift for picking features.
On paper, recording a song for a film soundtrack is considered the ultimate form of selling out. The music itself is literally used as promotional material for a larger product. Music money is big, but movie money is on another level (ask Ludacris, who hasn't released an album since "Fast Five").
Battle rap is quickly growing as a culture. What was almost completely relegated to street corners and Youtube a few years ago has garnered national recognition, more TV programming, Pay-Per-View events, and other attention of the mainstream media. Hip hop icons like Eminem and Snoop Dogg have put on events for the battle scene and at this rate things can only continue to expand.
I want to like the new Public Enemy record. I really do.
With the rise of digital music, decline of music sales, and mass growth and adoption of social networks and blogs, we have seen the playing field become leveled. With that has come fewer major label releases and a lion share of independent releases.
Many emcees are noted for their serious, aggrandized personas so it becomes easy to forget that for the most part, Hip Hop is about fun and many rappers use their verses to tell some jokes (isn't that why they call them punch lines?).
Review: Earl Sweatshirt's "I Don't Like Shit, I Don't Go Outside" Mar 29, 2015 at 03:42pm 20,830 Views
Earl Sweatshirt’s I Don’t Like Shit, I Don’t Get Outside is a short and moody album. It also happens to be a very focused, quality listen, and possibly the best output we’ve received from the California native. Through bummed-out stoned raps and shoegazing beats, Earl proves to be one of the most talented, albeit depressed, rappers in the game.
Introduced to most of us via her dope Cloud 19 tape last summer, Bay Area native Kehlani has kept her grind strong since then, now gearing up to release a follow-up on April 28th. Before we get You Should Be Here, we're out to preach to the unconverted and convince you that Kehlani deserves to be on your iPod.
Rick Ross changed the landscape of rap when he forged his indomitable empire Maybach Music Group. His new signees, Wale and Meek Mill, were unproven commodities who simply needed a chance to thrive and eclipse expectations. Under Ross' tutelage, both artists have sculpted strong careers and have expanded their fanbases exponentially.
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